Tears stream down my face. I had almost started to think that she didn't care about me anymore.
"Remember New York, Mom? When Vincent chased after me?"
"Yes."
"He was following you, but it was me that he chased. It's me that he wants. And that means it's time for me to take control of this situation."
"Take control how?"
"Well, to start with, Garrett works for me now. You have to promise, no making up plans of your own, okay?"
"Okay," she says cautiously.
I can tell she hasn't fully committed.
"You and I agree on one important thing, Mom. And that's keeping the girls safe. Go to France. Relax. Eat. Get some sleep. Have fun with the girls. And know that Vincent is going to be busy with other stuff."
"What other stuff?"
"Well, aside from the premieres and press that's due to start on your movie, we're going to mess with his business."
"Does he care that much about his business?"
"His business owns the rights to remake your movie. The movie seems to be the core of his obsession. If he is at risk of losing it . . ."
"He won't have time to worry about us."
"That's the theory, yes."
"I like that. It feels like we're fighting back."
"I like it too."
"Does Garrett really think it will work?"
"Yes, he's completely on board," I say confidently. Well, okay, like, mostly on board. "So, are you in?"
"Do you promise me that everything you do will be approved by Garrett?"
"Garrett or Cooper," I reply, not wanting to lie to her.
She exhales heavily, like maybe I've lifted a weight off her shoulders.
"Then I'm in."
"Good. I love you, Mom. I have to get back to school, but call me once you get settled, okay?"
"I will. And I love you too."
With her mother agreeing to take herself and the girls to France, Keatyn is ready to set her plan in motion.
I go into the stairwell and make myself at home on a cold, hard cement step. I pull up the video conferencing software and click on B's photo. While I'm waiting for him to come online, I stare at his tan face.
I close my eyes and remember what it was like with him. So different than it was with Cush.
It was never fast. One time, I wanted to do it on the beach-like, quick-and he told me sex isn't about just riding the wave. That it should be the joining of mind, body, and soul. That it's waxing your board, paddling out, floating over the swells, patiently waiting for and preparing yourself for the bigger wave. Then it's all about working your way back to shore.
It never felt like just sex with him.
But I know why.
It's because I loved him.
But then I think about Dawson and how hot it was.
How Aiden can make me feel on fire with a single touch.
And I can't help it. I want it all. The connection and the heat.
I think about his surfing reference of working your way back to shore. Which is fitting because it's exactly what I'm trying to do. Get back to my family. To him. To my home. To our beach.
I know I can't keep going like this.
I hear him say, "Keats?"
My eyes fly open. "Sorry, I was just thinking about surfing." I start to get tears in my eyes. "God, I miss you. For two years, I saw you almost every day. I feel like a piece of me is missing."
"I feel like a part of me is missing too. I miss everyone. Our beach."
"Are you getting tired of traveling?"
"The flights are a bitch sometimes, and I complain about it. But then I find myself on another amazing beach. Kinda like our summer of waves-all the beaches we discovered. Except bigger and better."
"It was a good summer."
"Yeah, it was. So, I'm sorry, I haven't had time to get together with the guy on the takeover stuff yet. I will, though. This week or next, maybe."
"But, I thought that's why we were talking tonight, so we could get started? We need to start now, B. You don't understand. There are a lot of moving parts to this."
"What do you mean?"
"It has to be timed so that it hits Vincent all at once."
"What does?"
"A hostile takeover alone won't do it. I have to push him from every direction. The publicity for Mom's movie starts this week. We have to start this week."
I'm starting to panic. I need this to go according to plan. It has to.
"Oh," he says. He closes his eyes and looks down. I notice he looks stressed.
"I have something I need to tell you."
"Okay."
"Something was delivered to my hotel room earlier."
"What?" I say, instantly on edge.
"A box. In it was a framed photo of me, taken when they handed me the trophy this past, uh, weekend," he stutters again. He's shaken.
"Can I see it?"
"Garrett made me send it to him, hoping for forensics."
"He won't find any."
"Probably not, but I took pictures of it. The ones I texted him when I got it."
"Send them to me."
I watch as he grabs his phone off the table. He gives me a bleak look and I wish I could reach through the phone and brush the lines of stress from his face. They just don't look right on him.
My phone vibrates with the text.
"I know this is going to upset me so, before I see it, I just want to tell you how proud I am of you. How, through all this shit, you've grown and focused and taken a chance on your dream." I put my fingers against the computer screen.
He mimics me, our hands touching tenderly onscreen.
"I was serious when I said I wouldn't be here without you. That night at the Undertow was a turning point in my life."
In both our lives, I think, remembering falling straight into Vincent's arms.
I keep my hand glued to his as I look down and see the photos pop up on my screen. I click on the first one, making it bigger. It's of a plain white gift box, white tissue paper pulled open, and black rose petals sprinkled around an ornate black picture frame.
I look up at him. "I just looked at the first photo with the black rose petals, so I know it's from Vincent. B, have you been keeping anything from me?"
He stutters, "Uh, um . . ."
"Look, it's okay if you have. My mom did the same thing, trying to protect me. So, if you've gotten other things from Vincent, or seen him, tell me now."
"What? Uh, no. He's never been spotted, other than Long Beach. But, except for Hawaii, my tournaments have been out of the country."
"And he's never sent you anything else or threatened you in any way?"
"No. Other than not being able to see you, this whole thing really hasn't affected me that much. Until now."
I look at the second text. This one is a close-up version of the photo inside the picture frame. I can see B holding a trophy above his head in victory. It's exactly as I imagined the scene when I heard it. But then I notice writing on the bottom. I quickly zoom in to read, I wouldn't be here without you. I love you, Keats. I smile until I notice the spots. I squint, trying to figure out what they are.
"What are you looking at?"
"Your quote. But I see spots around them and I-" I instantly lose my voice as my eyes focus in on the reason for the red spots. There's a single bullet hole in Brooklyn's forehead and the whole back of his head is blown away. A horrible special effect frozen in time.
I drop my phone into my lap and cover my eyes with my hand, willing my brain to wipe away what I just saw. No wonder Mom freaked when she got a similar photo of Tommy.
"Keats."
I uncover my eyes, B's face a welcome sight compared to the horrible image in the photo. "What you said about me has put you in danger." Guilt, love, and horror swirl in my brain causing tears to spill down my face and filling me with hysteria. "I'm so sorry, B. I'm so sorry you had to see that. You never . . . should've . . . said you love me."
"Um, about that."
"About what?"
"The I love you part."
"That's what made you a target. This photo is for me, not you. He's trying to scare me," I sob. "He's succeeding."
"Keats, look, I just need to tell you something . . ."
"You have gotten other stuff from him?"
"No, it's, well, there's this girl . . ."
His words feel like a punch to the gut, knocking the wind out of me.
"No! Don't, B," I beg, covering my eyes again. "Don't say it. I can't hear it. Not right now."
"Keats. I know you're seeing . . ."
"No, don't! Just lie to me." I feel like a riptide is pulling me under, drowning me. I'm crying hysterically now. I put my hand against my forehead, trying to calm myself down, but I can't. My heart's beating wildly.
"You need to calm down."
And that sets me off. "Calm down?! Calm down?! The only thing that's getting me through this is the thought of being able to go home. You made me promise you another chance. That we'd be back on our beach. I can't do all I'm about to do if you aren't gonna be back on that beach with me." I sob more. "I just want to go home. He ruined our beach, B. I want it back. I want my family back. You and the beach are part of my home. I. Just. Need. To. Go. Home."
"It sucks, but . . ."
"No buts! What if that horrible picture happens?"
B nods and buries his face in his hands.
Then he looks up at me with a mix of tears and determination in his eyes. "You're right. We have to do this. We have to get our lives back. I'll text you with a time to talk to the takeover guy." He puts his hand back on the screen. I reach up and touch it. "And I promise when this is over, we'll both go home." I nod as he says, "I love you, Keats," kisses his tattoo, and gently closes his laptop.
I shut mine too.
And cry.
I'm sure he's seeing someone. And it's okay if he is, but I need him in this with me. I'm not sure I have the guts or the courage to do it alone.