MALMAISON AND MARLY
Out from Paris, by the cobbly Pave du Roi, which a parental administration is only just now digging up and burying under, just beyond the little suburban townlet of Rueil (where the Empress Josephine and her daughter Hortense lie buried in the parish church), one comes to Malmaison of unhappy memory. It is not imposing, palatial, nor, architecturally, very worthy, but it is one of the most sentimentally historic of all French monuments of its class.
Since no very definite outlines remain of any royal historical monument at Rueil to-day the tourist bound towards Versailles by train, tram or road, gives little thought to the snug little suburb through which he shuffles along, hoping every minute to leave the noise, bustle and cobblestones of Paris behind.
Rueil is deserving of more consideration than this. According to Gregory of Tours the first race of kings had a "pleasure house" here, and called the neighbourhood Rotolajum. Not always did these old kings stay cooped up in a fortress in the Isle of Lutetia. Sometimes they went afield for a day in the country like the rest of us, and to them, with their slow means of communication and the bad roads of their day, Rueil, scarce a dozen miles from Notre Dame, seemed far away.
Childerbert I, son of Clovis, is mentioned as having made a protracted sojourn at Rueil, and whatever may have existed then in the way of a royal residence soon after passed to the monks of Saint Denis, who here fished and hunted and lived a life of comfort and ease such as they could hardly do in their fortress-abbey. They, too, required change and rest from time to time, and, apparently, when they could, took it.
The Black Prince burned the town and all its dependencies in 1346, and only an unimportant village existed when Richelieu thought to build a country-house here on this same charming site which had so pleased the first French monarchs. Richelieu did his work well, as always, and built an immense chateau, surrounded by a deep moat into which were turned the swift-flowing waters of the Seine. A vast park was laid out, in part in the formal manner and in part as a natural preserve, and the neighbourhood once more became frequented by royalty and the nobles of the court.
Richelieu bequeathed the property to his niece, the Duchesse d'Aiguillon, and Louis XIV became a frequent dweller there--as a visitor, but he did not mind that. Louis XIV was sometimes a monarch, sometimes a master, and sometimes a "family friend," to put it in a noncommittal manner.
The Revolution nearly made way with the property and the Duc de Massena, a few years afterwards, reestablished it after a fashion, but speculating land-boomers came along in turn and royal memories meaning nothing to them the property was cut up into streets, avenues and house lots.
The Chateau de Malmaison, which is very near Rueil, is in quite a different class. Its history comes very nearly down to modern times. The memory of Malmaison is purely Napoleonic. Its historical souvenirs are many, but its actual ruins have taken on a plebeian aspect of little appeal in these later days.
In 1792 Malmaison was sold as a piece of national merchandise to be turned into _ecus_, and a certain Monsieur Lecouteux de Canteleu, having the ready cash and a disposition to live under its roof, took over the proprietorship for a time. It was he who sold it to Josephine Beauharnais, and it was she who gave it a glory and splendour which it had never before possessed, gave it its complete fame, in fact.
Napoleon himself, as First Consul, was passionately fond of the place, but by the time he had become emperor, because of unhappy memories, perhaps, for he had them at times, came rarely to this charming suburban chateau.
It was at Malmaison that began the good fortune of Josephine, and it was at Malmaison that it flickered out like the dying flame of a candle.
In a beating rain, on Saturday, December 16, 1809, Josephine quitted the Tuileries, her eyes still red with the tears from that last brief interview. She arrived at Malmaison at the end of a lugubrious day, when the whole place was enveloped in a thick fog. She passed the night almost alone in this great house where she had previously been so happy.
She could hardly, however, have been more sad than Napoleon was that same night. He had shut himself up in his cabinet, remorseful and alone.
The Sunday following was hardly less melancholy, for it was then Josephine learned that Malmaison had been endowed with an income of two millions for its upkeep, and that her personal belongings and the furnishings of her favourite apartments were already on the way thither from the Tuileries. The wound was not even then allowed to heal, for she learned that Napoleon had ordained that she was to receive the visits of the court as if she were still empress.
[Illustration: _Chateau de Malmaison_]
Napoleon had already written his former spouse to the effect that he would give much to see her, but that he did not feel sufficiently sure of himself to permit of it. This historic letter closed thus; "_Adieu, Josephine, bonne nuit, si tu doutais de moi, tout sera bien indigne_."
On the 17th of December Napoleon actually did come to Malmaison to see her from whom he was officially separated. Josephine had confided to Madame de Remusat, her lady-in-waiting, "It almost seems as if I were dead, and only possessed of the faculty of remembering the past."
In this Malmaison, so full of souvenirs of other days, Josephine was obliged to content herself, for on January 12, 1810, the religious marriage of Josephine and Napoleon was annulled automatically because, as was claimed, it had not been celebrated with the necessary formalities.
Here at Malmaison Josephine even surrounded herself with the most intimate souvenirs of Napoleon: a lounging chair that he was wont to occupy stood in its accustomed place; his bed was always made; his sword hung upon the wall; his pen was in his inkwell; a book was open on his desk and his geographical globe--his famous _mappemond_--was in its accustomed place.
Princes passing through Paris came to Malmaison to salute the former empress, and she allowed herself to become absorbed in her greenhouses and her dairy, the direction of her house, her receptions and her _petite cour_.
In time all came to an end. When Napoleon returned to Paris in 1815 he interrogated the doctor who had cared for Josephine during the illness which terminated in her death the year before and asked him: "Did she speak of me at the last?" The doctor replied: "Often, very often." With emotion Napoleon replied simply: "_Bonne femme: bonne Josephine elle m'aimeit vraiment_."
After Waterloo Napoleon himself retired to Malmaison, which had become the property of Josephine's children, Eugene and Hortense, and closed himself up in the room where she died, the library which he occupied when triumphant First Consul.
Here he lived five mortal days of anguish preceding his departure for Rochefort on that agonizing exile from which he never returned.
After the divorce Josephine preserved the property as her own particular residence, and in 1814 received there the celebrated visit of the allied sovereigns. History tells of a certain boat ride which she took on a neighbouring lake in company with the Emperor Alexander which is fraught with much historic sentiment. It was this imprudent excursion, in the cool of a May evening, that caused the death of the former empress three days later. It was from this bijou of a once royal abode that Napoleon launched his famous proclamation to the army which the arrogant Fouche refused to have printed in the "_Moniteur Officiel_."
Upon this Napoleon sent the Duc de Rovigo to Paris for his passports and the necessary orders which would enable him to depart in peace. The next moment he had changed his mind, and he changed it again a few moments afterwards. As the result of the Prussians' advance on Paris by the left bank of the Seine Napoleon was obliged to accept the inevitable, and with the words of General Becker ringing in his ears: "_Sire, tout est pret_," he crossed the vestibule and entered the gardens amid a painful calm on his part, and an audible weeping by his former fellows in arms who were lined up to do him honour. He embraced Hortense passionately, and saluted all the personages of his party with a sympathy and emotion unbelievable. With an eternal adieu and a rapid step down the garden walk to the driveway, he at last entered the carriage which was awaiting him and was driven rapidly away. Some days after the Allies pillaged and sacked Malmaison. Its chief glory may be said to have departed with the Corsican.
Under the Restoration, Prince Eugene had a sort of "rag sale" of what was left. The lands which Josephine had bought of Lecouteaux were sold to the highest bidder and the exotic shrubs and plants to any who would buy, the pictures to such connoisseurs as had the price, those that were left being sent to Munich. A Swedish banker now came on the scene (1826) and bought the property--the chateau and the park--which he preserved until his death twenty years later. Then it went to Queen Christina, and was ultimately purchased by Napoleon III.
In October, 1870, during the siege of Paris, General Ducrot sought to make a reconnaissance by way of Malmaison, and so weak was his project that the equipages of the King of Prussia and his etat Major invested the environs and made the property their official headquarters.
Near by is a fine property called "Les Bruyeres," a royal estate of Napoleon III. It was created and developed by the emperor and was always referred to as a Parc Imperial.
Perhaps the most banal of all the royal souvenirs around Paris is that gigantic mill-wheel known as the Machine de Marly, down by the Seine a few miles beyond Malmaison, just where that awful cobblestoned roadway begins to climb up to the plateau on which sits the chateau of Saint Germain and its park.
Because it is of unesthetic aspect is no reason for ignoring the famous Machine de Marly, the great water-hoisting apparatus first established in the reign of Louis XIV to carry the waters of the Seine to the ponds and fountains of Versailles.
It was a creation of a Liegois, named Rennequin Sualem, who knew not how to read or write, but who had a very clear idea of what was wanted to perform the work which Louis XIV demanded. For a fact the expense of the erection of the "Machine," and the cost of keeping its great wheels turning, were so great that it is doubtful if it was ever a paying proposition, but that was not a _sine qua non_ so far as the king's command was concerned. It had cost millions of _livres_ before its wheels first turned in 1682, and, if the carpenter Brunet had not come to the rescue to considerably augment the volume of water raised (by means of compressed air), it is doubtful if there would ever have been enough water for the fountains of Versailles to play even one day a year, as they do now every happy Sunday, to the delight of the middle-class Parisian and the droves of Cookites who gaze on them with wonder-opened eyes.
The water was led from the Machine de Marly to Versailles by a conduit of thirty-six arches where, upon reaching a higher level than the gardens, it flowed by gravity to the fountains and basins below. This aqueduct was six hundred and forty-three metres long, and twenty-three metres high. It was a work which would have done credit to the Romans.
A far greater romantic sentiment attaches itself to the royal chateau of Marly-le-Roi than to the utilitarian "Machine," by which the suburb is best known to-day.
The history of Marly-le-Roi appears from the chronicles the most complicated to unravel of that of any of the kingly suburbs of old Paris, though in the days of the old locomotion a townlet twenty-six kilometres from the capital was hardly to be thought of as a suburb.
Marly-le-Roi, at any rate, with Marly-le-Bourg and Marly-le-Chatel, was a royal dwelling from the days of Thierry III (678). The neighbouring region had been made into a countship by the early seventeenth century, and Louis XIV acquired it as his right in exchange for Neuphle-le-Chateau in 1693, incorporating it into the domain of Versailles.
By this time it had become known as Marly-le-Roi, in distinction to the other bourgs, and the king built a chateau-royal, variously known as the Palais and the Ermitage. For a fact it was neither one thing nor the other, according to accepted definition, but rather a group of a dozen dependent pavilions distributed around a central edifice, the whole straggling off into infinite and manifestly unlovely proportions. It was as the sun surrounded by the zodiac.
Isolated on a monticule by the river bank the chateau overlooked its brood of small pavilions, which in a way formed an _entresol_, or foyer, leading to the Pavilion Royal. All were connected by iron trellises, _en berceau_, and the effect must have been exceedingly bizarre; certainly theatrical.
The four faces of these pavilions were frescoed, and balustrades and vases at the corners were the chief architectural decorations.
The royal pavilion consisted within of four vestibules on the ground floor, each leading to a grand apartment in the centre. In each of the four angles was a "self-contained" apartment of three or four rooms.
What this royal abode lacked in beauty it made up for in convenience.
Each of the satellite pavilions was occupied by a high personage at court. The Chapel and the Corps de Garde were detached from the chateau proper, and occupied two flanking wings.
The plans of the "Palais-Chateau-Ermitage" of Marly-le-Roi were from the fertile brain of Mansart, and were arranged with considerable ingenuity, if not taste, generously interspersed with lindens and truly magnificent garden plots. There was even a cascade, or rather a tumbling river (according to the French expression), for it fell softly over sixty-three marble steps, forming a sort of wrinkled sheet of water, which must indeed have been a very charming feature. It cost a hundred thousand _ecus_ to merely lead the water up to it. The expenses of the Pavilion de Marly, in the ten years from 1680 to 1690, amounted to 4501279 _livres_, 12 _sols_, 3 _deniers_. From this one may well judge that it was no mean thing.
The honour of being accounted a person of Marly in those times was accredited as a great distinction, for it went without saying in that case one had something to do with affairs of court, though one might only have been a "furnisher." To be a courtier of Louis XIV, or to be a _pensionnaire_ at Versailles, could hardly have carried more distinction.
The court usually resided at Marly from Wednesday until Saturday, and as "the game" was the thing it is obvious that the stakes were high.
The vogue of the day was gaming at table, and Marly, of all other suburban Paris palaces, was an ideal and discreet place for it. "High play and midnight suppers were the rule at Marly." This, one reads in the court chronicle, and further that: "The royal family usually lost a hundred thousand _ecus_ at play at each visit." One "gentleman croupier"
gained as much as three thousand _louis_ at a single sitting.
Madame de Maintenon was the real ruler of Marly in those days; she had appropriated the apartments originally intended for the queen, from which there was a private means of communication to the apartments of the king, and another forming a sort of private box, overlooking the royal chapel.
Little frequented by Louis XV, and practically abandoned by Louis XVI, the palace at Marly was sold during the Revolution, after which it was stripped of its art treasures, many of which adorn the gardens of the Tuileries to-day; the great group of horses at the entrance to the Champs Elysees came from the watering place of Marly.
Actually, the royal pavilion at Marly has been destroyed, and there remain but the most fragmentary, unformed heaps of stones to tell the tale of its ample proportions in the days of Louis XIV and de Maintenon.
The park is to-day the chief attraction of the neighbourhood, like the one at Saint Cloud, which it greatly resembles. Across the park lies the great highway from the capital to Versailles, over which so many joyous cavalcades were wont to amble or gallop in the days of gallantry. The pace is not more sober to-day, but gaily caparisoned horses and gaudy coaches have given way to red and yellow "Rois des Belges," the balance lying distinctly in favour of the former mode of conveyance, so far as picturesqueness is concerned.
The Foret de Marly is very picturesque, but of no great extent. Formerly it enclosed many shooting-boxes belonging to the nobles of the court, of which those of Montjoie and Desert de Retz were perhaps the most splendid.