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"Stockton made his secret visit to the house that night to get what was in that vault without her knowledge. He knew of its existence. His father had probably told him. The thing that appeared on page seven of the family Bible was in all probability the copper hardening process he was perfecting. I should think it had been written there in invisible ink. John Stockton knew this was there. His father told him. If his father told it, Miss Devan probably overheard it. She knew it, too.

"Now the actual circumstances of the death. The girl must have had and used a key to the work room. After John Stockton left the house that Monday night she entered that room. She found his father dead of heart disease. The autopsy proved this.

"Then the whole scheme was clear to her. She forged that cipher letter-as Pomeroy Stockton's secretary she probably knew the handwriting better than anyone else in the world-placed it in his pocket, and the rest of it you know."

"But the Bible in John Stockton's room?" asked Hatch.

"Was placed there by Miss Devan," replied The Thinking Machine. "It was a part of the general scheme to hopelessly implicate Stockton. She is a clever woman. She showed that when she produced the fountain pen, having carefully filled it with blue instead of black ink."

"What was in the locked vault?"

"That I can only conjecture. It is not impossible that the inventor had only part of the formula he so closely guarded written on the Bible leaf and the other part of it in that vault, together with other valuable documents.

"I may add that the letters which John Stockton had were not forged. They were written without Miss Devan's knowledge. There was a vast difference in the handwriting of the cipher letter which she wrote and those others which the father wrote.

"Of course it is obvious that the missing will is now, or was, in Miss Devan's possession. How she got it, I don't know. With that out of the way and this cipher unravelled apparently proving the son's guilt, at least half, possibly all, of the estate would have gone to her."

Hatch lighted a cigarette thoughtfully and was silent for a moment.

"What will be the end of it all?" he asked. "Of course, I understand that John Stockton will recover."

"The result will be that the world will lose a great scientific achievement-the secret of hardening copper, which Pomeroy Stockton had rediscovered. I think it safe to say that Miss Devan has burned every scrap of this."

"But what will become of her?"

"She knows nothing of this. I believe she will disappear before Stockton recovers. He wouldn't prosecute anyway. Remember he loved her once."

John Stockton was convalescent two weeks later, when a nurse in the City Hospital placed an envelope in his hands. He opened it and a little cloud of ashes filtered through his fingers onto the bed clothing. He sank back on his pillow, weeping.

_______________________.

MYSTERY OF THE FLAMING PHANTOM.

I.

Hutchinson Hatch, reporter, stood beside the City Editor's desk, smoking and waiting patiently for that energetic gentleman to dispose of several matters in hand. City Editors always have several matters in hand, for the profession of keeping count of the pulse-beat of the world is a busy one. Finally this City Editor emerged from a mass of other things and picked up a sheet of paper on which he had scribbled some strange hieroglyphics, these representing his interpretation of the art of writing.

"Afraid of ghosts?" he asked.

"Don't know," Hatch replied, smiling a little. "I never happened to meet one."

"Well, this looks like a good story," the City Editor explained. "It's a haunted house. Nobody can live in it; all sorts of strange happenings, demoniacal laughter, groans and things. House is owned by Ernest Weston, a broker. Better jump down and take a look at it. If it is promising, you might spend a night in it for a Sunday story. Not afraid, are you?"

"I never heard of a ghost hurting anyone," Hatch replied, still smiling a little. "If this one hurts me it will make the story better."

Thus attention was attracted to the latest creepy mystery of a small town by the sea which in the past had not been wholly lacking in creepy mysteries.

Within two hours Hatch was there. He readily found the old Weston house, as it was known, a two-story, solidly built frame structure, which had stood for sixty or seventy years high upon a cliff overlooking the sea, in the center of a land plot of ten or twelve acres. From a distance it was imposing, but close inspection showed that, outwardly, at least, it was a ramshackle affair.

Without having questioned anyone in the village, Hatch climbed the steep cliff road to the old house, expecting to find some one who might grant him permission to inspect it. But no one appeared; a settled melancholy and gloom seemed to overspread it; all the shutters were closed forbiddingly.

There was no answer to his vigorous knock on the front door, and he shook the shutters on a window without result. Then he passed around the house to the back. Here he found a door and dutifully hammered on it. Still no answer. He tried it, and passed in. He stood in the kitchen, damp, chilly and darkened by the closed shutters.

One glance about this room and he went on through a back hall to the dining-room, now deserted, but at one time a comfortable and handsomely furnished place. Its hardwood floor was covered with dust; the chill of disuse was all-pervading. There was no furniture, only the litter which accumulates of its own accord.

From this point, just inside the dining-room door, Hatch began a sort of study of the inside architecture of the place. To his left was a door, the butler's pantry. There was a passage through, down three steps into the kitchen he had just left.

Straight before him, set in the wall, between two windows, was a large mirror, seven, possibly eight, feet tall and proportionately wide. A mirror of the same size was set in the wall at the end of the room to his left. From the dining-room he passed through a wide archway into the next room. This archway made the two rooms almost as one. This second, he presumed, had been a sort of living-room, but here, too, was nothing save accumulated litter, an old-fashioned fireplace and two long mirrors. As he entered, the fireplace was to his immediate left, one of the large mirrors was straight ahead of him and the other was to his right.

Next to the mirror in the end was a passageway of a little more than usual size which had once been closed with a sliding door. Hatch went through this into the reception-hall of the old house. Here, to his right, was the main hall, connected with the reception-hall by an archway, and through this archway he could see a wide, old-fashioned stairway leading up. To his left was a door, of ordinary size, closed. He tried it and it opened. He peered into a big room beyond. This room had been the library. It smelled of books and damp wood. There was nothing here-not even mirrors.

Beyond the main hall lay only two rooms, one a drawing-room of the generous proportions our old folks loved, with its gilt all tarnished and its fancy decorations covered with dust. Behind this, toward the back of the house, was a small parlor. There was nothing here to attract his attention, and he went upstairs. As he went he could see through the archway into the reception-hall as far as the library door, which he had left closed.

Upstairs were four or five roomy suites. Here, too, in small rooms designed for dressing, he saw the owner's passion for mirrors again. As he passed through room after room he fixed the general arrangement of it all in his mind, and later on paper, to study it, so that, if necessary, he could leave any part of the house in the dark. He didn't know but what this might be necessary, hence his care-the same care he had evidenced downstairs.

After another casual examination of the lower floor, Hatch went out the back way to the barn. This stood a couple of hundred feet back of the house and was of more recent construction. Above, reached by outside stairs, were apartments intended for the servants. Hatch looked over these rooms, but they, too, had the appearance of not having been occupied for several years. The lower part of the barn, he found, was arranged to house half a dozen horses and three or four traps.

"Nothing here to frighten anybody," was his mental comment as he left the old place and started back toward the village. It was three o'clock in the afternoon. His purpose was to learn then all he could of the "ghost," and return that night for developments.

He sought out the usual village bureau of information, the town constable, a grizzled old chap of sixty years, who realized his importance as the whole police department, and who had the gossip and information, more or less distorted, of several generations at his tongue's end.

The old man talked for two hours-he was glad to talk-seemed to have been longing for just such a glorious opportunity as the reporter offered. Hatch sifted out what he wanted, those things which might be valuable in his story.

It seemed, according to the constable, that the Weston house had not been occupied for five years, since the death of the father of Ernest Weston, present owner. Two weeks before the reporter's appearance there Ernest Weston had come down with a contractor and looked over the old place.

"We understand here," said the constable, judicially, "that Mr. Weston is going to be married soon, and we kind of thought he was having the house made ready for his Summer home again."

"Whom do you understand he is to marry?" asked Hatch, for this was news.

"Miss Katherine Everard, daughter of Curtis Everard, a banker up in Boston," was the reply. "I know he used to go around with her before the old man died, and they say since she came out in Newport he has spent a lot of time with her."

"Oh, I see," said Hatch. "They were to marry and come here?"

"That's right," said the constable. "But I don't know when, since this ghost story has come up."

"Oh, yes, the ghost," remarked Hatch. "Well, hasn't the work of repairing begun?"

"No, not inside," was the reply. "There's been some work done on the grounds-in the daytime-but not much of that, and I kind of think it will be a long time before it's all done."

"What is the spook story, anyway?"

"Well," and the old constable rubbed his chin thoughtfully. "It seems sort of funny. A few days after Mr. Weston was down here a gang of laborers, mostly Italians, came down to work and decided to sleep in the house-sort of camp out-until they could repair a leak in the barn and move in there. They got here late in the afternoon and didn't do much that day but move into the house, all upstairs, and sort of settle down for the night. About one o'clock they heard some sort of noise downstairs, and finally all sorts of a racket and groans and yells, and they just naturally came down to see what it was.

"Then they saw the ghost. It was in the reception-hall, some of 'em said, others said it was in the library, but anyhow it was there, and the whole gang left just as fast as they knew how. They slept on the ground that night. Next day they took out their things and went back to Boston. Since then nobody here has heard from 'em."

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