And now, in that moment, as her face thus revealed itself, and as this glance thrilled through me, there flashed upon my mind in a moment the meaning of it all. There was but an instant in which she thus looked at me--the next instant a flush passed over her face, and her eyes fell, but that very instant I snatched her hand in both of mine and held it.
She did not withdraw it She raised her eyes again, and again their strange questioning thrilled through me.
"Marion," said I, and I drew her toward me. Her head fell forward. I felt her hand tremble in mine.
"Marion," said I--lingering fondly on the name by which I now called her for the first time--"if I ask you to be mine--will you turn away?"
She did not turn away.
She raised her face again for a moment, and again for a moment the thrilling glance flashed from her deep, dark eyes, and a faint smile of heavenly sweetness beamed across the glory of her solemn face.
There!
I let the curtain drop.
I'm not good at describing love-scenes, and all that sort of thing, you know.
What's more, I don't want to be either good or great at that.
For, if a fellow feels like a fool, you know, when he's talking spooney, how much more like a fool must he feel when he sits down and deliberately writes spooney! You musn't expect that sort of thing from me at any rate--not from Macrorie. I can feel as much as any fellow, but that's no reason why I should write it all out.
Another point.
I'm very well aware that, in the story of my love, I've gone full and fair against the practice of the novelist. For instance, now, no novelist would take a hero and make him fall in love with a girl, no matter how deucedly pretty she might be, who had been in love with another fellow, and tried to run off with him. Of course not. Very well. Now, you see, my dear fellow, all I've got to say is this, that I'm not a novelist. I'm an historian, an autobiographer, or any thing else you choose. I've no imagination whatever. I rely on facts. I can't distort them. And, what's more, if I could do so, I wouldn't, no matter what the taste or fashion of the day might be.
There's a lot of miserable, carping sneaks about, whose business it is to find fault with every thing, and it just occurs to me that some of this lot may take it into their heads--notwithstanding the fads, mind you--may take it into their heads, I say, to make the objection that it is unnatural, when a girl has already been so madly in love, for another fellow to win her affections in so short a time. Such fellows are beneath notice, of course; but, for the benefit of the world at large, and humanity in general, I beg leave to suggest a few important points which serve to account for the above-mentioned change of affection, and all that sort of thing:
I. The mutability of humanity.
II. The crushing effects of outrage and neglect on the strongest lore.
III. My own overwhelming claims.
IV. The daily spectacle of my love and devotion.
V. My personal beauty.
VI. The uniform of the Bobtails.
The above, I think, will suffice.
The drive back was very different from the drive down. On the way I heard from Marion's own lips a full explanation of many of those things which had been puzzling me for the last two months. She explained all about the crossing of the river, though not without some hesitation, for it was connected with her infatuation about Jack. Still, she had got over that utterly, and, as I knew all about it, and as she had nothing but indifference toward him, I was able to get an explanation from her without much difficulty.
It seems, then, that O'Halloran had forbidden Marion to see Jack, but she was infatuated about him, and anxious to see him. She had met him several times at the house of a friend at Point Levi, and a few days before that eventful journey O'Halloran had gone to Montreal. At the same time Jack had written her, telling her that he would be over there. So she took advantage of her father's absence to go over on a visit, hoping also to meet with Jack. But Jack was not there. She stayed as long as she dared, and finally had to return so as to be home before her father got back. This was the day of the storm. She had much difficulty in finding a driver, but at length succeeded by means of a heavy bribe. Then followed her momentous meeting with me. Her departure from the cottage so abruptly was owing to her intense desire to get home before her father should arrive. This she succeeded in doing. She felt deeply grateful to me, but did not dare to take any steps to show gratitude, for fear her father would hear of her journey to Point Levi.
Nora knew about it, and kept her secret from O'Halloran most faithfully. Then came my arrival upon the scene. She recognized me at once, and as soon as I told my story Nora recognized me, too, as Marion's mysterious deliverer.
They held counsel together after leaving the room, and, seeing O'Halloran's fancy for me, they thought I might often come again. They saw, too, that I had noticed their agitation, but had not recognized Marion. They judged that I would suspect them, and so Nora volunteered to personate the lady so as to save Marion from that outburst of indignation which was sure to fall on her if her father knew of her disobedience. This, then, was the cause of Nora's assumption of a false part. She had told some plausible story to O'Halloran which satisfied him and saved Marion; but her peculiar frank and open nature made her incapable of maintaining her part, and also led to my absurd proposal to her, and its consequences.
Meanwhile Marion had her troubles. She had not seen Jack, but on her return got his frantic letter, proposing an elopement, and threatening to blow his brains out. She answered this as we have seen. After this, she heard all about Jack's love-affairs, and wrote to him on the subject. He answered by another proposal to elope, and reproached her with being the cause of his ruin. This reproach stung her, and filled her with remorse. It was not so much love as the desperation of self-reproach which had led to her foolish consent. So at the appointed time she was at the place; but instead of Jack--there was quite another person.
Of course, I did not get all the above from her at that time. Some of it she told; but the rest came out long afterward. Long afterward I learned from her own dear lips how her feelings changed toward me, especially on that night when I saved her and brought her home. Jack became first an object of contempt, then of indifference. Then she feared that I would despise her, and tried to hold aloof. Despise her!
All this, and a thousand other things, came out afterward, in the days of our closer association, when all was explained, and Marion had no more secrets to keep from me, and I had none from her.
CHAPTER XXXVIII.
GRAND CONCLUSION.--WEDDING-RINGS AND BALL-RINGS.--ST. MALACHI'S.--OLD FLETCHER IN HIS GLORY.--NO HUMBUG THIS TIME.--MESSAGES SENT EVERYWHERE.--ALL THE TOWN AGOG.--QUEBEC ON THE RAMPAGE.--ST. MALACHI'S CRAMMED.--GALLERIES CROWDED.--WHITE FAVORS EVERYWHERE.--THE WIDOW HAPPY WITH THE CHAPLAIN.--THE DOUBLE WEDDING.--FIRST COUPLE--JACK AND LOUIE!
--SECOND DITTO--MACRORIE AND MARION!--COLONEL BERTON AND O'HALLORAN GIVING AWAY THE BRIDES.--STRANGE ASSOCIATION OF THE BRITISH OFFICER AND THE FENIAN.--JACK AND MACRORIE, LOUIE AND MARION.--BRIDES AND BRIDEGROOMS.--EPITHALAMICM.--WEDDING IN HIGH LIFE.--SIX OFFICIATING CLERGYMEN.--ALL THE ELITE OF QUEBEC TAKE PART.--ALL THE CLERGY, ALL THE MILITARY, AND EVERYBODY WHO AMOUNTS TO ANY THING.--THE BAND OF THE BOBTAILS DISCOURSING SWEET MUSIC, AND ALL THAT SORT OF THING, YOU KNOW.
On reading over the above heading, I find it so very comprehensive that it leaves nothing more for me to say. I will therefore make my bow, and retire from the scene, with my warmest congratulations to the reader at reaching
THE END