CHAPTER V
THE THEORY AND PRACTICE OF SCIENTIFIC PAINT MAKING
=Laws of Paint Making.= To secure a proper comprehension of the composition of paints, and to be able to interpret the functions of their various constituents, requires an understanding of the general physical principles involved. The modern grinder has accepted the Law of Minimum Voids, and upon this law he bases the design of paint formulae, aiming toward the production of what have been properly termed Scientifically Prepared Paints. Perry's formulation of the Law of Minimum Voids in a paint coating, and the analogy which he has drawn between a scientifically prepared paint and a well-proportioned concrete, was the result of genuine scientific thought following observation and experimentation. It must be admitted that analogies are not always safe to draw conclusions from, but it surely is no fallacy in reasoning to draw analogies between these two materials, when they resemble each other in so many ways. To carry out processes of reasoning, and to formulate laws from such close analogies, is certainly a step in the right direction.
A graphic summary of the analogies between a properly proportioned concrete and a paint, are shown on next page.
Although this table graphically summarizes the principles involved, the matter is presented with greater clearness in the following:
Law No. 1--The law of minimum voids to be observed in constructing a paint formula--this law having already been accepted as mathematically correct and technically proved in the technology of concrete and cement.
Corollary--The requisite thickness of a paint film together with the utmost attainable strength and impermeability can best be obtained by a properly proportioned blend of pigments of three or more determinate sizes.
AN EXHIBITION OF CERTAIN ANALOGIES GOVERNING THE MANUFACTURE OF CONCRETE AND OF PAINT
1 Concrete aggregate = solids + vehicle Paint aggregate = solids + vehicle 2 Solids = coarse + medium + fine Solids = coarse + medium + fine (stone) (gravel) (sand) {pulverized }{precipi-} (pig- {cryst'lline}{tated }(fume) (ments {(etc.) } 3 Vehicle = Vehicle = = reactive binder + evapor'g thinner = reactive binder+evaporating thinner { cement and com- } (excess water) (linseed oil) (volatiles) { bining water } 4 Solids + compacting = Solids + compacting = (tamping) (brushing) = elimination of accidental voids + = elimination of accidental voids + + proper adhesive contact + proper adhesive contact 5 Vehicle + reaction = hydrosilicates, Vehicle + reaction = linoxyn etc. (setting) (drying) 6 Solids + vehicle + Solids + vehicle + + lubrication + chemical reaction = + lubrication + chemical reaction = = final product { solidified binder+} = final product {solidified binder+} { + solids } {+ solids } 7 Final product = concrete Final product = paint coating { shearing } { strength } (of max. strength { tensile } (of maximum { impermeability } { crushing, etc. } { durability }
If we assume for both paint and concrete proper lubrication proper proportion of vehicle and solids Then the _essential difference_ between a thin film of
Concrete and Paint is
Cement Binder Linoxyn Binder
_Disadvantages_
Non-elastic and hence an impracticable Slowly perishable from oxidation by binder for a film to protect non- the air.
similar structural surfaces.
_Advantages_
Durable and with the qualities of a Semi-elastic and therefore a practic- natural mineral. able binder for a film to protect structural surfaces.
Postulate (def. Webster's Dictionary--A self-evident problem)
Postulate No. 1--The organic linoxyn or semi-elastic binder of the paint vehicle (unlike the cement binder) is perishable and its purity, strength and protection from attack means life to the paint coating, and hence the _life_ of the oil is the _life_ of the paint.
Postulate No. 2--The inorganic or powdered mineral solids of a paint coating will crumble unless held together by the binder, but the imperishable pigments must be so ground and blended in the binder that they will protect the binder and present the greatest possible solid front to the atmospheric attack.
A paint, to secure the greatest protection and life for the linoxyn, together with the durable qualities of cement,
_Therefore_
Should expose to air decay
within limits of physical strength within limits required for elasticity, The greatest amount of pigm't material etc. The least amount of exposed linoxyn (which is) or Durable and with the inert qualities of Considering the linoxyn present be- natural mineral tween pigment particles as the void or point of attack, Then the minimum exposure of linoxyn or minimum voids obtainable by proportioned pigments of different particle sizes.
Law No. 2--The law of the flat arch in paint coatings--i.e., the fact that in studying the fundamental physical principles governing the strength and durability of a paint coating it is necessary to regard the coating as consisting of a series of flat arches, in which the pigment particles of largest characteristic size serve as the piers or supports for the flat arches of which the continuous film is composed.
Corollary A--The strength and durability of a paint coating is determined by the strength and durability of the piers or supports (which consist of the characteristic pigment particles of the largest size).
Corollary B--Owing to their inherent strength and durability the pigment particles of largest characteristic size which serve as supports for the paint coating should consist, in part at least, of chemically inert pigments, such as natural crystalline barium sulphate, calcium carbonate, magnesium silicate, etc.
Corollary C--It follows directly that the thickness of a paint coating is determined by the particles of pigments having the largest characteristic size, even if that pigment be present only in moderate percentage. Upon this principle depends the comparatively great thickness of film and moderate spreading rate of paints composed of such pigments as basic carbonate--white lead, red lead, barytes, etc., and the strongly contrasted thinness of film and high spreading rate of paints composed of the sublimated pigments such as lamp black, zinc oxide, basic sulphate--white lead, zinc-lead white, leaded zinc, etc.
In commenting upon the announced laws set forth above, Heckel says: "The recognition of these laws was an exercise of pure deduction. Paint manufacturers before Mr. Perry's announcement were producing paints containing three or more pigments with particles of varying characteristic sizes; but their procedure was based largely on empirical knowledge, the result of accumulated experience, due to a conscientious endeavor to produce the highest type of paints for economic service. In the absence of any law to govern or to limit the use of the reinforcing pigments, inexperienced manufacturers had brought upon the market paints which were badly proportioned as to the several pigments, or burdened beyond the limits of effectiveness with reinforcing pigments. To all paint manufacturers Perry rendered a substantial service in deducing for them the laws set forth in his address. In the results following a recognition of these laws there was nothing new or startling, but Perry was the first to give the principles from which it can be determined in advance whether a paint formula will prove to be physically good or bad in practice.
[Illustration: Series of Paint Chasers, Mixers, and Grinders]
[Illustration: Overhead Churn Mixer]
[Illustration: Battery of Paint Mixers and Grinders of Modern Underdriven Type]
[Illustration: _Photographs courtesy of Ernest Heath_
View showing Shrinkage in Bulk of Paint Pigment after being ground in Oil. Filled Barrel on Right with the Oil forms one-third Barrel Paste as shown in Barrel on Left]
[Illustration: View showing careful Dressing of Bull Stone Mill from Grinder]
"As has been before stated, he was not the first to recognize the law governing minimum voids, but by that scientific use of the imagination which Tyndall so highly commends, he recognized, as by inspiration, the fundamental similarity existing between a film composed of solid particles cemented together by a semi-solid homogeneous menstruum and a layer of concrete composed of solid particles cemented together by a solid homogeneous medium. His application of the law permits the paint manufacturers to design a paint formula with full knowledge of the controlling conditions, so that it shall produce a coating neither too thick, and therefore uneconomical and subject to excessive internal strains, nor too thin, and thus weak and inefficient for protection.
That Mr. Perry's contention was well-founded, other paint technologists have since demonstrated; notably Mr. Wirt Tassin, in his microscopic studies of paint films in situ, and Prof. G. W. Thompson who, in his address to the Penna. Association of Master Painters at Reading, said:--"I want to agree with Mr. Perry * * * where he says that a pigment should be made up of particles of different sizes. Mr. Perry also draws a further parallel between paint and concrete where he refers to the form of the reinforcing pigment particles and suggests that in paint coatings as in concrete a field can be found for the chemically inert pigments with rod-like or hair-like structure, to strengthen the film, just as the steel rods and iron mesh are used to reinforce concrete in structural work--a suggestion which, since the first publication of the address, has been widely accepted as a practical aid in the manufacture of good paints.""
=Use of Inert Pigments.= There seems to be no reasonable doubt as to the efficiency of a small amount of inert pigments in paint, and the writer has often compared the manufacture of paint of the above type to the making of various alloys wherein zinc, copper, and other metals are added to gold in order to make a product possessed of greater durability, etc.
[Illustration: Batteries of Color Grinding Mills]
There has been considerable inquiry as to just what is meant by the statement that "a moderate percentage of inert pigments, combined with properly adjusted mixtures of white lead and zinc oxide, have given wonderful service in all the tests." The writer has been asked to define what "moderate" means. A "moderate percentage of inert pigments" should be defined as that amount of natural crystalline pigments that will, when mixed with white lead and zinc oxide, not materially detract from the hiding power of white lead and zinc oxide. It is possible to mix a certain percentage of these crystalline pigments with white lead and zinc oxide, and, by thorough grinding, incorporate them in such a manner that the mixture will show nearly as good a hiding power as the straight white lead and zinc oxide. When certain limits have been reached, however, and these limits must be determined by the manufacturer and painter in making practical tests, the further addition of inert pigments lowers the hiding power of the paint and therefore lowers the value of the paint. These remarks do not apply to artificial crystalline pigments, such as precipitated whiting, which possess greater hiding values than the natural pigments.
=Perry's Principles of Paint Making.= Parts of the original paper[18] in which Perry so clearly set forth the principles from which the preceding laws were formed, follow:
[18] Physical Characteristics of a Paint Coating. R. S. Perry.
Michigan Chapter, Amer. Institute of Architects, 1907.
=Sealing Quality or Imperviousness of the Coating.= "It has been emphasized that for durability and protection, the strength and imperviousness of a paint coating are vital factors. The protective value of the paint coating of course ceases with its chalking or disintegration, but, while it is true that the protecting or final life of the coating ceases with this disintegration, it is also true that a paint coating has always during its true life more or less porosity from the nature of the linoxin or oxidized linseed oil. Therefore during its protecting life the degree of its imperviousness influences its resistance to attack upon its own life and its protection of the underlying materials. The more impervious the paint coating without loss of strength, the slower the oxidation or disintegration of the paint coating itself and the greater protection to the underlying material.
"A coating of linseed oil alone is not only weak, but the simplest and crudest experiments will show its porosity and this porosity increases rapidly with progressive oxidation, the porosity of course definitely hastening the over-oxidation or chalking. In proportion, therefore, to our success in filling the voids in the linseed oil film with proper pigment materials, we will in that degree succeed in excluding agencies of decay, not only from the mass of the paint coating itself, but also from the surface to be protected. These conditions are exactly parallel in the requirements and performance of the best-made concrete, and Taylor & Thompson in their work on concrete have clearly stated that to obtain imperviousness there must be freedom from voids, and that to obtain these conditions, the materials used must have at least three determining sizes.
[Illustration: Equal Volume (One Cubic Centimetre) of Each Size of Shot Taken. Note that the Smaller Shot Cover more than Half as much again as the Larger Shot and the Voids are Smaller.]
[Illustration: Diagram Illustrating Two Determining Sizes of Solid Particles in Concrete]
[Illustration: Diagram Illustrating Three Determining Sizes of Solid Particles in Concrete]