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Lovingly, yet sadly withal, does our evening sky bend over and meet the earth in the distance. It casts a mournful light on the earth it leaves behind-a light which gives us a taste of the divine grief of the Eternal Separation[1] and eloquent is the silence which then broods over earth, sky, and waters.

[Footnote 1: I.e. between Purusha and Prakriti-God and Creation.]

As I gaze on in rapt motionlessness, I fall to wondering-If ever this silence should fail to contain itself, if the expression for which this hour has been seeking from the beginning of time should break forth, would a profoundly solemn, poignantly moving music rise from earth to starland?

With a little steadfast concentration of effort we can, for ourselves, translate the grand harmony of light and colour which permeates the universe into music. We have only to close our eyes and receive with the ear of the mind the vibration of this ever-flowing panorama.

But how often shall I write of these sunsets and sunrises? I feel their renewed freshness every time; yet how am I to attain such renewed freshness in my attempts at expression?

SHELIDAH,.

9th December 1892.

I am feeling weak and relaxed after my painful illness, and in this state the ministrations of nature are sweet indeed. I feel as if, like the rest, I too am lazily glittering out my delight at the rays of the sun, and my letter-writing progresses but absent-mindedly.

The world is ever new to me; like an old friend loved through this and former lives, the acquaintance between us is both long and deep.

I can well realise how, in ages past, when the earth in her first youth came forth from her sea-bath and saluted the sun in prayer, I must have been one of the trees sprung from her new-formed soil, spreading my foliage in all the freshness of a primal impulse.

The great sea was rocking and swaying and smothering, like a foolishly fond mother, its first-born land with repeated caresses; while I was drinking in the sunlight with the whole of my being, quivering under the blue sky with the unreasoning rapture of the new-born, holding fast and sucking away at my mother earth with all my roots. In blind joy my leaves burst forth and my flowers bloomed; and when the dark clouds gathered, their grateful shade would comfort me with a tender touch.

From age to age, thereafter, have I been diversely reborn on this earth. So whenever we now sit face to face, alone together, various ancient memories, gradually, one after another, come back to me.

My mother earth sits to-day in the cornfields by the river-side, in her raiment of sunlit gold; and near her feet, her knees, her lap, I roll about and play. Mother of a multitude of children, she attends but absently to their constant calls on her, with an immense patience, but also with a certain aloofness. She is seated there, with her far-away look fastened on the verge of the afternoon sky, while I keep chattering on untiringly.

BALJA,.

Tuesday, February 1893.

I do not want to wander about any more. I am pining for a corner in which to nestle down snugly, away from the crowd.

India has two aspects-in one she is a householder, in the other a wandering ascetic. The former refuses to budge from the home corner, the latter has no home at all. I find both these within me. I want to roam about and see all the wide world, yet I also yearn for a little sheltered nook; like a bird with its tiny nest for a dwelling, and the vast sky for flight.

I hanker after a corner because it serves to bring calmness to my mind. My mind really wants to be busy, but in making the attempt it knocks so repeatedly against the crowd as to become utterly frenzied and to keep buffeting me, its cage, from within. If only it is allowed a little leisurely solitude, and can look about and think to its heart's content, it will express its feelings to its own satisfaction.

This freedom of solitude is what my mind is fretting for; it would be alone with its imaginings, as the Creator broods over His own creation.

CUTTACK,.

February 1893.

Till we can achieve something, let us live incognito, say I. So long as we are only fit to be looked down upon, on what shall we base our claim to respect? When we have acquired a foothold of our own in the world, when we have had some share in shaping its course, then we can meet others smilingly. Till then let us keep in the background, attending to our own affairs.

But our countrymen seem to hold the opposite opinion. They set no store by our more modest, intimate wants which have to be met behind the scenes,-the whole of their attention is directed to momentary attitudinising and display.

Ours is truly a God-forsaken country. Difficult, indeed, is it for us to maintain the strength of will to do. We get no help in any real sense. There is no one, within miles of us, in converse with whom we might gain an accession of vitality. No one near seems to be thinking, or feeling, or working. Not a soul has any experience of big striving, or of really and truly living. They all eat and drink, do their office work, smoke and sleep, and chatter nonsensically. When they touch upon emotion they grow sentimental, when they reason they are childish. One yearns for a full-blooded, sturdy, and capable personality; these are all so many shadows, flitting about, out of touch with the world.

CUTTACK,.

10th February 1893.

He was a fully developed John Bull of the outrageous type-with a huge beak of a nose, cunning eyes, and a yard-long chin. The curtailment of our right to be tried by jury is now under consideration by the Government. The fellow dragged in the subject by the ears and insisted on arguing it out with our host, poor B-- Babu. He said the moral standard of the people of this country was low; that they had no real belief in the sacredness of life; so that they were unfit to serve on juries.

The utter contempt with which we are regarded by these people was brought home to me when I saw how they can accept a Bengali's hospitality and talk thus, seated at his table, without a quiver of compunction.

As I sat in a corner of the drawing-room after dinner, everything round me looked blurred to my eyes. I seemed to be seated by the head of my great, insulted Motherland, who lay there in the dust before me, disconsolate, shorn of her glory. I cannot tell what a profound distress overpowered my heart.

How incongruous seemed the mem-sahibs there, in their evening-dresses, the hum of English conversation, and the ripples of laughter! How richly true for us is our India of the ages; how cheap and false the hollow courtesies of an English dinner-party!

CUTTACK,.

March 1893.

If we begin to attach too much importance to the applause of Englishmen, we shall have to be rid of much in us that is good, and to accept from them much that is bad.

We shall grow ashamed of going about without socks, and cease to feel shame at the sight of their ball dresses. We shall have no compunction in throwing overboard our ancient manners, nor any in emulating their lack of courtesy.

We shall leave off wearing our achgans because they are susceptible of improvement, but think nothing of surrendering our heads to their hats, though no headgear could well be uglier.

In short, consciously or unconsciously, we shall have to cut our lives down according as they clap their hands or not.

Wherefore I apostrophise myself and say: "O Earthen Pot! For goodness sake keep away from that Metal Pot! Whether he comes to you in anger or merely to give you a patronising pat on the back, you are done for, cracked in either case. So pay heed to old Aesop's sage counsel, I pray-and keep your distance."

Let the metal pot ornament wealthy homes; you have work to do in those of the poor. If you let yourself be broken, you will have no place in either, but merely return to the dust; or, at best, you may secure a corner in a bric-a-brac cabinet-as a curiosity, and it is more glorious far to be used for fetching water by the meanest of village women.

SHELIDAH,.

8th May 1893.

Poetry is a very old love of mine-I must have been engaged to her when I was only Rathi's[1] age. Long ago the recesses under the old banyan tree beside our tank, the inner gardens, the unknown regions on the ground floor of the house, the whole of the outside world, the nursery rhymes and tales told by the maids, created a wonderful fairyland within me. It is difficult to give a clear idea of all the vague and mysterious happenings of that period, but this much is certain, that my exchange of garlands[2] with Poetic Fancy was already duly celebrated.

[Footnote 1: Rathi, his son, was then five years old.]

[Footnote 2: The betrothal ceremony.]

I must admit, however, that my betrothed is not an auspicious maiden-whatever else she may bring one, it is not good fortune. I cannot say she has never given me happiness, but peace of mind with her is out of the question. The lover whom she favours may get his fill of bliss, but his heart's blood is wrung out under her relentless embrace. It is not for the unfortunate creature of her choice ever to become a staid and sober householder, comfortably settled down on a social foundation.

Consciously or unconsciously, I may have done many things that were untrue, but I have never uttered anything false in my poetry-that is the sanctuary where the deepest truths of my life find refuge.

SHELIDAH,.

10th May 1893.

Here come black, swollen masses of cloud; they soak up the golden sunshine from the scene in front of me like great pads of blotting-paper. Rain must be near, for the breeze feels moist and tearful.

Over there, on the sky-piercing peaks of Simla, you will find it hard to realise exactly what an important event the coming of the clouds is here, or how many are anxiously looking up to the sky, hailing their advent.

I feel a great tenderness for these peasant folk-our ryots-big, helpless, infantile children of Providence, who must have food brought to their very lips, or they are undone. When the breasts of Mother Earth dry up they are at a loss what to do, and can only cry. But no sooner is their hunger satisfied than they forget all their past sufferings.

I know not whether the socialistic ideal of a more equal distribution of wealth is attainable, but if not, the dispensation of Providence is indeed cruel, and man a truly unfortunate creature. For if in this world misery must exist, so be it; but let some little loophole, some glimpse of possibility at least, be left, which may serve to urge the nobler portion of humanity to hope and struggle unceasingly for its alleviation.

They say a terribly hard thing who assert that the division of the world's production to afford each one a mouthful of food, a bit of clothing, is only an Utopian dream. All these social problems are hard indeed! Fate has allowed humanity such a pitifully meagre coverlet, that in pulling it over one part of the world, another has to be left bare. In allaying our poverty we lose our wealth, and with this wealth what a world of grace and beauty and power is lost to us.

But the sun shines forth again, though the clouds are still banked up in the West.

SHELIDAH,.

11th May 1893.

There is another pleasure for me here. Sometimes one or other of our simple, devoted, old ryots comes to see me-and their worshipful homage is so unaffected! How much greater than I are they in the beautiful simplicity and sincerity of their reverence. What if I am unworthy of their veneration-their feeling loses nothing of its value.

I regard these grown-up children with the same kind of affection that I have for little children-but there is also a difference. They are more infantile still. Little children will grow up later on, but these big children never.

A meek and radiantly simple soul shines through their worn and wrinkled, old bodies. Little children are merely simple, they have not the unquestioning, unwavering devotion of these. If there be any undercurrent along which the souls of men may have communication with one another, then my sincere blessing will surely reach and serve them.

SHELIDAH,.

16th May 1893.

I walk about for an hour on the river bank, fresh and clean after my afternoon bath. Then I get into the new jolly-boat, anchor in mid-stream, and on a bed, spread on the planked over-stern, I lie silently there on my back, in the darkness of the evening. Little S-- sits beside me and chatters away, and the sky becomes more and more thickly studded with stars.

Each day the thought recurs to me: Shall I be reborn under this star-spangled sky? Will the peaceful rapture of such wonderful evenings ever again be mine, on this silent Bengal river, in so secluded a corner of the world?

Perhaps not. The scene may be changed; I may be born with a different mind. Many such evenings may come, but they may refuse to nestle so trustfully, so lovingly, with such complete abandon, to my breast.

Curiously enough, my greatest fear is lest I should be reborn in Europe! For there one cannot recline like this with one's whole being laid open to the infinite above-one is liable, I am afraid, to be soundly rated for lying down at all. I should probably have been hustling strenuously in some factory or bank, or Parliament. Like the roads there, one's mind has to be stone-metalled for heavy traffic-geometrically laid out, and kept clear and regulated.

I am sure I cannot exactly say why this lazy, dreamy, self-absorbed, sky-filled state of mind seems to me the more desirable. I feel no whit inferior to the busiest men of the world as I lie here in my jolly-boat. Rather, had I girded up my loins to be strenuous, I might have seemed ever so feeble compared to those chips of old oaken blocks.

SHELIDAH,.

3rd July 1893.

All last night the wind howled like a stray dog, and the rain still pours on without a break. The water from the fields is rushing in numberless, purling streams to the river. The dripping ryots are crossing the river in the ferryboat, some with their tokas[1] on, others with yam leaves held over their heads. Big cargo-boats are gliding along, the boatman sitting drenched at his helm, the crew straining at the tow-ropes through the rain. The birds remain gloomily confined to their nests, but the sons of men fare forth, for in spite of the weather the world's work must go on.

[Footnote 1: Conical hats of straw or of split bamboo.]

Two cowherd lads are grazing their cattle just in front of my boat. The cows are munching away with great gusto, their noses plunged into the lush grass, their tails incessantly busy flicking off the flies. The raindrops and the sticks of the cowherd boys fall on their backs with the same unreasonable persistency, and they bear both with equally uncritical resignation, steadily going on with their munch, munch, munch. These cows have such mild, affectionate, mournful eyes; why, I wonder, should Providence have thought fit to impose all the burden of man's work on the submissive shoulders of these great, gentle beasts?

The river is rising daily. What I could see yesterday only from the upper deck, I can now see from my cabin windows. Every morning I awake to find my field of vision growing larger. Not long since, only the tree-tops near those distant villages used to appear, like dark green clouds. To-day the whole of the wood is visible.

Land and water are gradually approaching each other like two bashful lovers. The limit of their shyness has nearly been reached-their arms will soon be round each other's necks. I shall enjoy my trip along this brimful river at the height of the rains. I am fidgeting to give the order to cast off.

SHELIDAH,.

4th July 1893.

A little gleam of sunlight shows this morning. There was a break in the rains yesterday, but the clouds are banked up so heavily along the skirts of the sky that there is not much hope of the break lasting. It looks as if a heavy carpet of cloud had been rolled up to one side, and at any moment a fussy breeze may come along and spread it over the whole place again, covering every trace of blue sky and golden sunshine.

What a store of water must have been laid up in the sky this year. The river has already risen over the low chur-lands,[1] threatening to overwhelm all the standing crops. The wretched ryots, in despair, are cutting and bringing away in boats sheaves of half-ripe rice. As they pass my boat I hear them bewailing their fate. It is easy to understand how heart-rending it must be for cultivators to have to cut down their rice on the very eve of its ripening, the only hope left them being that some of the ears may possibly have hardened into grain.

[Footnote 1: Old sand-banks consolidated by the deposit of a layer of culturable soil.]

There must be some element of pity in the dispensations of Providence, else how did we get our share of it? But it is so difficult to see where it comes in. The lamentations of these hundreds of thousands of unoffending creatures do not seem to get anywhere. The rain pours on as it lists, the river still rises, and no amount of petitioning seems to have the effect of bringing relief from any quarter. One has to seek consolation by saying that all this is beyond the understanding of man. And yet, it is so vitally necessary for man to understand that there are such things as pity and justice in the world.

However, this is only sulking. Reason tells us that creation never can be perfectly happy. So long as it is incomplete it must put up with imperfection and sorrow. It can only be perfect when it ceases to be creation, and is God. Do our prayers dare go so far?

The more we think over it, the oftener we come hack to the starting-point-Why this creation at all? If we cannot make up our minds to object to the thing itself, it is futile complaining about its companion, sorrow.

SHAZADPUR,.

7th July 1893.

The flow of village life is not too rapid, neither is it stagnant. Work and rest go together, hand in hand. The ferry crosses to and fro, the passers-by with umbrellas up wend their way along the tow-path, women are washing rice on the split-bamboo trays which they dip in the water, the ryots are coming to the market with bundles of jute on their heads. Two men are chopping away at a log of wood with regular, ringing blows. The village carpenter is repairing an upturned dinghy under a big aswatha tree. A mongrel dog is prowling aimlessly along the canal bank. Some cows are lying there chewing the cud, after a huge meal off the luxuriant grass, lazily moving their ears backwards and forwards, flicking off flies with their tails, and occasionally giving an impatient toss of their heads when the crows perched on their backs take too much of a liberty.

The monotonous blows of woodcutter's axe or carpenter's mallet, the splashing of oars, the merry voices of the naked little children at play, the plaintive tune of the ryot's song, the more dominant creaking of the turning oil-mill, all these sounds of activity do not seem out of harmony with murmuring leaves and singing birds, and all combine like moving strains of some grand dream-orchestra, rendering a composition of immense though restrained pathos.

SHAZADPUR,.

10th July 1893.

All I have to say about the discussion that is going on over "silent poets" is that, though the strength of feeling may be the same in those who are silent as in those who are vocal, that has nothing to do with poetry. Poetry is not a matter of feeling, it is the creation of form.

Ideas take shape by some hidden, subtle skill at work within the poet. This creative power is the origin of poetry. Perceptions, feelings, or language, are only raw material. One may be gifted with feeling, a second with language, a third with both; but he who has as well a creative genius, alone is a poet.

PATISAR,.

13th August 1893.

Coming through these beels[1] to Kaligram, an idea took shape in my mind. Not that the thought was new, but sometimes old ideas strike one with new force.

[Footnote 1: Translator's Note.-Sometimes a stream passing through the flat Bengal country encounters a stretch of low land and spreads out into a sheet of water, called a beel, of indefinite extent, ranging from a large pool in the dry season to a shoreless expanse during the rains.

Villages consisting of a cluster of huts, built on mounds, stand out here and there like islands, and boats or round, earthen vessels are the only means of getting about from village to village.

Where the waters cover cultivated tracts the rice grows through, often from considerable depths, giving to the boats sailing over them the curious appearance of gliding over a cornfield, so clear is the water. Elsewhere these beels have a peculiar flora and fauna of water-lilies and irises and various water-fowl. As a result, they resemble neither a marsh nor a lake, but have a distinct character of their own.]

The water loses its beauty when it ceases to be defined by banks and spreads out into a monotonous vagueness. In the case of language, metre serves for banks and gives form and beauty and character. Just as the banks give each river a distinct personality, so does rhythm make each poem an individual creation; prose is like the featureless, impersonal beel. Again, the waters of the river have movement and progress; those of the beel engulf the country by expanse alone. So, in order to give language power, the narrow bondage of metre becomes necessary; otherwise it spreads and spreads, but cannot advance.

The country people call these beels "dumb waters"-they have no language, no self-expression. The river ceaselessly babbles; so the words of the poem sing, they are not "dumb words." Thus bondage creates beauty of form, motion, and music; bounds make not only for beauty but power.

Poetry gives itself up to the control of metre, not led by blind habit, but because it thus finds the joy of motion. There are foolish persons who think that metre is a species of verbal gymnastics, or legerdemain, of which the object is to win the admiration of the crowd. That is not so. Metre is born as all beauty is born the universe through. The current set up within well-defined bounds gives metrical verse power to move the minds of men as vague and indefinite prose cannot.

This idea became clear to me as I glided on from river to beel and beel to river.

PATISAR,.

26th (Straven) August 1893.

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