"Then it's all true ... what he has been telling me?" Louis cried as he leaped to his feet and took the hearty grasp of his friend.
"As true as gospel," said Arthur, using Judy's phrase. "Let's get out of this without delay. We can talk about it at home. Curran, do you settle with the captain."
They hurried away to the cab in silence. Before entering Arthur wrung the hand of the detective warmly.
"It would take more than I own to pay you for this night's work, Curran.
I want you to know how I feel about it, and when the time comes ask your own reward."
"What you have just said is half of it," the man answered in a strange tone. "When the time comes I shall not be bashful."
"It would have been the greatest blunder of your life," Arthur said, as they drove homeward, "if you had succeeded in getting away. It cannot be denied, Louis, that from five o'clock this afternoon till now you made a fool of yourself. Don't reply. Don't worry about it. Just think of this gold-plate fact: no one knows anything about it. You are supposed to be sleeping sweetly at my house. I settled Claire beautifully. And Sister Magdalen, too. By the way, I must send her word by the cabby ... better let her do penance on her knees till sunrise ... she's praying for you ... but the suspense might kill her ... no, I'll send word. As I was saying, everything is as it was at four o'clock this afternoon."
He chattered for the lad's benefit, noting that at times Louis shivered as with ague, and that his hands were cold. He has tasted calamity, Arthur thought with resignation, and life will never be quite the same thing again. In the comfortable room the marks of suffering became painfully evident. Even joy failed to rouse his old self. Pale, wrinkled like age, shrunken, almost lean, he presented a woful spectacle. Arthur mixed a warm punch for him, and spread a substantial lunch.
"The sauce for this feast," said he, "is not appetite, but this fact: that your troubles are over. Now eat."
Louis made a pretense of eating, and later, under the influence of the punch, found a little appetite. By degrees his mind became clearer as his body rested, the wrinkles began to disappear, his body seemed to fill out while the comfort of the situation invaded him. Arthur, puffing his cigar and describing his interview with Claire, looked so stanch and solid, so sure of himself, so at ease with his neighbors, that one could scarcely fail to catch his happy complaint.
"She has begun her descent into hell," he said placidly, "but since you are with us still, I shall give her plenty of time to make it. What I am surprised at is that you did not understand what my entrance meant. She understood it. She thought Curran was due as her witness of the assault.
What surprises me still more is that you so completely forgot my advice: no matter what the trouble and the shame, come straight to me. Here was a grand chance to try it."
"I never thought of this kind of trouble," said Louis dully. "Anyway, I got such a fright that I understood nothing rightly up to midnight. The terrible feeling of public disgrace eat into me. I saw and heard people crying over me as at a funeral, you know that hopeless crying. The road ahead looked to be full of black clouds. I wanted to die. Then I wanted to get away. When I found a ship they took me for a half-drunk sailor, and hustled me into the forecastle in lively shape. When Curran found me and hauled me out of the bunk, I had been asleep enjoying the awfullest dreams. I took him for a trickster, who wanted to get me ashore and jail me. I feel better. I think I can sleep now."
"Experience maybe has given you a better grip on the meaning of that wise advice which I repeat now: no matter what the trouble, come to me."
"I shall come," said the lad with a show of spirit that delighted Arthur. "Even if you should see me hanged the next day."
"That's a fine sentiment to sleep on, so we'll go to bed. However, remind yourself that a little good sense when you resume business ... by the way, it's morning ... no super-sensitiveness, no grieving, for you were straight all through ... go right on as if nothing had happened ...
and in fact nothing has happened yet ... I can see that you understand."
They went to bed, and slept comfortably until noon. After breakfast Louis looked passably well, yet miserable enough to make explanations necessary for his alarmed parents. Arthur undertook the disagreeable office, which seemed to him delightful by comparison with that other story of a runaway son _en route_ in fancied disgrace for India. All's well that ends well. Mary Everard wept with grief, joy, and gratitude, and took her jewel to her arms without complaint or question. The crotchety father was disposed to have it out with either the knaves or the fools in the game, did not Arthur reduce him to quiet by his little indictment.
"There is only one to quarrel with about this sad affair, John Everard,"
said he smoothly, "and that only one is your friend and well wisher, Quincy Livingstone. I want you to remember that, when we set out to take his scalp. It's a judgment on you that you are the first to suffer directly by this man's plotting. You needn't talk back. The boy is going to be ill, and you'll need all your epithets for your chief and yourself before you see comfort again."
Recalling his son's appearance the father remained silent. Arthur's prevision came true. The physician ordered Louis to bed for an indefinite time, having found him suffering from shock, and threatened with some form of fever. The danger did not daunt his mother. Whatever of suffering yet remained, her boy would endure it in the shelter of her arms.
"If he died this night," she said to Arthur, "I would still thank God that sent him back to die among his own; and after God, you, son dear, who have been more than a brother to him."
Thus the items in his account with kinsman Livingstone kept mounting daily.
CHAPTER XXII.
THE END OF A MELODRAMA.
Louis kept his bed for some weeks, and suffered a slow convalescence.
Private grief must give way to public necessity. In this case the private grief developed a public necessity. Arthur took pains to tell his story to the leaders. It gave point to the general onslaught now being made on the Irish by the hired journals, the escaped nun, and, as some named him, the escaped historian. A plan was formulated to deal with all three. Grahame entered the lists against Bitterkin and Smallish, Vandervelt denounced the _Confessions_ and its author at a banquet _vis-a-vis_ with Bradford, and Monsignor pursued the escaped historian by lecturing in the same cities, and often on the same platform. Arthur held to Sister Claire as his specialty, as the hinge of the Livingstone scheme, a very rotten hinge on which to depend.
Nevertheless, she kept her footing for months after her interview with him.
Curran had laid bare her life and exposed her present methods nicely; but neither afforded a grip which might shake her, except inasmuch as it gave him an unexpected clue to the Claire labyrinth. Her history showed that she had often played two parts in the same drama. Without doubt a similar trick served her now, not only to indulge her riotous passions, but to glean advantages from her enemies and useful criticism from her friends. He cast about among his casual acquaintance for characters that Claire might play. Edith Conyngham? Not impossible! The Brand who held forth at the gospel hall? Here was a find indeed! Comparing the impressions left upon him by these women, as a result he gave Curran the commission to watch and study the daily living of Edith Conyngham. Even this man's nerve shook at a stroke so luckily apt.
"I don't know much about the ways of escaped nuns," said Arthur, "but I am going to study them. I'll wager you find Claire behind the rusty garments of this obscure, muddy, slimy little woman. They have the same appetite anyway."
This choice bit of news, carried at once to the escaped nun, sounded in Sister Claire's ear like the crack of doom, and she stared at Curran, standing humbly in her office, with distorted face.
"Is this the result of your clever story-telling, Dick Curran?" she gasped.
"It's the result of your affair with young Everard," he replied sadly.
"That was a mistake altogether. It waked up Arthur Dillon."
"The mistake was to wake that man," she said sourly. "I fear him.
There's something hiding in him, something terrible, that looks out of his eyes like a ghost in hell. The dogs ... Jezebel ... that was his threat ... ugh!"
"He has waked up the whole crowd against you and frightened your friends. If ever he tells the Clan-na-Gael about young Everard, your life won't be worth a pin."
"With you to defend me?" ironically.
"I could only die with you ... against that crowd."
"And you would," she said with conviction, tears in her eyes. "My one friend."
His cheeks flushed and his eyes sparkled at the fervent praise of his fidelity.
"Well, it's all up with me," changing to a mood of gaiety. "The Escaped Nun must escape once more. They will all turn their coldest shoulders to me, absolutely frightened by this Irish crowd, to which we belong after all, Dick. I'm not sorry they can stand up for themselves, are you? So, there's nothing to do but take up the play, and begin work on it in dead earnest."
"It's a bad time," Curran ventured, as she took a manuscript from a desk. "But you know how to manage such things, you are so clever," he hastened to add, catching a fiery glance from her eye. "Only you must go with caution."
"It's a fine play," she said, turning the pages of the manuscript.
"Dick, you are little short of a genius. If I had not liked the real play so well, playing to the big world this role of escaped nun, I would have taken it up long ago. The little stage of the theater is nothing to the grand stage of the world, where a whole nation applauds; and men like the Bishop take it for the real thing, this impersonation of mine. But since I am shut out ... and my curse on this Arthur Dillon ... no, no, I take that back ... he's a fine fellow, working according to his nature ... since he will shut me out I must take to the imitation stage. Ah, but the part is fine! First act: the convent garden, the novice reading her love in the flowers, the hateful old mother superior choking her to get her lover's note from her, the reading of the note, and the dragging of the novice to her prison cell, down in the depths of the earth. How that will draw the tears from the old maids of Methodism all over the country!"
She burst into hearty laughter.
"Second act: the dungeon, the tortures, old superior again, and the hateful hag who is in love with the hero and would like to wreak her jealousy on me, poor thing, all tears and determination. I loathe the two women. I denounce the creed which invents such tortures. I lie down to die in the dungeon while the music moans and the deacons and their families in the audience groan. Don't you think, Dicky dear, I can do the dying act to perfection?"
"On the stage perfectly."
"You're a wretch," she shrieked with sudden rage. "You hint at the night I took a colic and howled for the priest, when you know it was only the whisky and the delirium. How dare you!"
"It slipped on me," he said humbly.
"The third act is simply beautiful: chapel of the convent, a fat priest at the altar, all the nuns gathered about to hear the charges against me, I am brought in bound, pale, starved, but determined; the trial, the sentence, the curse ... oh, that scene is sublime, I can see Booth in it ... pity we can't have him ... then the inrush of my lover, the terror, the shrieks, the confusion, as I am carried off the stage with the curtain going down. At last the serene fourth act: another garden, the villains all punished, my lover's arms about me, and we two reading the flowers as the curtain descends. Well," with a sigh of pleasure, "if that doesn't take among the Methodists and the general public out West and down South, what will?"
"I can see the fire with which you will act it," said Curran eagerly.
"You are a born actress. Who but you could play so many parts at once?"