The doors opened one by one before Pere Courtois. When they reached the last one, Amelie laid her hand on the jailer's shoulder. She thought she heard a chant. Listening attentively, she became aware that it was a voice repeating verses.
But the voice was not Morgan's; it was unknown to her. Here is what it said:
I have bared all my heart to the God of the just, He has witnessed my penitent tears; He has stilled my remorse, He has armed me with trust, He has pitied and calmed all my fears.
My enemies, scoffing, have said in their rage: "Let him die, be his mem'ry accursed!"
Saith the merciful Father, my grief to assuage, "Their hatred hath now done its worst.
"I have heard thy complaints, and I know that the ban Of remorse hath e'en brought thee so low; I can pity the soul of the penitent man That was weak in this valley of woe;
"I will crown thy lost name with the just acclaim Of the slow-judging righteous years; Their pity and justice in time shall proclaim Thine honor; then layoff thy fears!"
I bless thee, O God! who hast deigned to restore Mine honor that Thou hast made whole From shame and remorse; as I enter Death's door To Thee I commend my poor soul!
To the banquet of life, an unfortunate guest, I came for a day, and I go-- I die in my vigor; I sought not to rest In the grave where the weary lie low.
Farewell to thee, earth! farewell, tender verdure Of woodland! Farewell, sunny shore!
Green fields that I love, azure skies, smiling Nature, Farewell! I shall see thee no more.
May thy beauty still gladden the friends that I love, Whom I long for--but stern fate denies; May they pass full of years, though I wait them above; May a last loving hand close their eyes.
The voice was silent; no doubt the last verse was finished. Amelie, who would not interrupt the last meditations of the doomed men, and who had recognized Gilbert's beautiful ode written on a hospital bed the night before his death, now signed to the jailer to open the door. Pere Courtois, jailer as he was, seemed to share the young girl's emotion, for he put the key in the lock and turned it as softly as he could. The door opened.
Amelie saw at a glance the whole interior of the cell, and the persons in it.
Valensolle was standing, leaning against the wall, and still holding the book from which he had just read the lines that Amelie had overheard.
Jayat was seated near a table with his head resting on his hands.
Ribier was sitting on the table itself. Near him, but further back, Sainte-Hermine, his eyes closed as if in sleep, was lying on the bed. At sight of the young girl, whom they knew to be Amelie, Ribier and Jayat rose. Morgan did not move; he had heard nothing.
Amelie went directly to him, and, as if the love she felt for him were sanctified by the nearness of death, she gave no heed to the presence of his friends, but pressed her lips to his, murmuring: "Awake, my Charles, it is I, Amelie. I have come to keep my promise."
Morgan gave a cry of joy and clasped her in his arms.
"Monsieur Courtois," said Montbar, "you are a worthy man. Leave those poor young people alone. It would be sacrilege to trouble their last moments together on earth by our presence."
Pere Courtois, without a word, opened the door of the adjoining cell.
Valensolle, Jayat and Ribier entered it, and the door was closed upon them. Then, making a sign to Charlotte, Courtois himself went away. The lovers were alone.
There are scenes that should not be described, words that must not be repeated. God, who sees and hears them from his immortal throne, alone knows what sombre joys, what bitter pleasures they contain.
At the end of an hour the two young people heard the key turn once more in the lock. They were sad but calm. The conviction that their separation would not be for long gave them a sweet serenity. The worthy jailer seemed more grieved and distressed at his second appearance than at his first; but Morgan and Amelie thanked him with a smile.
He went to the cell where the others were locked up and opened it, murmuring to himself: "Faith! It would have been hard if they couldn't have been alone together on their last night."
Valensolle, Jayat and Ribier returned. Amelie, with her left arm wound around Morgan, held out her right hand to them. All three, one after the other, kissed that cold, damp hand. Then Morgan led her to the door.
"Au revoir!" he said.
"Soon!" she answered.
And then this parting at the gates of death was sealed by a long kiss, followed by a groan so terrible that it seemed to rend their hearts in twain.
The door closed again, the bolts and bars shot into their places.
"Well?" cried Valensolle, Jayat and Ribier with one accord.
"Here!" replied Morgan, emptying the travelling bag upon the table.
The three young men gave a cry of joy as they saw the shining pistols and gleaming blades. It was all that they desired next to liberty--the joy, the dolorous precious joy of knowing themselves masters of their own lives, and, if need be, that of others.
During this time the jailer led Amelie to the street. When they reached it he hesitated a moment, then he touched Amelie's arm, saying as he did so: "Mademoiselle de Montrevel, forgive me for causing you so much pain, but it is useless for you to go to Paris."
"Because the appeal has been rejected and the execution takes place to-morrow, I suppose you mean," said Amelie.
The jailer in his astonishment stepped back a pace.
"I knew it, my friend," said Amelie. Then turning to Charlotte, she said: "Take me to the nearest church and come for me to-morrow after all is over."
The nearest church was not far off. It was that of Sainte-Claire. For the last three months it had been opened for public worship under the decree of the First Consul. As it was now nearly midnight, the doors were closed; but Charlotte knew where the sexton lived and she went to wake him. Amelie waited, leaning against the walls as motionless as the marble figures that adorned its frontal.
The sexton arrived at the end of half an hour. During that time the girl had seen a dreadful sight. Three men had passed her, dragging a cart, which she saw by the light of the moon was painted red. Within this cart she perceived shapeless objects, long planks and singular ladders, all painted the same color. They were dragging it toward the bastion Montrevel, the place used for the executions. Amelie divined what it was, and, with a cry, she fell upon her knees.
At that cry the men in black turned round. They fancied for a moment that one of the sculptured figures of the porch had descended from its niche and was kneeling there. The one who seemed to be the leader stepped close to the young girl.
"Don't come near me!" she cried. "Don't come near me!"
The man returned humbly to his place and continued on his way. The cart disappeared round the corner of the Rue des Prisons; but the noise of its wheels still sounded on the stones and echoed in the girl's heart.
When the sacristan and Charlotte returned they found the young girl on her knees. The man raised some objections against opening the church at that hour of the night; but a piece of gold and Mademoiselle de Montrevel's name dispelled his scruples. A second gold piece decided him to light a little chapel. It was the one in which Amelie had made her first communion. There, kneeling before the altar, she implored them to leave her alone.
Toward three in the morning she saw the colored window above the altar of the Virgin begin to lighten. It looked to the east, so that the first ray of light came direct to her eyes as a messenger from God.
Little by little the town awoke. To Amelie the noise seemed louder than ever before. Soon the vaulted ceiling of the church shook with the tramp of a troop of horsemen. This troop was on its way to the prison.
A little before nine the young girl heard a great noise, and it seemed to her that the whole town must be rushing in the same direction.
She strove to lose herself in prayer, that she might not hear these different sounds that spoke to her in an unknown language of which her anguish told her she understood every word.
In truth, a terrible thing was happening at the prison. It was no wonder that the whole town had rushed thither.
At nine o'clock Pere Courtois entered the jail to tell the prisoners at one and the same time that their appeal had been rejected and that they must prepare for immediate death. He found the four prisoners armed to the teeth.
The jailer, taken unawares, was pulled into the cell and the door locked behind him. Then the young men, without any defence on his part, so astonished was he, seized his keys, and passing through the door opposite to the one by which he had entered they locked it on him.
Leaving him in their cell, they found themselves in the adjoining one, in which he had placed three of them during Amelie's interview with Morgan.
One of the keys on the jailer's bunch opened the other door of this cell, and that door led to the inner courtyard of the prison. This courtyard was closed by three massive doors, all of which led to a sort of lobby, opening upon the porter's lodge, which in turn adjoined the law-courts. From this lodge fifteen steps led down into a vast courtyard closed by an iron gate and railing. Usually this gate was only locked at night. If it should happen to be open on this occasion it would offer a possibility of escape.
Morgan found the key of the prisoners' court, opened the door, and rushed with his companions to the porter's lodge and to the portico, from which the fifteen steps led down into the courtyard. From there the three young men could see that all hope was lost.