Now joy, old England, raise!
For the tidings of thy might, By the festal cities' blaze, Whilst the wine-cup shines in light; And yet, amidst that joy and uproar, Let us think of them that sleep, Full many a fathom deep, By thy wild and stormy steep-- Ellsinore!
Brave hearts! to Britain's pride, Once so faithful and so true, On the deck of fame that died With the gallant, good Riou-- Soft sigh the winds of Heaven o'er their grave: While the billow mournful rolls, And the mermaid's song condoles, Singing glory to the souls Of the brave.
CAMPBELL.
ARTILLERY TACTICS.
[Illustration: Letter C.]
Cannon took their name from the French word _Canne_, a reed. Before their invention, machines were used for throwing enormous stones. These were imitated from the Arabs, and called _ingenia_, whence engineer. The first cannon were made of wood, wrapped up in numerous folds of linen, and well secured by iron hoops. The true epoch of the use of metallic cannon cannot be ascertained; it is certain, however, that they were in use about the middle of the 14th century. The Engraving beneath represents a field-battery gun taking up its position in a canter. The piece of ordnance is attached, or "limbered up" to an ammunition carriage, capable of carrying two gunners, or privates, whilst the drivers are also drilled so as to be able to serve at the gun in action, in case of casualties.
[Illustration: TAKING UP POSITION.]
Having reached its destination, and been detached or "unlimbered" from the front carriage, we next see the action of loading; the ramrod having at its other extremity a sheep-skin mop, larger than the bore of the piece, and called "a sponge." This instrument, before loading, is invariably used, whilst the touch-hole or "vent" is covered by the thumb of the gunner especially numbered off for this important duty; and the air being thus excluded, the fire, which often remains within the bore, attached to either portions of cartridge-case or wadding, is extinguished. Serious accidents have been known to occur from a neglect of this important preliminary to loading; as a melancholy instance, a poor fellow may be seen about the Woolwich barracks, _both_ of whose arms were blown off above the elbow joint, whilst ramming home a cartridge before the sponge had been properly applied.
[Illustration: LOADING.]
[Illustration: FIRING IN RETREAT.]
If it is deemed essential to keep up a fire upon the enemy during a temporary retreat, or in order to avoid an overwhelming body of cavalry directed against guns unsupported by infantry, in that case the limber remains as close as possible to the field-piece, as shown in the Engraving above.
Skilful provisions are made against the various contingencies likely to occur in action. A wheel may he shattered by the enemy's shot, and the gun thereby disabled for the moment: this accident is met by supporting the piece upon a handspike, firmly grasped by one or two men on each side, according to the weight of the gun, whilst a spare wheel, usually suspended at the back of "the tumbril," or ammunition waggon, is obtained, and in a few moments made to remedy the loss, as represented above.
[Illustration: DISABLED WHEEL.]
[Illustration: DISMANTLING A GUN.]
The extraordinary rapidity with which a gun can be dislodged from its carriage, and every portion of its complicated machinery scattered upon the ground, is hardly to be believed unless witnessed; but the wonder is increased tenfold, on seeing with what magical celerity the death-dealing weapon can be put together again. These operations will be readily understood by an examination of the Illustrations. In that at the foot of page 175 the cannon is lying useless upon the earth; one wheel already forms the rude resting-place of a gunner, whilst the other is in the act of being displaced. By the application of a rope round the termination of the breech, and the lifting of the trail of the carriage, care being previously taken that the trunnions are in their respective sockets, a very slight exertion of manual labour is required to put the gun into fighting trim. That we may be understood, we will add that the trunnions are the short round pieces of iron, or brass, projecting from the sides of the cannon, and their relative position can be easily ascertained by a glance at the gun occupying the foreground of the Illustration where the dismantling is depicted. To perform the labour thus required in managing cannon, is called to serve the guns.
[Illustration: MOUNTING A GUN.]
Cannon are cast in a solid mass of metal, either of iron or brass; they are then bored by being placed upon a machine which causes the whole mass to turn round very rapidly. The boring tool being pressed against the cannon thus revolving, a deep hole is made in it, called the bore.
THE TREE KANGAROO AND BLACK LEOPARD.
The ordinary mode in which the Kangaroos make their way on the ground, as well as by flight from enemies, is by a series of bounds, often of prodigious extent. They spring from their hind limbs alone, using neither the tail nor the fore limbs. In feeding, they assume a crouching, hare-like position, resting on the fore paws as well as on the hinder extremities, while they browse on the herbage. In this attitude they hop gently along, the tail being pressed to the ground. On the least alarm they rise on the hind limbs, and bound to a distance with great rapidity. Sometimes, when excited, the old male of the great kangaroo stands on tiptoe and on his tail, and is then of prodigious height. It readily takes to the water, and swims well, often resorting to this mode of escape from its enemies, among which is the dingo, or wild dog of Australia.
[Illustration: TREE KANGAROO, AND BLACK LEOPARD.]
Man is, however, the most unrelenting foe of this inoffensive animal. It is a native of New Holland and Van Diemen's Land, and was first discovered by the celebrated navigator Captain Cook, in 1770, while stationed on the coast of New South Wales. In Van Diemen's Land the great kangaroo is regularly hunted with fox-hounds, as the deer or fox in England.
The Tree Kangaroo, in general appearance, much resembles the common kangaroo, having many of that animal's peculiarities. It seems to have the power of moving very quickly on a tree; sometimes holding tight with its fore feet, and bringing its hind feet up together with a jump; at other times climbing ordinarily.
In the island of Java a black variety of the Leopard is not uncommon, and such are occasionally seen in our menageries; they are deeper than the general tint, and the spots show in certain lights only. Nothing can exceed the grace and agility of the leopards; they bound with astonishing ease, climb trees, and swim, and the flexibility of the body enables them to creep along the ground with the cautious silence of a snake on their unsuspecting prey.
In India the leopard is called by the natives the "tree-tiger," from its generally taking refuge in a tree when pursued, and also from being often seen among the branches: so quick and active is the animal in this situation, that it is not easy to take a fair aim at him. Antelopes, deer, small quadrupeds, and monkeys are its prey. It seldom attacks a man voluntarily, but, if provoked, becomes a formidable assailant. It is sometimes taken in pitfalls and traps. In some old writers there are accounts of the leopard being taken in trap, by means of a mirror, which, when the animal jump against it, brings a door down upon him.
CHARITY.
[Illustration: Letter D.]
Did sweeter sounds adorn my flowing tongue, Than ever man pronounced or angel sung; Had I all knowledge, human and divine That thought can reach, or science can define; And had I power to give that knowledge birth, In all the speeches of the babbling earth, Did Shadrach's zeal my glowing breast inspire, To weary tortures, and rejoice in fire; Or had I faith like that which Israel saw, When Moses gave them miracles and law: Yet, gracious Charity, indulgent guest, Were not thy power exerted in my breast, Those speeches would send up unheeded pray'r; That scorn of life would be but wild despair; A cymbal's sound were better than my voice; My faith were form, my eloquence were noise.
[Illustration]
Charity, decent, modest, easy, kind, Softens the high, and rears the abject mind; Knows with just reins, and gentle hand, to guide Betwixt vile shame and arbitrary pride.
Not soon provoked, she easily forgives; And much she suffers, as she much believes.
Soft peace she brings wherever she arrives; She builds our quiet, as she forms our lives; Lays the rough paths of peevish nature even, And opens in each heart a little heaven.
Each other gift, which God on man bestows, Its proper bounds, and due restriction knows; To one fix'd purpose dedicates its power; And finishing its act, exists no more.
Thus, in obedience to what Heaven decrees, Knowledge shall fail, and prophecy shall cease; But lasting Charity's more ample sway, Nor bound by time, nor subject to decay, In happy triumph shall for ever live, And endless good diffuse, and endless praise receive.
As through the artist's intervening glass, Our eye observes the distant planets pass, A little we discover, but allow That more remains unseen than art can show; So whilst our mind its knowledge would improve, Its feeble eye intent on things above, High as we may we lift our reason up, By faith directed, and confirm'd by hope; Yet are we able only to survey Dawnings of beams and promises of day; Heav'n's fuller effluence mocks our dazzled sight-- Too great its swiftness, and too strong its light.
But soon the mediate clouds shall be dispell'd; The Son shall soon be face to face beheld, In all his robes, with all his glory on, Seated sublime on his meridian throne.
Then constant Faith, and holy Hope shall vie, One lost in certainty, and one in joy: Whilst thou, more happy pow'r, fair Charity, Triumphant sister, greatest of the three, Thy office, and thy nature still the same, Lasting thy lamp, and unconsumed thy flame, Shall still survive-- Shall stand before the host of heav'n confest, For ever blessing, and for ever blest.
PRIOR.
SARDIS.