A solitary education had not produced on her its most frequent ill effects, pride and self-importance; the reserve of her manners proceeded solely from bashfulness, for her temper inclined her strongly to friendship, and to social pleasures; and her active imagination, which represented all objects tinged with hues "unborrowed of the sun," served as a charm against that disgust with common characters and daily incidents, which so frequently renders the conscious possessor of superior talents at once unamiable and unhappy.
Nor was she now in want of congenial associates. Warrington academy included among its tutors names eminent both in science and literature; with several of these, and especially with Dr. Priestley and Dr. Canfield and their families, she formed sincere and lasting friendships. The elder and more accomplished among the students composed an agreeable part of the same society; and its animation was increased by a mixture of young ladies, either residents in the town, or occasional visitors, several of whom were equally distinguished for personal charms, for amiable manners, and cultivated minds. The rising institution, which flourished for several years in high reputation, diffused a classic air over all connected with it. Miss Aikin, as was natural, took a warm interest in its success; and no academic has ever celebrated his _alma mater_ in nobler strains, or with a more filial affection, than she has manifested in that portion of her early and beautiful poem, "The Invitation," where her theme is this "nursery of men for future years."
About the close of the year 1771, her brother, after several years of absence, returned to establish himself in his profession at Warrington--an event equally welcome to her feelings and propitious to her literary progress. In him she possessed a friend with discernment to recognize the stamp of genius in her productions, and anticipate their fame, combined with zeal and courage sufficient to vanquish her reluctance to appear before the public in the character of an author.
By his persuasion and assistance, her poems were selected, revised, and arranged for publication; and when all these preparations were completed, finding that she still hesitated and lingered,--like the parent bird, who pushes off its young to their first flight, he procured the paper, and set the press to work on his own authority.
The result more than justified his confidence of her success; four editions of the work were called for within the year of publication, 1773; compliments and congratulations poured in from all quarters; and even the periodical critics greeted her muse with nearly unmixed applause.
She was not permitted to repose upon her laurels. Her brother, who possessed all the activity and spirit of literary enterprise, in which she was deficient, now urged her to collect her prose pieces, and to join him in forming a small volume, which appeared also in the year 1773, under the title of "Miscellaneous Pieces in Prose, by J. and A. L. Aikin." These likewise met with much notice and admiration, and have been several times reprinted. The authors did not think proper to distinguish their respective contributions, and several of the pieces have, in consequence, been generally misappropriated. The fragment of "Sir Bertrand," in particular, though alien from the character of that brilliant and airy imagination which was never conversant with terror, and rarely with pity, has been repeatedly ascribed to Mrs.
Barbauld, even in print.
Having thus laid the foundation of a lasting reputation in literature, Miss Aikin might have been expected to proceed with vigor in rearing the superstructure; and the world awaited with impatience the result of her further efforts. But an event, the most important of her life, was about to subject her to new influences, new duties, to alter her station, her course of life, and to modify even the bent of her mind.
This event was her marriage, which took place in May, 1774.
Her husband, the Rev. Rochemont Barbauld, was a dissenting minister, descended from a family of French Protestants, who had taken refuge in England in the reign of Louis XIV. Mr. Barbauld was educated in the academy at Warrington, and, at the time of his marriage, had been recently appointed to the charge of a dissenting congregation at Palgrave, in Suffolk, near Diss, in Norfolk, where he had announced his intention of opening a boarding-school for boys. This undertaking proved speedily successful--a result which must in great part be attributed, first to the reputation, and afterwards to the active exertions, of Mrs. Barbauld. She particularly superintended the departments of geography and English composition, which latter she taught by a method then unusual, but which has since been brought much into practice. Her plan, according to the statement of Mr. William Taylor, of Norwich, one of her first pupils, was, to read a fable, a short story, or a moral essay, aloud, and then to send them back into the school-room to write it out on slates in their own words. Each exercise was separately examined by her: the faults of grammar were obliterated, the vulgarisms were chastised, the idle epithets were cancelled, and a distinct reason was always assigned for every correction, so that the arts of inditing and criticising were in some degree learnt together. Mrs. Barbauld also instructed the pupils in the art of declamation; and the pleasing accomplishments of good reading and graceful speaking have probably never been taught with more assiduity or with better success than by herself. After a few years thus devoted, Mrs. Barbauld was solicited to receive several little boys as her own peculiar pupils; and among this number may be mentioned Lord Denman, the present Chief Justice of England, and the celebrated Sir William Gell. It was for the use of these, her almost infant scholars, that she composed her "Hymns in Prose for Children."
In 1775, Mrs. Barbauld published a small volume entitled "Devotional Pieces, compiled from the Psalms of David, with Thoughts on the Devotional Taste, and on Sects and Establishments." About the same time, she wrote that admirable little volume, "Early Lessons," a publication which has ever since been a standard work, and, though frequently imitated, yet remains unrivalled amidst all its competitors.
This little volume was written for the use of one of her nephews, who had been adopted by Mr. Barbauld and herself, in consequence of their having no child of their own. In the present day, when parents are in possession of the labors of many clever persons for aiding the task of early instruction, it is difficult to form a correct estimate of the value of Mrs. Barbauld's "Early Lessons." At the time of its first appearance, as at present, there was a multitude of books professedly written for children, but few adapted to the comprehension of a child of very tender age, that were not at the same time injurious from their folly or puerility.
It would seem that the value of a book which was not only free from these objections, but calculated to impress upon the mind of the child just ideas and noble principles, could not fail to be appreciated by every parent and teacher; but there are those who maintain that the reformation begun by Mrs. Barbauld is an evil. It would seem that, in putting "Mother Goose's Melodies," "Jack the Giant-Killer," and other works of the kind, into the hands of children, as soon as they begin to read, we are likely to distort their minds by grotesque representations, which may exert a lasting and pernicious influence on their understandings; that we set about teaching what is false, and what we must immediately seek to unteach; that we inculcate the idea upon the young mind that books are vehicles of fiction and incongruity, and not of truth and reason.
If the works alluded to produce any effects, they must be of this nature; and on some minds they have probably had a fatal influence.
Yet such is the prejudice engendered by early associations, that many grave persons, whose first reading was of the kind we have mentioned, lament the repudiation of "Mother Goose" and her kindred train, and deem it a mistake to use books in their place founded on the idea of Mrs. Barbauld's works--that truth is the proper aliment of the infant mind, as well calculated to stimulate the faculties as fiction, and that its exhibition is the only safe and honest mode of dealing with those whose education is intrusted to our care.
The success of the school at Palgrave remained unimpaired; but the unceasing call for mental exertion, on the part of the conductors, which its duties required, so much injured their health, that, after eleven years of unremitting labor, an interval of complete relaxation became necessary; and Mrs. Barbauld accompanied her husband, in the autumn of 1785, to Switzerland, and afterwards to the south of France.
In the following year they returned to England, and, early in 1787, took up their residence in Hampstead, where, for several years, Mr.
Barbauld received a few pupils.
In 1790, Mrs. Barbauld published an eloquent and indignant address to the successful opposers of the repeal of the corporation and test acts. In the following year was written her poetical epistle to Mr.
Wilberforce, on the rejection of the bill for abolishing the slave trade. In 1792, she published "Remarks on Mr. Gilbert Wakefield's Inquiry into the Expediency and Propriety of Public or Social Worship;" and in 1793, she produced a work of a kind very unusual for a female--a sermon, entitled "The Sins of Government Sins of the Nation." In all these works Mrs. Barbauld showed those powers of mind, that ardent love for civil and religious liberty, and that genuine and practical piety, by which her life was distinguished, and for which her memory will long be held in reverence. In particular, her "Remarks on Mr. Wakefield's Inquiry" may be noticed as being one of the best and most eloquent, and yet sober, appeals in favor of public worship that has ever appeared.
Our youthful readers will be pleased to learn that Mrs. Barbauld wrote some of the articles in that entertaining work by her brother, Dr.
Aikin, entitled "Evenings at Home." These contributions were fourteen in number. It would be useless to distinguish them here, or to say more concerning them than that they are equal in merit to the other parts of the volumes. These papers, trifling in amount, but not in value, comprise all that Mrs. Barbauld published from 1793 to 1795, when she superintended an edition of Akenside's "Pleasures of Imagination," to which she prefixed a critical essay.
In 1797, she brought out an edition of Collins's "Odes," with a similar introduction. These essays are written with elegance, and display much taste and critical acuteness.
Mr. Barbauld became, in 1802, pastor of a Unitarian congregation at Newington Green, and at this time he changed his residence to Stoke Newington. The chief inducement to this removal was the desire felt by Mrs. Barbauld and her brother to pass the remainder of their lives in each other's society. This wish was gratified during twenty years, and was interrupted only by death. In 1804, she published a selection of the papers contained in the Spectator, Guardian, Tatler and Freeholder, with a preliminary essay, in which is given an instructive account of the state of society at the time the papers originally appeared, and of the objects at which they aimed. This essay has been much admired for its elegance and acuteness. In the same year, Mrs.
Barbauld prepared for publication a selection from the correspondence of Richardson, the novelist, prefixing a biographical notice of him, and a critical examination of his works.
About this time, Mrs. Barbauld's husband, to whom she had been united for more than thirty years, fell into a state of nervous weakness, and at last died, in November, 1808. From the dejection occasioned by this loss, Mrs. Barbauld sought relief in literary occupation, and undertook the task of editing a collection of the British novelists, which was published in 1810. To these volumes she contributed an introductory essay, and furnished biographical and critical notices of the life and writings of each author; these were written with her usual taste and judgment. In the next year, she composed and published the longest and most highly-finished of her poems, entitled "Eighteen Hundred and Eleven." The time at which this poem appeared was by many persons looked upon with gloomy forebodings, and the matters of which it treats were considered as indicative of the waning fortunes of Great Britain. It was perhaps owing to the spirit of melancholy prediction by which it is pervaded, that the poem was not received by the public as it deserved. It is written throughout with great power and in harmonious language; its descriptions are characterized by deep feeling and truth, and its warnings are conveyed with an earnestness which is the best evidence of the sincerity of the author.
The unfair construction applied to her motives in writing this poem probably prevented Mrs. Barbauld from appearing again as an author.
Her efforts were confined to the humble task of administering to the gratification of a circle of private friends. Although arrived at years which are assigned as the natural limit of human life, her fancy was still bright, and she continued to give evidence by occasional compositions of the unimpaired energy of her mind. Her spirits were greatly tried, during the latter years of her life, by the loss of her brother, who died in 1822, and of several cherished companions of her early days, who quickly followed. Her constitution, naturally excellent, slowly gave way under an asthmatic complaint, and on the 9th of March, 1825, after only a few days of serious illness, she died, in the eighty-second year of her age.
In domestic and social life, Mrs. Barbauld was characterized by strong sense, deep feeling, high moral principle, and a rational but ardent piety. She passed through a lengthened term of years, free from the annoyance of personal enmities, and rich in the esteem and affection of all with whom she was connected. The cause of rational education is more indebted to her than to any individual of modern times, inasmuch as she was the leader in that reformation which has resulted in substituting the use of truth and reason for folly and fiction, in books for the nursery. She has also shown that a talent for writing for youth is not incompatible with powers of the highest order. Her epistle to Mr. Wilberforce is full of lofty sentiment, and, at the same time, is most felicitously executed. We give a specimen of her writing in a lighter vein, which has been justly celebrated for its truth and humor.
"WASHING-DAY.
"The muses are turned gossips; they have lost The buskined step, and clear, high-sounding phrase,-- Language of gods. Come, then, domestic muse, In slip-shod measure, loosely prattling on Of farm, or orchard, pleasant curds and cream, Or drowning flies, or shoes lost in the mire, By little whimpering boy, with rueful face; Come, muse, and sing the dreaded washing-day.
Ye who beneath the yoke of wedlock bend With bowed soul, full well ye ken the day Which week, smooth gliding after week, brings on Too soon; for to that day nor peace belongs, Nor comfort. Ere the first gray streak of dawn, The red-armed washers come and chase repose; Nor pleasant smile, nor quaint device of mirth, E'er visited that day: the very cat, From the wet kitchen scared, and reeking hearth, Visits the parlor--an unwonted guest.
The silent breakfast meal is soon despatched, Uninterrupted save by anxious looks Cast at the lowering sky, if sky should lower.
From that last evil, O, preserve us, heavens!
For, should the skies pour down, adieu to all Remains of quiet: then expect to hear Of sad disasters--dirt and gravel stains Hard to efface, and loaded lines at once Snapped short, and linen-horse by dog thrown down, And all the petty miseries of life.
Saints have been calm while stretched upon the rack, And Guatimozin smiled on burning coals; But never yet did housewife notable Greet with a smile a rainy washing-day.
But grant the welkin fair; require not, thou Who call'st thyself perchance the master there, Or study swept, or nicely-dusted coat, Or usual 'tendance; ask not, indiscreet, Thy stockings mended, though the yawning rents Gape wide as Erebus; nor hope to find Some snug recess impervious! should'st thou try Th' accustomed garden walks, thine eye shall rue The budding fragrance of thy tender shrubs, Myrtle or rose, all crushed beneath the weight Of coarse checked apron, with impatient hand Twitched off when showers impend; or crossing lines Shall mar thy musings, as the cold, wet sheet Flaps in thy face abrupt. Woe to the friend Whose evil stars have urged him forth to claim, On such a day, the hospitable rites!
Looks blank at best, and stinted courtesy, Shall he receive. Vainly he feeds his hopes With dinner of roast chickens, savory pie, Or tart, or pudding: pudding he nor tart That day shall eat; nor, though the husband try, Mending what can't be helped, to kindle mirth From cheer deficient, shall his consort's brow, Clear up propitious;--the unlucky guest In silence dines, and early shrinks away.
I well remember, when a child, the awe This day struck into me; for then the maids-- I scarce knew why--looked cross, and drove me from them; Nor soft caress could I obtain, nor hope Usual indulgences--jelly or creams, Relic of costly suppers, and set by For me, their petted one; or buttered toast, When butter was forbid; or thrilling tale Of ghost, or witch, or murder: so I went And sheltered me beside the parlor fire: There my dear grandmother, eldest of forms, Tended the little ones, and watched from harm, Anxiously fond, though oft her spectacles With elfin cunning hid, and oft the pins Drawn from her ravelled stockings, might have soured One less indulgent.
At intervals my mother's voice was heard, Urging despatch: briskly the work went on, All hands employed to wash, to rinse, to wring, To fold, and starch, and clap, and iron, and plait.
Then would I sit me down, and ponder much Why washings were. Sometimes through hollow bowl Of pipe amused we blew, and sent aloft The floating bubbles; little dreaming then To see, Montgolfier, thy silken ball Ride buoyant through the clouds--so near approach The sports of children and the toils of men.
Earth, air, and sky, and ocean, hath its bubbles, And verse is one of them--this most of all."
MADAME DE GENLIS.
This celebrated writer, whose maiden name was Stephanie Felicite Ducrest de St. Aubin, has left a voluminous memoir of her life and times, written at the age of eighty, which is interesting for the portraits of celebrated characters, in which it abounds, as well as the delineations it affords of her education, her feelings, and her experience. Of this we have made the following abstract, generally in her own words, which will present the leading incidents of her eventful career:--
"I was born," says she, "on the 25th of January, 1746, on a little estate in Burgundy, near Autun, called Champceri. I was born so small and so weakly that they would not venture to put me in clothes; and, a few moments after my birth, I was on the point of losing my life. I had been placed in a down pillow, of which, to keep me warm, the two sides were folded over me and fastened with a pin; and, thus wrapped up, I was laid upon an arm-chair in the room. The judge of the district, who was almost blind, came to pay his visit of compliment to my father; and as, in his country fashion, he separated his huge flaps to sit down, some one saw that he was going to place himself in the arm-chair where I was. Luckily, he was prevented from sitting down, and I escaped being crushed to death.
"I experienced in my childhood a series of unfortunate accidents. At eighteen months old, I fell into a pond, out of which I was extricated with great difficulty: at the age of five, I had a fall, and received a severe wound on the head: as a great deal of blood flowed from it, it was thought unnecessary to bleed me; but a deposit, formed in the head, burst at the ear after forty days, and, contrary to expectation, I was saved. A short time afterwards, I fell into the kitchen fire: this accident did not injure my face, but there are to this day two marks of it on my body. Thus often was endangered, in its earliest years, that life which was afterwards to prove so checkered.
"My father sold the estate of Champceri when I was two years old. He had a house at Cosne, to which he removed, and passed three years there. The recollection of that house, of its superb garden, and beautiful terrace, upon the Loire, and of the chateau of Mienne, a league from Cosne, where we went so often, remains indelibly engraved on my memory. Passing by that road, thirty-five years after, I instantly recognized the chateau, though I was but five years old when we quitted Cosne. My father purchased the marquisate of St. Aubin, an estate most desirable from its situation, its extent, and its titular and seigniorial rights. I have never thought, without a feeling of tenderness, of this spot, once so dear to me, in which six years of innocence and happiness glided away.
"When we were once fixed at St. Aubin, my education began to be attended to. Mademoiselle Urgon, the village schoolmistress, taught me to read. Having an excellent memory, I learnt with great facility; and at the end of six or seven months, I read with ease. I was brought up with a brother fifteen months younger than myself, of whom I was exceedingly fond; with the exception of the hour set apart for reading, we were allowed to play together all day long. We passed part of the day in the court-yard, or in the garden; and in the evening we played in the drawing-room.
"I was six years old when my brother was sent to Paris, to the famous academy of M. Bertrand, the most virtuous and best instructor of his time. It was he who invented the method of learning to spell in six weeks, by means of boxes full of counters. Two or three months after the departure of my brother, my mother made a journey to Paris, and took me with her.
"I was not much pleased with Paris, and, for the first few days of my stay there, I regretted St. Aubin bitterly. I had two teeth pulled out; my clothes pinched me terribly; my feet were imprisoned in tight shoes, with which it was impossible for me to walk; I had a multitude of curl papers put on my head; and I wore a hoop, for the first time in my life. In order to get rid of my country attitudes, I had an iron collar put on my neck, and, as I squinted a little at times, I was obliged to put on goggles as soon as I woke in the morning; and these I wore four hours. I was, moreover, not a little surprised when they talked of giving me a master to teach me what I thought I knew well enough already--to _walk_. Beside all this, I was forbidden to run, to leap, or ask questions.
"All these painful constraints made such an impression on me, that I have never forgotten them. I have since faithfully depicted them in a little comedy called 'The Dove.' But a great ceremony, and the fine entertainments which followed it, soon made me forget my little griefs. I had only been privately christened; I was now baptized in public; my aunt, Madame de Bellevau, was my godmother, and M. Bouret, the farmer-general, my godfather. I received some splendid presents; and I had, besides, plenty of sweetmeats and playthings, and I soon recovered my good-humor. I was taken also to the opera, which delighted me beyond measure.
"My father had the utmost affection for me, but he did not interfere with my education in any point but one; he wished to make me a woman of firm mind, and I was born with numberless little antipathies. I had a horror of all insects, particularly of spiders and toads. I was also afraid of mice, and he made me feed and bring up one. I loved my father to excess, and he had such an influence over me, that I never dared to disobey him. He would frequently oblige me to catch spiders with my fingers, and to hold toads in my hands, and, at such times, though I felt as if the blood had forsaken my veins, I was forced to obey. These trials proved clearly to me that toads are not venomous; but they powerfully contributed to weaken my nerves, and have only augmented the antipathies which they were intended to remove. They have, however, served to give me a habit of self-command, which of itself is a great benefit.
"So passed several years. Mademoiselle de Mars, a young woman from Brittany, had now the sole direction of my studies, and she gave me also lessons in singing, and on the harpsichord. I became attached to her from the first, and passed nearly all my time with her. I made great progress in my music, and we rehearsed a great many little plays for our amusement. Much applause was bestowed upon my performances, except by Mademoiselle de Mars, who generally only praised me for what belonged to my heart or character. I led a charming life: in the morning I played on the harpsichord; afterwards I studied my parts; then I took my lesson in dancing and fencing, and then read till dinner. After dinner, we read pious books, and afterwards spent our time in amusements and walking.
"I will here give the history of what a woman never forgets--the first passion she inspires. I was but a child of eleven years and nine months, and very small of my age; besides, I had a face and features so delicate, that those who saw me for the first time never supposed me older than eight or nine, at furthest; yet a young man of eighteen became desperately in love with me--the son of Dr. Pinot, one of the first physicians at the baths of Bourbon-Lancey. He had performed parts in our plays for two years.
"None of us suspected his folly, and certainly I had not the slightest idea of it; when, one morning, after a rehearsal, the young man came up to me, and, seizing the moment when I was standing separate from the other actors in the side scene, and with an air of wildness in his looks, gave me a note, begging me, in a low tone, to read it, and let no one see it. I took the note, though much surprised, and he left me. Mademoiselle de Mars soon after joined me. I put the note in my pocket, and we went up stairs to our room. I hesitated about showing her my note, as I had been charged so strongly to show it to no one; but to keep a secret with the friend I loved so dearly weighed heavily upon my conscience; at the same time, my curiosity was extreme.
"At last, Mademoiselle de Mars left me. I ran into my cabinet, locked the door, and read the note, which contained a serious declaration of love. My first movement was to be excessively shocked that the son of a physician--a person of no rank--should presume to talk of love to me. I went immediately and showed the note to my friend, who desired me to carry it to my mother, which I did. The young man was reprimanded by his father, as he deserved to be; and he felt so much chagrin on the occasion, that he enlisted in the army, and left the place. I afterwards heard of him as having obtained his discharge, and that he was married and happy, and an excellent young man.
"Two months after this romantic flight, we went to Paris. I confess, to my shame, that I quitted Burgundy without regret; for childhood loves and requires change. At Paris we found my aunt, the Countess de Bellevau, and after a short time we took up our abode with her. At her house I saw the celebrated author M. Marmontel. He came to read her his 'Tales.' I was present at the reading of one, called, I think, 'The Self-styled Philosopher,' in which a fat president's wife, begrimmed with snuff, leads about in triumph this pretended sage, with a rose-colored ribbon. Though but twelve years old, I thought this story dull and absurd, and I thought rightly. The author was far from supposing that the little girl then before him would one day write a critique on these tales, which should throw him into transports of rage.
"At the close of the winter, we went to a country-house of my aunt's, which had a delightful garden close to the forest of Vincennes. My brother, my two cousins, and myself, performed little pieces, and we had many little _fetes_ at which my brother and myself sung duets. He was by no means as remarkable a child as I was: he was shy, awkward, and of an inconceivable simplicity: he had requested my father in vain to let him use a gun; he was always told that he must first acquire a knowledge of fencing, for which he had not the slightest taste: he therefore adopted the following expedient: he loaded a gun, shut himself up in his room, and, in order to fire without making a noise, he bethought him of thrusting the barrel of the gun under the mattress of the bed. He then fired in this prudent manner, set fire to the bed, and was himself knocked down by the rebound. The family hastily assembled, and discovered with surprise this singular invention. The next summer we spent at Passy, and in October returned to Paris.
"When I was fourteen years old, my father left us for St. Domingo. On his return, he was taken prisoner by the English, with all he possessed. He was conducted to Lanceston, a seaport town in England, where he found many French prisoners of war, and, among others, a young man, whose handsome face, talents, and accomplishments, inspired him with the most lively interest: this was the Comte de Genlis, who, in returning from Pondicherry, where he had commanded a regiment during five years, had been carried to Canton, in China. Here he passed five months, and was thence taken to Lanceston.
"The Comte de Genlis had served in the navy from the age of fourteen; he had covered himself with glory in the famous action of M. d'Ache; he was then a lieutenant, and scarcely twenty. Out of twenty-two officers, he was the only one who survived: all the others were killed. M. de Genlis was covered with wounds, of which one remained open for eight years and a half. This combat gained him the rank of captain, and the cross of St. Louis. M. d'Ache took off his own to give it to him, on board of the vessel, the very day of the action, saying that he was sure the court would not disavow what he had done.