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"Oh, really? Help doing what?"

She rubs a little lower.

"Practicing my moves."

42.

By nine o'clock the next morning, Fiona and I are in downtown Hamilton, sitting across the desk from Chief Inspector Worley.

"I assure you, Ms. McHugh, we are not trying to shut you out of this investigation," Worley says. "We intend to keep you in the loop every step of the way."

"Then why didn't you tell me about the other two murders?"

Worley falters for a moment.

"I apologize for that. I was waiting for the appropriate moment."

"That would have been the moment I first sat down with you two days ago. As it was, I knew nothing about the other murders until Zack told me."

Worley looks at me.

"I heard about it from a taxi driver," I say. "Then his niece told me more. Janeen Hill. She works for the Gazette. Used to anyway."

"Yes, I know Janeen Hill." Worley says it with more than a little weariness. "I've dealt with her many times over the years. Spoke with her again yesterday."

Fiona and I share a look.

Fiona says, "She called you?"

"That's right."

"When?"

"Late. I was getting ready to call it a day."

"What did you speak with her about?"

"Spoke some about your brother. She said she had met with you and Mr. Chasteen earlier in the day and learned that your brother was a marine archaeologist. She said she thought he might have been looking for the same thing that brought the previous victims to Bermuda."

"The wreck of the Santa Helena?"

"Yeah," says Worley. "That nonsense."

"Nonsense?"

"Let's just say that I don't put much stock in the stories I've heard about that ship."

"And you're an authority in such matters, Inspector?"

If Fiona's words touch a nerve in Worley, then he doesn't let it show. He observes her coolly for a moment, then says, "No, Ms. McHugh, I'm not an authority. But I've consulted on a frequent basis with someone who is-Dr. Michael Frazer."

"The curator of wrecks," I say.

"That's right," says Worley. "You know him?"

"We've met. Briefly."

"Frazer's a smart man, one of the smartest around. If there's anyone who knows shipwrecks then it's him," says Worley. "He says there's no proof that this Santa Helena ever existed. Calls it an archaeological urban myth, something that has been floating around for years and years, leading people on wild-goose chases all over the world."

Fiona says, "What about the Fratres Cruris?"

A dismissive laugh from Worley.

"You mean the secret brotherhood that built the ship that doesn't exist?"

Fiona plods ahead anyway.

"I'm told they pulled out the eyes of their victims before they killed them."

"And who told you that?"

"Janeen Hill."

Worley studies Fiona for a moment, shakes his head.

"Ms. McHugh, in training to become a police officer in Australia, did they teach you anything at all about verifying the credibility of an individual who comes forth with possible information in a case?"

"Of course. Why? Are you saying that Janeen Hill isn't credible?"

Worley shrugs.

"Oh, Janeen's OK. Flaky as hell, but harmless. Typical journalist. More interested in making headlines than anything else. On a ten-point credibility scale, I'd give her about a two."

Fiona mulls it over, says: "Credible or not, Janeen Hill is the only person who has offered me a possible explanation for what might have gotten my brother killed."

"And there's nothing to it, I'm telling you!" Worley's words are sharp, sharper than they need to be. He recognizes it. "Sorry, but I chased that horse for months after Richard Peach and Martin Boyd were killed. The ship. The secret brotherhood. The piece of the cross. All that. Know where it got me? Nowhere."

Worley drums his fingers on the desk, looks at his watch.

"What about Martin Boyd?" I ask.

Worley shoots me a look.

"What about him?"

"Janeen Hill talked a lot about Richard Peach, but not much about Boyd. All I know about him is that he was Peach's partner and a treasure salvor of some reputation."

Worley rubs his chin, serves up a sly grin.

"Had a reputation for a few other things, too," he says.

"Do tell."

"Let's just say that for the short time he was in Bermuda, Martin Boyd cut a pretty wide swath among the women here. Including at least one woman that he should have stayed clear of."

"She was married, I take it?"

"Oh yeah, real married. Married to someone who wasn't exactly openminded about such things."

"Care to mention any names?"

Worley shakes his head.

"No, not really. Besides, the husband is dead now and his wife has left the Rock. But for a while there-early on, right after Peach and Boyd were killed-it looked like we might have something."

"Thought maybe the husband had killed them?"

Worley nods.

"He looked good for it, considering who he was and everything. Turned out he was off island, down in Miami, when it happened. And as much as it would have made a nice, tidy little package, I'm convinced he didn't do it." Worley lets out a sigh. "Murder typically doesn't get real complicated. Either a man-woman thing. Or a money-greed thing. In any case, it generally all comes down to somebody wanting something that somebody else has got. Simple as that."

"So," Fiona says. "What have you got?"

Worley looks at her.

"Nice segue," he says.

"I take my openings where I find them."

"As it turns out," Worley says, "we're working a lead. A very strong lead."

Fiona and I wait for him to add something more, but no, he's enjoying letting us dangle.

Fiona scoots closer to Worley's desk, puts an elbow on it, says: "Well, since I'm in the loop every step of the way, perhaps you could tell me what that lead might be."

Worley rubs his tongue along the back of his teeth, smiles.

"You superstitious, Ms. McHugh?"

"Sure, about some things. Why?"

"Well, I'm superstitious about some things, too. And more than anything else I'm superstitious when it comes to talking too much about a case when I can feel that I'm about ready to tie all its pieces together."

"Are you telling me that you're close to finding who killed my brother?"

Worley shrugs.

"I would hate to jinx it," he says.

Fiona looks at me. There's hope in her eyes.

Worley pushes his chair back from the desk, stands.

"Now, Miss McHugh, if you don't mind." He looks at me, then back at her. "I need a few moments with Mr. Chasteen. Alone."

Fiona starts to say something, but Worley nods her to the door.

"It won't take long," Worley says. "I promise."

43.

No sooner has Fiona closed the door behind her, than Worley grabs a manila file from a drawer, then steps around to the front of his desk. He leans against it, looking down at me. He holds up the file, shakes it at me.

"What the hell were you up to last night, Chasteen?"

"It has nothing to do with the murders, Inspector. It's a private matter."

Worley opens the file, studies it for a moment.

"Says here that the complainant reported gunfire."

I don't say anything.

Worley studies the file some more.

"It says that three men were questioned as they left the building where the gunfire was reported. These three men just happen to be known associates of Papi Ferreira."

I don't say anything.

"It says that these three men looked as if they had been in a scuffle of some sort and had come out on the short end of things. You know anything about that?"

"Wasn't much of a scuffle," I say. "Over almost as soon as it began."

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