"From what you told me," I said, "it sounded rather good."
"It's so dashed unnatural. For three whole acts this girl and I are in love with each other, and we know we're in love with each other, and yet we simply fool about. She's a dashed pretty girl, too, my boy. In real life I'd jolly soon----"
"My dear Alfred," I protested, "you're not going to fall in love with the girl you have to fall in love with on the stage? I thought actors never did that."
"They do sometimes; it's a dashed good advertisement. Anyway, it's a silly part, and I'm fed up with it."
"Yes, but do be reasonable. If _Dick_ got engaged at once to _Winifred_ what would happen to Levinski? He'd have nothing to do."
Prosper Vane grunted. As he seemed disinclined for further conversation I left him.
The opening night came, and the usual distinguished and fashionable audience (including myself), such as habitually attends Mr. Levinski's first nights, settled down to enjoy itself. Two acts went well. At the end of each Mr. Levinski came before the curtain and bowed to us, and we had the honour of clapping him loud and long. Then the Third Act began....
Now this is how the Third Act ends:--
_Exit_ Sir Geoffrey.
_Winifred (breaking the silence)._ Dick, you heard what he said.
Don't let this silly money come between us. I have told you I love you, dear. Won't you--won't you speak to me?
_Dick._ Winifred, I---- (_He gets up and walks round the room, his brow knotted, his right fist occasionally striking his left palm.
Finally he comes to a stand in front of her._) Winifred, I---- (_He raises his arms slowly at right angles to his body and lets them fall heavily down again._) I can't. (_In a low, hoarse voice_) I--can't! (_He stands for a moment with bent head; then with a jerk he pulls himself together._) Good-bye! (_His hands go out to her, but he draws them back as if frightened to touch her. Nobly_) Good ber-eye.
[_He squares his shoulders and stands looking at the audience with his chin in the air; then with a shrug of utter despair, which would bring tears into the eyes of any young thing in the pit, he turns and with bent head walks slowly out._
CURTAIN.
That _is_ how the Third Act ends. I went to the dress rehearsal, and so I know.
How the accident happened I do not know. I suppose Prosper was nervous; I am sure he was very much in love. Anyhow, this is how, on that famous first night, the Third Act ended:--
_Exit_ Sir Geoffrey.
_Winifred_ (_breaking the silence_). Dick, you heard what he said.
Don't let this silly money come between us. I have told you I love you, dear. Won't you--won't you speak to me?
_Dick_ (_jumping up_). Winifred, I---- (_with a great gulp_) I LOVE YOU!!!
Whereupon he picked her up in his arms and carried her triumphantly off the stage ... and after a little natural hesitation the curtain came down.
Behind the scenes all was consternation. Mr. Levinski (absolutely furious) had a hasty consultation with the author (also furious), in the course of which they both saw that the Fourth Act as written was now an impossibility. Poor Prosper, who had almost immediately recovered his sanity, tremblingly suggested that Mr. Levinski should announce that, owing to the sudden illness of Mr. Vane, the Fourth Act could not be given. Mr. Levinski was kind enough to consider this suggestion not entirely stupid; his own idea having been (very regretfully) to leave out the two parables and three reminiscences from India and concentrate on the love-scene with the widow.
"Yes, yes," he said. "Your plan is better. I will say you are ill. It is true; you are mad. To-morrow we will play it as it was written."
"You can't," said the author gloomily. "The critics won't come till the Fourth Act, and they'll assume that the Third Act ended as it did to-night. The Fourth Act will seem all nonsense to them."
"True. And I was so good, so much myself, in that Act." He turned to Prosper. "You--fool!"
"Or there's another way," began the author. "We might----"
And then a gentleman in the gallery settled it from the front of the curtain. There was nothing in the programme to show that the play was in four acts. "The Time is the present day and the Scene is in Sir Geoffrey Throssell's town-house," was all it said. And the gentleman in the gallery, thinking it was all over, and being pleased with the play and particularly with the realism of the last moment of it, shouted "_Author!_" And suddenly everybody else cried "_Author! Author!_" The play was ended.
I said that this was the story of a comedy which nearly became a tragedy. But it turned out to be no tragedy at all. In the three acts to which Prosper Vane had condemned it the play appealed to both critics and public; for the Fourth Act (as he recognised so clearly) was unnecessary, and would have spoilt the balance of it entirely. Best of all, the shortening of the play demanded that some entertainment should be provided in front of it, and this enabled Mr. Levinski to introduce to the public Professor Wollabollacolla and Princess Collabollawolla, the famous exponents of the Bongo-Bongo, that fascinating Central African war dance which was soon to be the rage of society. But though, as a result, the takings of the Box Office surpassed all Mr. Levinski's previous records, our friend Prosper Vane received no practical acknowledgment of his services. He had to be content with the hand and heart of the lady who played _Winifred_, and the fact that Mr. Levinski was good enough to attend the wedding. There was, in fact, a photograph in all the papers of Mr. Levinski doing it.
"UNDER ENTIRELY NEW MANAGEMENT"
I know a fool of a dog who pretends that he is a Cocker Spaniel, and is convinced that the world revolves round him wonderingly. The sun rises so it may shine on his glossy morning coat; it sets so his master may know that it is time for the evening biscuit; if the rain falls it is that a fool of a dog may wipe on his mistress's skirt his muddy boots.
His day is always exciting, always full of the same good things; his night a repetition of his day, more gloriously developed. If there be a sacred moment before the dawn when he lies awake and ponders on life, he tells himself confidently that it will go on for ever like this--a life planned nobly for himself, but one in which the master and mistress whom he protects must always find a place. And I think perhaps he would want a place for me, too, in that life, who am not his real master but yet one of the house. I hope he would.
What Chum doesn't know is this: his master and mistress are leaving him.
They are going to a part of the world where a fool of a dog with no manners is a nuisance. If Chum could see all the good little London dogs, who at home sit languidly on their mistress's lap, and abroad take their view of life through a muff much bigger than themselves; if he could see the big obedient dogs who walk solemnly through the Park carrying their master's stick, never pausing in their impressive march unless it be to plunge into the Serpentine and rescue a drowning child, he would know what I mean. He would admit that a dog who cannot answer to his own name and pays but little more attention to "Down, idiot,"
and "Come here, fool," is not every place's dog. He would admit it, if he had time. But before I could have called his attention to half the good dogs I had marked out he would have sat down beaming in front of a motor-car ... and then he would never have known what now he will know so soon--that his master and mistress are leaving him.
It has been my business to find a new home for him. This is harder than you think. I can make him sound lovable, but I cannot make him sound good. Of course, I might leave out his doubtful qualities, and describe him merely as beautiful and affectionate; I might ... but I couldn't. I think Chum's habitual smile would get larger, he would wriggle the end of himself more ecstatically than ever if he heard himself summed up as beautiful and affectionate. Anyway, I couldn't do it, for I get carried away when I speak of him and I reveal all his bad qualities.
"I am afraid he is a snob," I confessed to one woman of whom I had hopes. "He doesn't much care for what he calls the lower classes."
"Oh?" she said.
"Yes, he hates badly dressed people. Corduroy trousers tied up at the knee always excite him. I don't know if any of your family--no, I suppose not. But if he ever sees a man with his trousers tied up at the knee he goes for him. And he can't bear tradespeople; at least not the men. Washerwomen he loves. He rather likes the washing-basket too. Once, when he was left alone with it for a moment, he appeared shortly afterwards on the lawn with a pair of--well, I mean he had no business with them at all. We got them away after a bit of a chase, and then they had to go to the wash again. It seemed rather a pity when they'd only just come back. Of course, I smacked his head for him; but he looks so surprised and reproachful when he's done wrong that you never feel it's quite his fault."
"I doubt if I shall be able to take him after all," she said. "I've just remembered----"
I forget what it was she remembered, but it meant that I was still without a new home for Chum.
"What does he eat?" somebody else asked me. It seemed hopeful; I could see Chum already installed.
"Officially," I said, "he lives on puppy biscuits; he also has the toast-crusts after breakfast and an occasional bone. Privately, he is fond of bees. I have seen him eat as many as six bees in an afternoon.
Sometimes he wanders down to the kitchen-garden and picks the gooseberries; he likes all fruit, but gooseberries are the things he can reach best. When there aren't any gooseberries about he has to be content with the hips and haws from the rose-trees. But really you needn't bother, he can eat anything. The only thing he doesn't like is whitening. We were just going to mark the lawn one day, and while we were busy pegging it out he wandered up and drank the whitening out of the marker. It is practically the only disappointment he has ever had.
He looked at us, and you could see that his opinion of us had gone down.
'What did you _put_ it there for, if you didn't mean me to drink it?' he said reproachfully. Then he turned and walked slowly and thoughtfully back to his kennel. He never came out till next morning."
"Really?" said my man. "Well, I shall have to think about it. I'll let you know."
Of course, I knew what he meant.
With a third dog-lover to whom I spoke the negotiations came to grief, not apparently because of any fault of Chum's, but because, if you will believe it, of my shortcomings. At least I can suppose nothing else. For this man had been enthusiastic about him. He had revelled in the tale of Chum's wickedness; he had adored him for being so conceited. He had practically said that he would take him.