"But what could have happened to Miss Field?"
"Any of fifty things," responded the other. "She might have fallen dead in the street and been removed to a hospital or undertaking establishment; she might have been arrested for shoplifting and given a wrong name; she might have gone mad and gone away; she might have eloped with another man; she might have committed suicide; she might have been murdered. The question is not what could have happened, but what did happen."
"Yes, I thoroughly understand that," Hatch replied, with a slight smile. "But still I don't see--"
"Probably you don't," snapped the other. "We'll take it for granted that she did none of these things, with the possible exception of eloping, killing herself, or was murdered. You are convinced that she did not elope. Yet you have only run down one possible end of this-that is, the possibility of her elopement with Willis. You don't believe she did elope with him. Well, why not with St. George?"
"St George?" gasped Hatch. "A great artist elope with a shop-girl?"
"She was his ideal in a picture which you say is one of the greatest in the world," replied the other, testily. "That being true, it is perfectly possible that she was his ideal for a wife, isn't it?"
The matter had not occurred to Hatch in just that light. He nodded his head, with a feeling of having been weighed and found wanting.
"Now, you say, too, that St. George has not been seen around his studio for a couple of days," said the scientist. "What is more possible than that they are together somewhere?"
"I see," said the reporter.
"It was understood, too, as I understand it, that St. George was in love with her," went on The Thinking Machine. "So, I should imagine a solution of the mystery might be reached by taking St. George as the center of the affair. Suicide may be passed by for the moment, because she had no known motive for suicide-rather, if she loved Willis, she had every reason to live. Murder, too, may be passed for the moment-although there is a possibility that we might come back to that. Question St. George. He will listen if you make him, and then he must answer."
"But his place is all closed up," said Hatch. "It is supposed he is half crazy."
"Possibly he might be," said The Thinking Machine. "Or it is possible that he is keeping to his studio at work-or he might even be married to Miss Field and she might be there with him."
"Well, I see no way to ascertain definitely that he is there," said the reporter, and a puzzled wrinkle came into his face. "Of course I might remain on watch night and day to see if he comes out for food, or if anything to eat is sent in."
"That would take too long, and besides it might not happen at all," said The Thinking Machine. He arose and went into the adjoining room. He returned after a moment, and glanced at the clock on the mantel. "It is just nine o'clock now," he commented. "How long would it take you to get to the studio?"
"Half an hour."
"Well, go there now," directed the scientist. "If Mr. St. George is in his studio he will come out of it to-night at thirty-two minutes past nine. He will be running, and may not wear either a hat or coat."
"What?" and Hatch grinned, a weak, puzzled grin.
"You wait where he can't see you when he comes out," the scientist went on. "When he goes he may leave the door open. If he does go on see if you find any trace of Miss Field, and then, on his return, meet him at the outer door, ask him what you please, and come to see me to-morrow morning. He will be out of his studio about twenty minutes."
Vaguely Hatch felt that the scientist was talking rot, but he had seen this strange mind bring so many odd things to pass that he could not doubt this, even if it were absurd on its face.
"At thirty-two minutes past nine to-night," said the reporter, and he glanced at his watch.
"Come to see me to-morrow after you see the handwriting of Willis and St. George," directed the scientist. "Then you may also tell me just what happens to-night."
Hatch was feeling like a fool. He was waiting in a darkened corner, just a few feet from St. George's studio. It was precisely half-past nine o'clock. He had been there for seven minutes. What strange power was to bring St. George, who for two days had denied himself to everyone, out of that studio, if, indeed, he were there?
For the twentieth time Hatch glanced at his watch, which he had set with the little clock in The Thinking Machine's home. Slowly the minute hand crept around, to 9:31, 9:311/2, and he heard the door of the studio rattle. Then suddenly it was thrown open and St. George appeared.
Without a glance to right or left, hatless and coatless, he rushed out of the building. Hatch got only a glimpse of his face; his lips were pressed tightly together; there was a glint of madness in his eyes. He jerked at the door once, then ran through the hall and disappeared down the stairs leading to the street. The studio door stood open behind him.
III.
When the clatter of the running footsteps had died away and Hatch heard the outer door slam, he entered the studio, closing the door behind him. It was close here, and there was a breath of Chinese incense which was almost stifling. One quick glance by the light of an incandescent told Hatch that he stood in the reception-room. Typically, from floor to ceiling, the place was the abode of an artist; there was a rich gradation of color and everywhere were scraps of art and half-finished studies.
The reporter had given up the idea of solving the mystery of why St. George had so suddenly left his apartments; now he devoted himself to a quick, minute search of the place. He found nothing to interest him in the reception-room, and went on into the studio where the artist did his work.
Hatch glanced around quickly, his eyes taking in all the details, then went to a little table which stood, half-covered with newspapers. He turned these over, then bent forward suddenly and picked up-a woman's glove. Beside it lay its mate. He stuffed them into his pocket.
Eagerly he sought now for anything that might come to hand. At last he reached another door, leading into the bedroom. Here on a large table was a chafing dish, many dishes which had not been washed, and all the other evidences of a careless man who did a great deal of his own cooking. There was a dresser here, too, a gorgeous, mahogany affair. Hatch didn't stop to admire this because his eye was attracted by a woman's veil which lay on it. He thrust it into his pocket.
"Quite a haul I'm making," he mused, grimly.
From this room a door, half open, led into a bath-room. Hatch merely glanced in, then looked at his watch. Fifteen minutes had elapsed. He must get out, and he started for the outer door. As he opened it quietly and stepped into the hall he heard the street door open one flight below, and started down the steps. There, half way, he met St. George.
"Mr. St. George?" he asked.
"No," was the reply.
Hatch knew his man perfectly, because he had seen him half a dozen times and had talked to him twice. The denial of identity therefore was futile.
"I came to tell you that Grace Field, the model for your 'Fulfillment,' has disappeared," Hatch went on, as the other glared at him.
"I don't care," snapped the other. He darted up the steps. Hatch listened until he heard the door of the studio close.
It was ten minutes to ten o'clock when Hatch left the building. Now he would see Miss Stanford and have her identify the gloves and the veil. He boarded a car and drew out and closely examined the gloves and veil. The gloves were tan, rather heavy, but small, and the veil was of some light, cobwebby material which he didn't know by name.
"If these are Grace Field's," the reporter argued, to himself, "it means something. If they are not, I'm simply a burglar."
There was a light in the Dorchester house where Miss Stanford lived, and the reporter rang the bell. A servant appeared.
"Would it be possible for me to see Miss Stanford for just a moment?" he asked.
"If she has not gone to bed."
He was ushered into the little parlor again. The servant disappeared, and after a moment Miss Stanford came in.
"I hated to trouble you so late," said the reporter, and she smiled at him frankly, "but I would like to ask if you have ever seen these?"
He laid in her hands the gloves and the veil. Miss Stanford studied them carefully and her hands trembled.
"The gloves, I know, are Grace's-the veil I am not so positive about," she replied.
Hatch felt a great wave of exultation sweep over him, and it stopped his tongue for an instant.
"Did you-did you find them in Mr. Willis's possession?" asked the girl.
"I am not at liberty to tell just where I found them," Hatch replied. "If they are Miss Field's-and you can swear to that, I suppose-it may mean that we have a clew."
"Oh, I was afraid it would be this way," gasped the girl, and she sank down weeping on a couch.
"Knew what would be which way?" asked Hatch, puzzled.