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"Your fresh-air cure is doing it good. Of course, it may come on again, but----" He drove a screamer. "I think I shall be all right," he announced.

"All square," he said cheerily at the ninth. "I fancy I'm going to beat you now. Not bad, you know, considering you were four up. Practically speaking, I gave you a start of four holes."

I decided that it was time to make an effort again, seeing that Thomson's health was now thoroughly re-established. Of the next seven holes I managed to win three and halve two. It is only fair to say, though (as Thomson did several times), that I had an extraordinary amount of good luck, and that he was dogged by ill-fortune throughout.

But this, after all, is as nothing so long as one's health is above suspicion. The great thing was that Thomson's liver suffered no relapse; even though, at the seventeenth tee, he was one down and two to play.

And it was on the seventeenth tee that I had to think seriously how I wanted the match to end. Thomson at lunch when he has won is a very different man from Thomson at lunch when he has lost. The more I thought about it, the more I realized that I was in rather a happy position. If I won, I won--which was jolly; if I lost, Thomson won--and we should have a pleasant lunch.

However, as it happened, the match was halved.

"Yes, I was afraid so," said Thomson; "I let you get too long a start.

It's absurd to suppose that I can give you four holes up and beat you.

It practically amounts to giving you four bisques. Four bisques is about six strokes--I'm not really six strokes better than you."

"What about lunch?" I suggested.

"Good; and you can have your revenge afterwards." He led the way into the pavilion. "Now I wonder," he said, "what I can safely eat. I want to be able to give you _some_ sort of a game this afternoon."

Well, if there is ever a Royal Commission upon the national physique I shall insist on giving evidence. For it seems to me that golf, far from improving the health of the country, is actually undermining it.

Thomson, at any rate, since he has taken to the game, has never been quite fit.

IN THE SWIM

"Do you tango?" asked Miss Hopkins, as soon as we were comfortably seated. I know her name was Hopkins, because I had her down on my programme as Popkins, which seemed too good to be true; and, in order to give her a chance of reconsidering it, I had asked her if she was one of the Popkinses of Hampshire. It had then turned out that she was really one of the Hopkinses of Maida Vale.

"No," I said, "I don't." She was only the fifth person who had asked me, but then she was only my fifth partner.

"Oh, you ought to. You must be up-to-date, you know."

"I'm always a bit late with these things," I explained. "The waltz came to England in 1812, but I didn't really master it till 1904."

"I'm afraid if you wait as long as that before you master the tango it will be out."

"That's what I thought. By the time I learnt the tango, the bingo would be in. My idea was to learn the bingo in advance, so as to be ready for it. Think how you'll all envy me in 1917. Think how Society will flock to my Bingo Quick Lunches. I shall be the only man in London who bingoes properly. Of course, by 1918 you'll all be at it."

"Then we must have one together in 1918," smiled Miss Hopkins.

"In 1918," I pointed out coldly, "I shall be learning the pongo."

My next partner had no name that I could discover, but a fund of conversation.

"Do you tango?" she asked me as soon as we were comfortably seated.

"No," I said, "I don't. But," I added, "I once learned the minuet."

"Oh, they're not very much alike, are they?"

"Not a bit. However, luckily that doesn't matter, because I've forgotten all the steps now."

She seemed a little puzzled and decided to change the subject.

"Are you going to learn the tango?" she asked.

"I don't think so. It took me four months to learn the minuet."

"But they're quite different, aren't they?"

"Quite," I agreed.

As she seemed to have exhausted herself for the moment, it was obviously my business to say something. There was only one thing to say.

"Do _you_ tango?" I asked.

"No," she said, "I don't."

"Are you going to learn?"

"Oh, yes!"

"Ah!" I said; and five minutes later we parted for ever.

The next dance really was a tango, and I saw to my horror that I had a name down for it. With some difficulty I found the owner of it, and prepared to explain to her that unfortunately I couldn't dance the tango, but that for profound conversation about it I was undoubtedly the man. Luckily she explained first.

"I'm afraid I can't do this," she apologised. "I'm so sorry."

"Not at all," I said magnanimously. "We'll sit it out."

We found a comfortable seat.

"Do you tango?" she asked.

I was tired of saying "No."

"Yes," I said.

"Are you sure you wouldn't like to find somebody else to do it with?"

"Quite, thanks. The fact is I do it rather differently from the way they're doing it here to-night. You see, I actually learnt it in the Argentine."

She was very much interested to hear this.

"Really? Are you out there much? I've got an uncle living there now. I wonder if----"

"When I say I learnt it in the Argentine," I explained, "I mean that I was actually taught it in St. John's Wood, but that my dancing mistress came from----"

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