One morning, when John had the office entirely to himself and was going over some intricate plans and estimates, his stenographer came to him.
"There is an old man at the door who wants to see you," she announced.
"He refused to give his name or state his business."
"Well, tell him, then, that I won't see him," John ordered, impatiently.
The girl left and came back. "He wouldn't give his name," she said, "but he said to tell you that he was an old friend and was very anxious to see you--that he hasn't seen you for about eleven years."
"Eleven years--an old friend!" John said to himself, aghast. "Who could it be, unless--" The girl was waiting, and he said, "Tell him to come in, please."
The girl went out and ushered in a gray-haired, gray-bearded old man who walked with a cane and was so bent downward that, under a broad-brimmed straw hat, John did not at once see his features. The stenographer retired to her workroom in the rear, and the visitor came to John.
It was Cavanaugh, who now removed his hat and exposed his face to view, a face gashed with deep lines, and fairly shrinking under a sort of awed timidity.
"I'm afraid I'm not welcome, John," he faltered, his wrinkled brow mantled with red, his old, fat hand checked in its impulsive movement forward and falling at his side. "I ought not to have come like this, but I couldn't help it. I was in the city, and wanted to see you for a lot of reasons."
"That's all right, Sam," John answered, extending his hand and trying to divest himself of the visible effects of the shock he had received. "How did you find me? Sit down."
Cavanaugh took the proffered chair. John pitied him, for his hands crossed on the top of his cane quivered with intense excitement, and his eyes swept the room with the slow awe of a beggar in the house of a prince.
"Mostly by accident," he answered, "and putting two and two together, and reasoning it out like a one-horse detective on his first job. John, I know I've done wrong, but--"
"Forget all that, Sam," John said, more at ease. "Don't think I've forgotten you. You are the one friend in the world that I really cared for down there, and it was my intention to get at you sooner or later. I thought, however, that I was considered dead to you and everybody at Ridgeville."
"You are--you _still_ are," Cavanaugh said. "It is like this, John, and in a way your secret is still safe, for I won't give it away. You remember Todd Williams. He is in the firm of Williams & Chelton. They set up in dry-goods after you left. Well, last fall he was on here buying goods, and when he came back home one day after meeting--we belong to the same church--he called me off to one side like, and said, said he:
"'Sam, an odd thing happened to me on the Elevated train while I was in New York,' and with that he went on to say that while he sat reading his paper a feller got in and sat in front of him that was the exact image of you. He said the likeness was so great that he came in an inch of speaking to the feller, but, remembering the news of your death, he let it pass. Then he asked me if I thought there could have been any mistake made about you and Dora being in that wreck. I told him I thought not, and left him, but I'm here to confess, John, that from that minute my mind wasn't fully at rest. Hundreds of times I rolled it over and over in my thoughts--at night in bed, at work, in meeting, at meals with my wife--everywhere. Always, always I was wondering if you might be still alive, fighting your fight and making good away off som'ers. I told my wife how I was worried and she made light of it--said she herself often saw resemblances to folks in new faces. Then I guess I would have dropped it, but for one little, tiny thing that popped into my head one night while I was listening to a long-winded prayer during a revival.
Well, sir, like a flash of blasting-powder this thought came to me. You left our town in the dead of night, and it was reasonable to suppose that you did everything you could to keep folks from knowing who you was and where you was bound for. Didn't you?"
"Yes," John nodded, and sat waiting.
"I thought so," Cavanaugh continued. "So you see, when the list of the lost was printed, and your name and Dora's, and your age and hers, and the town you was from, was given, the question come to me, who was it that reported them things so accurate after that awful disaster? You wouldn't have been handing your name and the child's about amongst strangers on the train before the accident, and if your bodies was burned up, all your belongings, papers, and the like would have been destroyed, and-- Well, you see what I mean?"
John started and stared steadily. "I see it now, Sam, but I never thought of it before. I suppose everybody else overlooked that point but you."
"Yes, I'm the only one," Cavanaugh answered. "Well, John, after that, instead of being dead to me, somehow you got alive again. I don't want to talk like a sniffling old woman, John, for you are older now, but I loved you like a son, and the hope that you was alive and doing well up here made me powerful happy. You see, until your trouble come like a clap of thunder, I was almost living for you and your interests. I wanted us to establish a business between us that you could carry on after me and my old lady was gone, so, when I began to tote about the idea of you not being dead, I could think of nothing else, till--well, till I come here and found your name in the directory. You were the only John Trott in it, and was a contractor, and I knew I'd run you to your hole."
"I'm glad you did, Sam," John answered. "I've always wanted to see you again, but didn't know how to bring it about with absolute safety to my plans. I'd cut out the whole thing down there, and it seemed best to forget it--best for me and for Dora. She was so young when she was down there that she has almost forgotten the worst features of it--about--about her aunt and other things, I mean."
"I was going to inquire about her," Cavanaugh said. "Is she well and all right?"
John explained briefly, and heard his old friend sighing. "And so you are all alone now, not married--no one with you at all."
John nodded. "Oh, I'm all right. I'm 'neither sugar nor salt,'" he quoted an old saying. "Don't worry about me, Sam. I'll get along some way or other."
There was silence between the two for a few minutes. It was as if the old man were wondering what further information he might be at liberty to give pertaining to the past. Presently he cleared his throat and said:
"Your ma is still alive, John. Jane Holder is dead. Lots and lots of things that you don't know about have happened down home since you left.
As soon as Jane Holder died your ma quit living in that old house. She pulled up stakes and drifted about some. She stayed awhile in Atlanta, then in Nashville, and finally came back to our town and moved out in the country. She was--was befriended--a nice woman and her husband sort of--well, I suppose they sort of took pity on her, and--"
"Stop, Sam!" John's face was dark and twisted from inner agony. "Please don't mention her. For Dora's sake I've been trying to think of her as never having actually existed. I don't blame her, you understand. She is living her life and I'm living mine. I don't blame people for their natures or characteristics. Such things come at birth. My father was one thing--she was another. But I've fought down my past, torn it out like an unwholesome dream. I may be mistaken, Sam, but it seems to me that I ought not to talk about all that now. I've fought to acquire a new life, and to some extent I have won it. What lies before me I don't know, and I don't greatly care. I'm still young in years and strong of body and mind, but I feel actually old. I suppose you have some sort of faith still. I have none at all. Dora has it, and it has made her contented, happy, and useful. I am glad she has it. I wouldn't take it from her.
Tilly--Tilly used to--"
The name was spoken impulsively, as if some subconscious force or habit had assumed control over a tongue well bridled till now, and with tight lips John suddenly checked himself and sat flushing under the old man's kindly stare.
"I was going to mention her," Cavanaugh put in, his honest eyes falling to the floor, "but didn't know exactly how you'd feel about it. Oh yes, I still believe in a great Supreme Power that works for eternal good.
Shall I tell you about Tilly?"
John was silent. His face had grown rigid and even pale. His lips quivered. "I think I know two things about her," he finally said.
"Somehow I feel sure that she is alive and married to Joel Eperson."
Cavanaugh nodded slowly. "Yes, my boy; she finally took him, but it was not till four years after the report of your death. I see her and Joel off and on from time to time. It will do no good to open old wounds now, but I'll say this, John, and that is that your wife's constancy to your memory, and Joel's faithfulness to her through all her trouble--the death of her ma and pa, and--and some other things--has given the lie to every statement ever made that men and women don't actually love each other. If Tilly had had the slightest hope that you were living she'd have remained single till the end of time. She never considered that court edict as right. Oh, I wish I could--could tell you all I know on that line, but it would do no good now."
"No, we'd better drop it," John said, heavily. "It will do no good to go over it. I've regarded it as a dead issue for eleven years."
"That may be," Cavanaugh said to himself, "but he is stunned, actually stunned. I see it in his face and hear it in his voice. Poor boy! Poor boy!"
"Before dropping the subject I will tell you one thing more," the old man said, aloud, "and that is that they have two children, a boy of about six and a little girl of four or five. They are sweet little tots and are a great comfort. They are images of their mother, and I love 'em."
"Tell me this--tell me this, Sam," John said, and it was as if a great anxiety rested on him. "I want to know this. Of course, you'll see that it is no affair of mine, but I'd like to know if Eperson is providing well for Til--for his wife and children. Sam, she has suffered a lot through no fault of her own, and most of that suffering came through happening to meet me up there at Cranston and that silly boy-and-girl fancy of--of hers and mine. She deserves an easier time from now on, and that is why I'd like to know how she and Eperson are financially situated."
Cavanaugh drew his scraggy brows together. His color deepened to red in his cheeks. "I wish I could make a good report on that line," he answered, awkwardly, "but I can't give you the best of news. Joel is not to blame, though. I'll say that. He simply belongs to the class of men that come, as he did, from landholders and slave-holders. Such men are highly honorable, but they simply don't know how to make ends meet."
"Then they are poor, very poor?" John said, grimly.
"Yes, very poor," was the reluctant answer. "I'm not blaming Joel. He has done the best he could. I've never seen a man work harder. If he had been stingy and grasping he'd have made better headway, but he is always doing for others. Old Whaley died insolvent, and Joel took care of the widow and paid out big doctor's bills trying to save her life, through a long sick spell, and when she passed away he paid all the funeral expenses and put up a nice stone over the two graves. He doesn't own any land of his own, but rents a few acres here and there from year to year.
He has to buy his supplies on credit at a high rate of profit, and is always up to his eyes in debt. Huh! John, you fellers that can work in a fine office like this, wear clothes like you've got on, and ride home in a comfortable car, reading your paper or smoking--I say, such as you have little notion what an easy berth you have compared to fellers like Joel Eperson. That is the sort of a thing that shakes my faith in the Almighty a little mite sometimes, but I don't let it get hold of me. In any case, Joel is blessed by having the wife he got. She is the most patient little mother that ever lived. I've never heard her complain. I did hear her say once, though, when I happened to pass along where she was at work in the cotton-field and stopped to chat a minute--she told me that she didn't ever worry about what would happen to her and Joel, because they could die and be done with it, but she did trouble about the children. She is so anxious for them to grow up and get an education and be useful in life, and she doesn't see much hope of it."
"You say she actually works in the field?" John exclaimed, with a shudder and a darkening face.
"Not always, but sometimes when Joel is away or sick, or when the crops are suffering for immediate attention. You know labor is high and cash is generally paid, and Joel hasn't the means to hire help at the time he needs it the most. Take cotton-picking, for instance. If the staple isn't taken from the boll in time the weather stains and ruins it. It is at a time like that that Tilly helps. But don't let it fret you. She told me, with that sweet smile of hers that I used to love so much when me and you was boarding with her folks, that outdoor work was good for her. But Joel objects to it. I saw him come out in the corn one day and take the hoe away from her and send her in the house. I never saw a sadder look on a proud man's face.
"'She _will_ do it,' he said to me, almost groaning, as he spoke. Joel got confidential that day. He talked free-like, as men do when they reach the very bottom of ill luck. 'I thought,' said he, 'that I was doing right in marrying Tilly, for she was all alone in the world and unprotected, but you see what I've brought her to. I had hopes then-- I have none now. Things never take an upward turn for some men, Cavanaugh.
They head downward, and they pull everything they touch with them. They marry wives and make them suffer. They bring children into the world to suffer, and they go on that way till the earth receives their useless remains, and that is the end of their dreams.'
"I tried to cheer him up, but I couldn't. I wish, John, that I could tell you about his unselfishness as to one thing in particular, but I reckon I'd better not. It would do no good. I see from your looks that all this is going hard with you."
"No, nothing is to be gained by it, Sam," John said, shrugging his shoulders. He looked at his watch. "You must go to lunch with me," he said. "I want to see as much of you as possible while you are here."
"I am agreeable," Cavanaugh said, with a touch of his former ease of manner. "It seems like old times once more, my boy."
They lunched together and afterward went to the small hotel where Cavanaugh was staying, got the old man's valise, and went to John's home. Cavanaugh was put into Dora's old room and given to understand that it was his as long as he remained in the city. For a week the two friends were constantly together. John took the time off from business, and, with Binks trotting between them, the physically ill-mated and yet mentally congenial pair took long walks together. And not since Dora's departure had John felt so soothed and comforted. A spiritual force of some sort seemed to radiate from the bent old man that for the time almost regenerated his companion. John had discovered that Cavanaugh loved him as a son and regarded him with an ardent mixture of pride and ecstasy, as a son restored from death to life. Sometimes, in their ascent of an incline in their strolls, the old man would quite unconsciously catch hold of the arm of the younger, and in speaking he often held John's hand in one of his and gently stroked it, as if unconscious of what he was doing. At times, for no particular reason, he would lower his voice into an almost confidential whisper. However, it was on the last night of his stay, before his departure the following morning, that John was permitted to see even more deeply into Cavanaugh's heart. They were in Dora's room. The old man was undressing for bed when suddenly he sat down, locked his toil-hardened fingers between his knees, and lowered his shaggy head, as if buffeting an unexpected wave of despair.
"I want to tell you something, John," he said, in a shaky voice. "And I don't want you to forget it as long as life stays in you. I want you to know that no days in all my existence have been as happy as these with you. Not even my honeymoon, John, and that is saying a lot. I can't tell you about it. When I try my tongue fails, my throat fills, and my eyes stream with tears. You'll never regret being so good to me. God won't give you cause to ever regret it. What is ahead of me seems mighty short. I'll be dead, I guess, too soon for me to ever think about coming to New York again, and I know how you feel about going down there, but I'll take a sweet memory to my grave with me, John, and that is that you, with all your up-to-date success and education, treated me as sweet and gentle as a dutiful son would an old, unpolished, plain father that he loved and respected. You are lonely and unhappy, and I see no way to help you. That hurts. That hurts deep down in me! I hate to go away and leave you like this, never to see you again. What I told you about--about the little woman that was once your wife struck you a deadly blow between the eyes. You thought you had counted on her marrying again, but I reckon, after all, you hadn't really done that. I see--I understand. You have been all these years holding her in your heart, somehow, as yours in spirit if not in body, and now for the first time you are trying to look the facts in the face. I've noticed that you don't sleep sound. I hear you stirring about in the night."
John made no denial, and the fact that he did not do so proved to Cavanaugh that what he had said was true.