They remained a long while thus, talking in the open window, mingled with the spirit of evening, very near each other, nearer than they ever had been, in this hour of tenderness, this twilight of love, like that of the day.
A servant entered, announcing:
"Madame la Comtesse is served."
"Have you called my daughter?" the Countess asked.
"Mademoiselle is in the dining-room."
All three sat down at the table. The shutters were closed, and two large candelabra with six candles each illumined Annette's face and seemed to powder her hair with gold dust. Bertin, smiling, looked at her continually.
"Heavens, now pretty she is in black!" he said.
And he turned toward the Countess while admiring the daughter, as if to thank the mother for having given him this pleasure.
When they returned to the drawing-room the moon had risen above the trees in the park. Their somber mass appeared like a great island, and the country round about like a sea hidden under the light mist that floated over the plains.
"Oh, mamma, let us take a walk," said Annette.
The Countess consented.
"I will take Julio."
"Very well, if you wish."
They set out. The young girl walked in front, amusing herself with the dog. When they crossed the lawn they heard the breathing of the cows, which, awake and scenting their enemy, raised their heads to look.
Under the trees, farther away, the moon was pouring among the branches a shower of fine rays that fell to earth, seeming to wet the leaves that were spread out on the path in little patches of yellow light. Annette and Julio ran along, each seeming to have on this serene night, the same joyful and unburdened hearts, the gaiety of which expressed itself in graceful gambols.
In the little openings, where the wave of moonlight descended as into a well, the young girl looked like a spirit, and the painter called her back, marveling at this dark vision with its clear and brilliant face.
Then when she darted away again, he took the Countess's hand and pressed it, often seeking her lips as they traversed the deeper shadows, as if the sight of Annette had revived the impatience of his heart.
At last they reached the edge of the plain, where they could just discern, afar, here and there, the groups of trees belonging to the farms. Through the milky mist that bathed the fields the horizon appeared illimitable, and the soft silence, the living silence of that vast space, so warm and luminous, was full of inexpressible hope, of that indefinable expectancy which makes summer nights so sweet. Far up in the heavens a few long slender clouds looked like silver shells.
Standing still for a few seconds, one could hear in that nocturnal peace a confused, continuous murmur of life, a thousand slight sounds, the harmony of which seemed like silence.
A quail in a neighboring field uttered her double cry, and Julio, his ears erect, glided furtively toward the two flute-like notes of the bird, Annette following, as softly as he, holding her breath and crouching low.
"Ah," said the Countess, standing alone with the painter, "why do moments like this pass so quickly? We can hold nothing, keep nothing. We have not even time to taste what is good. It is over already."
Olivier kissed her hand, and replied, smiling:
"Oh, I cannot philosophize this evening! I belong to the present hour entirely."
"You do not love me as I love you," she murmured.
"Ah, do not--"
"No," she interrupted, "in me you love, as you said very truly before dinner, a woman who satisfies the needs of your heart, a woman who never has caused you a pain, and who has put a little happiness into your life. I know that; I feel it. Yes, I have the good consciousness, the ardent joy of having been good, useful, and helpful to you. You have loved, you still love all that you find agreeable in me, my attentions to you, my admiration, my wish to please you, my passion, the complete gift I made to you of my whole being. But it is not I you really love, do you know? Oh, I feel that as one feels a cold current of air. You love a thousand things about me--my beauty, which is fast leaving me, my devotion, the wit they say I possess, the opinion the world has of me, and that which I have of you in my heart; but it is not _I_--I, nothing but myself--do you understand?"
He laughed in a soft and friendly way.
"No, I do not understand you very well. You make a reproachful attack which is quite unexpected."
"Oh, my God! I wish I could make you understand how I love you! I am always seeking, but cannot find a means. When I think of you--and I am always thinking of you--I feel in the depths of my being an unspeakable intoxication of longing to be yours, an irresistible need of giving myself to you even more completely. I should like to sacrifice myself in some absolute way, for there is nothing better, when one loves, than to give, to give always, all, all, life, thought, body, all that one has, to feel that one is giving, to be ready to risk anything to give still more. I love you so much that I love to suffer for you, I love even my anxieties, my torments, my jealousies, the pain I feel when I realize that you are not longer tender toward me. I love in you a someone that only I have discovered, a you which is not the you of the world that is admired and known, a you which is mine, which cannot change nor grow old, which I cannot cease to love, for I have, to look at it, eyes that see it alone. But one cannot say these things. There are no words to express them."
He repeated softly, over and over:
"Dear, dear, dear Any!"
Julio came back, bounding toward them, without having found the quail, which had kept still at his approach; Annette followed him, breathless from running.
"I can't run any more," said she. "I will prop myself up with you, Monsieur painter!"
She leaned on Olivier's free arm, and they returned, walking thus, he between them, under the shadow of the trees. They spoke no more. He walked on, possessed by them, penetrated by a sort of feminine essence with which their contact filled him. He did not try to see them, since he had them near him; he even closed his eyes that he might feel their proximity the better. They guided him, conducted him, and he walked straight before him, fascinated by them, with the one on the left as well as the one on the right, without knowing, indeed, which was on the left or which on the right, which was mother, which was daughter.
He abandoned himself willingly to the pleasure of unpremeditated and exquisite sensuous delight. He even tried to mingle them in his heart, not to distinguish them in his thought, and quieted desire with the charm of this confusion. Was it not only one woman beside him, composed of this mother and daughter, so much alike? And did not the daughter seem to have come to earth only for the purpose of reanimating his former love for the mother?
When he opened his eyes on entering the castle, it seemed to him that he had just passed through the most delicious moments of his life; that he had experienced the strangest, the most puzzling, yet complete emotion a man might feel, intoxicated with the same love by the seductiveness emanating from two women.
"Ah, what an exquisite evening!" said he, as soon as he found himself between them in the lamplight.
"I am not at all sleepy," said Annette; "I could pass the whole night walking when the weather is fine."
The Countess looked at the clock.
"Oh, it is half after eleven. You must go to bed, my child."
They separated, and went to their own apartments. The young girl who did not wish to go to bed was the only one that went to sleep at once.
The next morning, at the usual hour, when the maid, after opening the curtains and the shutters, brought the tea and looked at her mistress, who was still drowsy, she said:
"Madame looks better to-day, already."
"Do you think so?"
"Oh, yes. Madame's face looks more rested."
Though she had not yet looked at herself, the Countess knew that this was true. Her heart was light, she did not feel it throb, and she felt once more as if she lived. The blood flowing in her veins was no longer coursing so rapidly as on the day before, hot and feverish, sending nervousness and restlessness through all her body, but gave her a sense of well-being and happy confidence.
When the maid had gone she went to look at herself in the mirror. She was a little surprised, for she felt so much better that she expected to find herself rejuvenated by several years in a single night. Then she realized the childishness of such a hope, and, after another glance, resigned herself to the knowledge that her complexion was only clearer, her eyes less fatigued, her lips a little redder than on the day before. As her soul was content, she could not feel sad, and she smiled, thinking: "Yes, in a few days I shall be quite myself again. I have gone through too much to recover so quickly."
But she remained seated a very long time before her toilet-table, upon which were laid out in graceful order on a muslin scarf bordered with lace, before a beautiful mirror of cut crystal, all her little ivory-handled instruments of coquetry, bearing her arms surmounted by a coronet. There they were, innumerable, pretty, all different, destined for delicate and secret use, some of steel, fine and sharp, of strange shapes, like surgical instruments for operations on children, others round and soft, of feathers, of down, of the skins of unknown animals, made to lay upon the tender skin the caresses of fragrant powders or of powerful liquid perfumes.
She handled them a long time with practised fingers, carrying them from her lips to her temples with touches softer than a kiss, correcting imperfections, underlining the eyes, beautifying the eyelashes. At last, when she went down stairs, she felt almost sure that the first glance cast upon her would not be too unfavorable.
"Where is Monsieur Bertin?" she inquired of a servant she met in the vestibule.
"Monsieur Bertin is in the orchard, playing tennis with Mademoiselle,"
the man replied.
She heard them from a distance counting the points. One after the other, the deep voice of the painter and the light one of the young girl, called: "Fifteen, thirty, forty, vantage, deuce, vantage, game!"