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We left Quebec ignobly, crossing the river in a steamer to which the eminently English adjective nasty can fitly apply,--a wheezy, sputtering, black, crazy old craft, muddy enough throughout to have been at the bottom of the river and sucked up again half a dozen times.

With care of the luggage, shawls, hackmen, and tickets, we all contrived to become separated, and I found myself crushed into one corner of a little Black Hole of Calcutta, with no chair to sit in, no space to stand in, and no air to breathe, on the sultriest day that Canada had known for years. What windows there were opened by swinging inwards and upwards, which they could not do for the press, and after you had got them up, there was no way to keep them there except to stand and hold them at arm's length. So we waddled across the river.

Now we have all read of shipwrecks, and the moral grandeur of resignation and calmness which they have developed. We have read of drowning, and the gorgeous intoxication of the process. But there is neither grandeur nor gorgeousness in drowning in a tub. If you must sink, you at least would like to go down gracefully, in a stately ship, in mid-ocean, in a storm and uproar, bravely, decorously, sublimely, as the soldiers in Ravenshoe, drawn up in line, with their officers at their head, waving to each other calm farewells. I defy anybody to be graceful or heroic in plumping down to the bottom of a city river amid a jam of heated, hurried, panting, angry passengers, mountains of trunks, carpet-bags, and indescribable plunder, and countless stratifications of coagulated, glutinous, or pulverized mud. To the credit of human nature it must be said, that the sufferers kept the peace with each other, though vigorously denouncing the unknown author of all their woes. After an age of suffocation and fusion, there came a stir which was a relief because it was a stir. Nobody seemed to know the cause or consequence, but everybody moved; so I moved, and bobbing, fumbling, groping through Egyptian darkness, stumbling over the beams, crawling under the boilers, creeping through the steam-pipes, scalping ourselves against the funnels, we finally came out gasping into the blessed daylight. "Here you are!" exclaimed cheerily the voice of Halicarnassus, as I went winking and blinking in the unaccustomed light. "I began to think I had lost my cane,"--he had given it to me when he went to look up the trunks. "Why?" I asked faintly, not yet fully recovered from my long incarceration. "It is so long since I saw you, that I thought you must have fallen overboard," was his gratifying reply. I was still weak, but I gathered up my remaining strength and plunged the head of the cane, a dog's head it was, into his heart. His watch, or his Bible, or something interposed, and rescued him from the fate he merited; and then we rode over the miserable, rickety farther end of the Grand Trunk Railway, and reached Island Pond at midnight,--in time to see the magnificent Northern Lights flashing, flickering, wavering, streaming, and darting over the summer sky; and as the people in the Pond were many and the rooms few, we had plenty of time to enjoy the sight. It was exciting, fascinating, almost bewildering; and feeling the mystic mood, I proposed to write a poem on it, to which Halicarnassus said he had not the smallest objection, provided he should not be held liable to read it, adding, as he offered me his pencil, that it was just the thing,--he wanted some narcotic to counteract the stimulus of the fresh cold air after the long and heated ride, or he should get no sleep for the night.

I do not believe there is in our beautiful but distracted country a single person who is the subject of so cold-blooded, unprovoked, systematic, malignant neglect and abuse on any one point as the writer of these short and simple annals on this. If there is one thing in the whole range of human possibilities on which I pride myself, it is my poetry. I cannot do much at prose. That requires a depth, an equilibrium, a comprehension, a sagacity, a culture, which I do not possess and cannot command. Nor in the domestic drudgery line, nor the parlor ornament line, nor the social philanthropic line, nor the ministering angel line, can I be said to have a determinate value. As an investment, as an economic institution, as an available force, I suppose I must be reckoned a failure; but I do write lovely poetry.

That I insist on: and yet, incredible as it may seem, of that one little ewe lamb have I been repeatedly and remorselessly robbed by an unscrupulous public, and a still more unscrupulous private. Whenever I come into the room with a sheet of manuscript in my hand, Halicarnassus glances at it, and if the lines are not all of the same length, he finds at once that he has to go and shovel a path, or bank up the cellar, or get in the wood, unless I have taken the precaution to lock the door and put the key in my pocket. When, by force or fraud, I have compelled a reluctant audience, he is sure to strike in by the time I have got to the second stanza, breaking right into the middle of a figure or a rapture, and asking how much more there is of it. I know of few things better calculated to extinguish the poetic fire than this.

I regret to be obliged to say that Halicarnassus, by his persistent hostility,--I believe I may say, persecution,--has disseminated his plebeian prejudices over a very large portion of our joint community, and my muse consequently is held in the smallest esteem. Not but that whenever there is a church to be dedicated, or a centennial to be celebrated, or a picnic to be sung, or a fair to be closed, I am called on to furnish the poetry, which, with that sweetness of disposition which forms a rare but fitting background to poetic genius, I invariably do, to be praised and thanked for a week, and then to be again as before told, upon the slightest provocation, "You better not meddle with verses." "You stick to prose." "Verses are not your forte." "You can't begin to come up with ----, and ----, and ----." On that auroral night, crowned with the splendors of the wild mystery of the North, I am sure that the muse awoke and stirred in the depths of my soul, and needed but a word of recognition and encouragement to put on her garland and singing robes, and pour forth a strain which the world would not have willingly let die, and which I would have transferred to these pages. But that word was not spoken. Scorn and sarcasm usurped the throne of gentle cherishing, and the golden moment passed away forever. It is as well. Perhaps it is better; for on second thought, I recollect that the absurd prejudice I have mentioned has extended itself to the editor of this Magazine,[*] who jerks me down with a pitiless pull whenever I would soar into the empyrean,--ruling out with a rod of iron every shred of poetry from my pages, till I am reduced to the necessity of smuggling it in by writing it in the same form as the rest when, as he tells poetry only by the capitals and exclamation-points, he thinks it is prose, and lets it go.

[* The Atlantic Monthly]

Here, if I may be allowed, I should like to make a digression. In an early stage of my journeying, I spoke of the pleasure I had taken in reading "The Betrothal" and "The Espousals." I cannot suppose that it is of any consequence to the world whether I think well or ill of a poem, but the only way in which the world will ever come out right is by everyone's putting himself right; and I don't wish even my influence to seem to be thrown in favor of so objectionable a book as "Faithful Forever," a continuation of the former poems by the same author.

Coventry Patmore's books generally are made up of poetry and prattle, but the poetry makes you forgive the prattle. The tender, strong, wholesome truths they contain steady the frail bark through dangerous waters; but "Faithful Forever" is wrong, false, and pernicious, root and branch, and a thorough misnomer besides. Frederic loves Honoria, who loves and marries Arthur, leaving Frederic out in the cold; whereupon Frederic turns round and marries Jane, knowing all the while that he does not love her and does love Honoria. What kind of a Faithful Forever is this? A man cannot love two women simultaneously, whatever he may do consecutively. If he ceases to love the first, he is surely not faithful forever. If he does not cease to love her, he is false forever to the second,--and worse than false. Marrying from pique or indifference or disappointment is one of the greatest crimes that can be committed, as well as one of the greatest blunders that can be made. The man who can do such a thing is a liar and a perjurer. I can understand that people should give up the people they love, but there is no possible shadow of excuse for their taking people whom they don't love. It is no matter how inferior Jane may be to Frederic. A woman can feel a good many things that she cannot analyze or understand, and there never yet was a woman so stupid that she did not know whether or not her husband loved her, and was not either stricken or savage to find that he did not. No woman ever was born with a heart so small that anything less than the whole of her husband's heart could fill it.

Moreover, apart from unhappy consequences, there is a right and a wrong about it. How dare a man stand up solemnly before God and his fellows with a lie in his right hand? and if he does do it, how dare a poet or a novelist step up and glorify him in it? The man who commits a crime does not do so much mischief as the man who turns the criminal into a hero. Frederic Graham did a weak, wicked, mean, and cowardly deed, not being in his general nature weak, wicked, mean, or cowardly, and was allowed to blunder on to a tolerable sort of something like happiness in the end. No one has a right to complain, for all of us get a great deal more and better than we deserve. We have no right to complain of Providence, but we have a right to complain of the poet who comes up and says not a word in reprobation of the meanness and cowardice, not a word of the cruelty inflicted upon Jane, nor the wrong done to his own soul; but veils the wickedness, excites our sympathy and pity, and in fact makes Frederic out to be a sort of sublime and suffering martyr.

He was no martyr at all. Nobody is a martyr, if he cannot help himself. If Frederic had the least spirit of martyrdom, he would have breasted his sorrow manfully and alone. Instead of which, he shuffled himself and his misery upon poor simple Jane, getting all the solace he could from her, and leading her a wretched, almost hopeless life for years. This is what we are to admire! This is the knight without reproach! This is to be Faithful Forever! I suppose Coventry Patmore thinks Frederic is to be commended because he did not break into Honoria's house and run away with her. That is the only thing he could have done worse than he did do, and that I have no doubt he would have done if he could. I have no faith in the honor or the virtue of men or women who will marry where they do not love. I think it is just as sinful--and a thousand times as vile--to marry unlovingly, as to love unlawfully.[*]

[*] Some one just here suggests that it was Jane who was faithful forever, not Frederic. That indeed makes the title appropriate, but does not relieve the atrocity of the plot.

There is this about mountains,--you cannot get away from them. Low country may be beautiful, yet you may be preoccupied and pass through it or by it without consciousness; but the mountains rise, and there is no escape. Representatives of an unseen force, voices from an infinite past, benefactors of the valleys, themselves unblest, almoners of a charity which leaves them in the heights indeed, but the heights of eternal desolation, raised above all sympathies, all tenderness, shining but repellent, grand and cold, mighty and motionless,--we stand before them hushed. They fix us with their immutability. They shroud us with their Egyptian gloom. They sadden. They awe. They overpower.

Yet far off how different is the impression! Bright and beautiful, evanescent yet unchanging, lovely as a spirit with their clear, soft outlines and misty resplendence! Exquisitely says Winthrop: "There is nothing so refined as the outline of a distant mountain; even a rose-leaf is stiff-edged and harsh in comparison. Nothing else has that definite indefiniteness, that melting permanence, that evanescing changelessness. [I did not know that I was using his terms.] Clouds in vain strive to imitate it; they are made of slighter stuff; they can be blunt or ragged, but they cannot have that solid positiveness. Even in its cloudy, distant fairness, there is a concise, emphatic reality altogether uncloudlike."

Seeing them from afar, lovely rather than terrible, we feel that though between the mountain and its valley, with much friendly service and continual intercourse, there can be no real communion, still the mountain is not utterly lonely, but has yonder in the east its solace, and in the north a companion, and over toward the west its coterie.

Solitary but to the lowly-living, in its own sphere there is immortal companionship, and this vast hall of the heavens, and many a draught of nectar borne by young Ganymede.

The Alpine House seems to be the natural caravansary for Grand Trunk travellers, being accessible from the station without the intervention of so much as an omnibus, and being also within easy reach of many objects of interest. Here, therefore, we lay over awhile to strike out across the mountains and into the valleys, and to gather health and serenity for the weeks that were to come, with their urgent claims for all of both that could be commanded.

Eastern Massachusetts is a very pretty place to live in, and the mutual admiration society is universally agreed by its members to be the very best society on this continent. Nevertheless, by too long and close adherence to that quarter of the globe, one comes to forget how the world was made, and, in fact, that it ever was made. We silently take it for granted. It was always there. Smooth, smiling plains, gentle hills, verdurous slopes, blue, calm streams, and softly wooded banks,--a courteous, well-bred earth it is, and we forget that it has not been so from the beginning. But here among the mountains, Genesis finds exegesis. We stand amid the primeval convulsions of matter,--the first fierce throes of life. Marks of the struggle still linger; nay, the struggle itself is not soothed quite away. No more unexceptionable surfaces, but yawns and fissures, chasms and precipices, deep gashes in the hills, hills bursting up from the plains, rocks torn from their granite beds and tossed hither and thither in some grand storm of Titan wrath, rivers with no equal majesty, but narrow, deep, elfish, rising and falling in wild caprice, playing mad pranks with their uncertain shores, treacherous, reckless, obstreperous. Here we see the changes actually going on. The earth is still a-making. More than one river, scorning its channel, has, within the memory of man, hewn out for itself another, and taken undisputed, if not undisturbed possession.

The Peabody River, which rolls modestly enough now, seeming, indeed, a mere thread of brook dancing through a rocky bed by far too large for it, will by and by, when the rains come, rise and roar and rush with such impetuosity that these great water-worn stones, now bleaching quietly in the sun, shall be wrenched up from their resting-places, and whirled down the river with such fury and uproar that the noise of their crashing and rolling shall break in upon your dreams at night.

Wild River, a little farther down, you may ford almost dry-shod, and in four hours it shall reach such heights and depths as might upbear our mightiest man-of-war. Many and many a gully, half choked with stones and briers, lurks under the base of an overtopping hill, and shows where a forgotten Undine lived and loved. The hills still bear the scars of their wounds. No soft-springing greenness veils the tortuous processes. Uncompromising and terrible, the marks of their awful rending, the agony of their fiery birth, shall remain. Time, the destroyer of man's works, is the perfecter of God's. These ravages are not Time's; they are the doings of an early force, beneficent, but dreadful. It is Time's to soothe and adorn.

We connect the idea of fixity with the mountains, but they seem to me to be continually pirouetting with each other,--exchanging or entirely losing their identity. You are in the Alpine Valley. Around you stand Mount Hayes, so named in honor of a worthy housekeeper; the Imp, sobriquet of a winsome and roguish little girl, who once made the house gay; the Pilot range,--because they pilot the Androscoggin down to the sea, says one to whom I never appeal in vain for facts or reasons; Mount Madison, lifting his shining head beyond an opening niched for him in the woods of a high hill-top by Mr. Hamilton Willis of Boston, whom let all men thank. I thanked him in my heart every morning, noon, and night, looking up from my seat at table to that distant peak, where otherwise I should have seen only a monotonous forest line. Over against the sunset is Mount Moriah, and Carter, and Surprise. You know them well. You can call them all by name. But you have no sooner turned a corner than--where are they? Gone,--all changed. Every line is altered, every contour new. Spurs have become knobs. Peaks are ridges; summits, terraces. Madison probably has disappeared, and some Adams or Jefferson rises before you in unabashed grandeur. Carter and the Imp have hopped around to another point of the compass. All the lesser landmarks, as the old song says,

"First upon the heel-tap, then upon the toe, Wheel about, and turn about, and do just so."

Your topography is entirely dislocated. You must begin your acquaintance anew. Fresh lines and curves, new forms and faces and chameleon tints, thrust you off from the secrets of the Storm-Kings.

While you fancy yourself to be battering down the citadel, you are but knocking feebly at the out-works. You have caught a single phase, and their name is legion. Infinite as light, infinite as form, infinite as motion, so infinite are the mountains. Purple and intense against the glowing sunset sky, the Pilot range curves its strong outlines, or shimmers steely-blue in the noonday haze. Day unto day uttereth speech, and night unto night showeth knowledge of their ever-vanishing and ever-returning splendors. New every morning, fresh every evening, we fancy each pageant fairer and finer than the last. Every summer hour, a messenger from heaven, is charged with the waiting landscape, and drapes it with its own garment of woven light, celestial broidery.

Sunshine crowns the crests, and stamps their kinship to the skies.

Shadows nestle in the dells, flit over the ridges, hide under the overhanging cliffs, to be chased out in gleeful frolic by the slant sunbeams of the mellow afternoon. Clouds and vapors and unseen hands of heaven flood the hills with beauty. They have drunk in the warmth and life of the sun, they quiver beneath his burning glance, they lie steeped in color, gorgeous, tremulous, passionate, rosy red dropping away into pale gold, emeralds dim and sullen where they ripple down towards the darkness, dusky browns and broad reaches of blue-black massiveness, till the silent starlight wraps the scene with blessing, and the earth sitteth still and at rest.

On such an evening, never to be forgotten, we stood alone with the night. Day had gone softly, evening came slowly. There was no speech nor language, only hope and passion and purpose died gently out.

Individualities were not, and we stood at one with the universe, hand in hand with the immortals, silent, listening. It was as if the heavens should give up their secret, and smite us with the music of the spheres. Suddenly, unheralded, up over the summit of Mount Moriah came the full moan, a silver disc, a lucent, steady orb, globular and grand, filling the valleys with light, touching all things into a hushed and darkling splendor. To us, standing alone, far from sight of human face or sound of human voice, it seemed the censer of God, swung out to receive the incense of the world.

Multifold mists join hands with the light to play fantastic tricks upon these mighty monarchs. The closing day is tender, bringing sacrifice and oblation; but the day of flitting clouds and frequent showers riots in changing joys. Every subordinate eminence that has arrogated to itself the sublimity of the distant mountain, against whose rocky sides it lay lost, is unmasked by the vapors that gather behind it and reveal its low-lying outlines. Every little dimple of the hills has its chalice of mountain wine. The mist stretches above the ridge, a long, low, level causeway, solid as the mountains themselves, which buttress its farther side, a via triumpha, meet highway for the returning chariot of an emperor. It rears itself from the valleys, a dragon rampant and with horrid jaws. It flings itself with smothering caresses about the burly mountains, and stifles them in its close embrace. It trails along the hills, floating in filmy, parting gauze, scattering little flecks of pearl, fringing itself over the hollows, and hustling against a rocky breastwork that bars its onward going. It wreathes upward, curling around the peaks and veiling summits, whose slopes shine white in the unclouded sun. It shuts down gray, dense, sombre, with moody monotone. It opens roguishly one little loop-hole, through which--cloud above, cloud below, cloud on this side and on that--you see a sweet, violet-hued mountain-dome, lying against a background of brilliant blue sky,--just for one heart-beat, and it closes again, gray, sheeted, monotonous.

Leaving the valley, and driving along the Jefferson road, you have the mountains under an entirely new aspect. Before, they stood, as it were, endwise. Now you have them at broadside. Mile after mile you pass under their solid ramparts, but far enough to receive the idea of their height and breadth, their vast material greatness,--far enough to let the broad green levels of the intervale slide between, with here and there a graceful elm, towering and protective, and here and there a brown farm-house. But man's works show puny and mean beside nature, which seems spontaneous as a thought. Man's work is a toil; nature's is a relief. Man labors to attain abundance; nature, to throw off superabundance. The mountain-sides bristle with forests; man drags himself from his valley, and slowly and painfully levels an inch or two for his use; just a little way here and there a green field has crept up into the forest. The mountain-chin has one or two shaven spots; but for the greater part his beard is still unshorn. All along he sends down his boon to men. Everywhere you hear the scurrying feet of little brooks, tumbling pell-mell down the rocks in their frantic haste to reach a goal;--often a pleasant cottage-door, to lighten the burden and cool the brow of toil; often to pour through a hollow log by the wayside,--a never-failing beneficence and joy to the wearied, trusty horses. From the piazza of the Waumbeck House--a quiet, pleasant, home-like little hotel in Jefferson, and the only one, so far as I know, that has had the grace to take to itself one of the old Indian names in which the region abounds, Waumbeck, Waumbeck-Methna, Mountains of Snowy-Foreheads--a very panorama of magnificence unfolds itself.

The whole horizon is rimmed with mountain-ranges. The White Mountain chain stands out bold and firm, sending greeting to his peers afar.

Franconia answers clear and bright from the south-west; and from beyond the Connecticut the Green hills make response. Loth to leave, we turn away from these grand out-lying bulwarks to front on our return bulwarks as grand and massive, behind whose impregnable walls we seem shut in from the world forever.

A little lyric in the epos may be found in a side-journey to Bethel,--a village which no one ever heard of, at least I never did, till now; but when we did hear, we heard so much and so well that we at once started on a tour of exploration, and found--as Halicarnassus quotes the Queen of Sheba--there was more of it than we expected. The ride down in the train, if you are willing and able to stand on the rear platform of the rear car, is of surpassing beauty. The mountains seem to rise and approach in dumb, reluctant farewell. The river bends and insinuates, spreading out to you all its islands of delight. Molten in its depths, golden in its shallows, it meanders through its meadows, a joy forever.

Bethel sits on its banks, loveliest of rural villages, and gently unfolds its beauties to your longing eyes. The Bethel House,--a large old-fashioned country-house, with one of those broad, social second-story piazzas, and a well bubbling up in the middle of the dining-room--think of that, Master Brooke!--a hotel whose landlord welcomes you with lemonade and roses (perhaps he wouldn't YOU!),--a hotel terrible to evil-doers, but a praise to them that do well, inasmuch as it is conducted on the millennial principle of quietly frightening away disagreeable people with high rates, and fascinating amiable people with reasonable ones, so that, of course, you have the wheat without the chaff,--a hotel where people go to rest and enjoy, and wear morning-dresses all day, and are fine only when they choose--indeed, you can do that anywhere, if you only think so. The idea that you must lug all your best clothes through the wilderness is absurd. A good travelling-dress, admissible of bisection, a muslin spencer for warm evenings, and a velvet bodice when you design to be gorgeous, will take you through with all the honors of war. Besides, there are always sure to be plenty of people in every drawing-room who will be sumptuously attired, and you can feast your eyes luxuriously on them, and gratefully feel that the work is so well done as to need no co-operation of yours, and that you can be comfortable with an easy conscience. Where was I? O, on the top, of Paradise Hill, I believe, surveying Paradise, a little indistinct and quavering in the sheen of a summer noon, but clear enough to reveal its Pison, its Gilton, its Hiddekel, and Euphrates, compassing the whole land of Havilah; or perhaps I was on Sparrowhawk, beholding Paradise from another point, dotted with homes and church-spires, rich and fertile, fair still, with compassing river and tranquil lake; or, more probable than either, I was driving along the highland that skirts the golden meadows through which the river purls, ruddy in the setting sun, and rejoicing in the beauty amid which he lives and moves and has his being. Lovely Bethel, fairest ornament of the sturdy mountain-land, tender and smiling as if no storm had ever swept, no sin ever marred,--in Arcadia that no one would ever leave but for the magic of the drive back to Gorham through piny woods, under frowning mountains, circled with all the glories of sky and river,--a drive so enticing, that, when you reach Gorham, straight back again you will go to Bethel, and so forever oscillate, unless some stronger magnet interpose.

A rainy day among the mountains is generally considered rather dismal, but I find that I like it. Apart from the fact that you wish, or ought to wish, to see Nature in all her aspects, it is a very beneficent arrangement of Providence, that, when eyes and brain and heart are weary with looking and receiving, an impenetrable barrier is noiselessly let down, and you are forced to rest. Besides, there are many things which it is not absolutely essential to see, but which, nevertheless, are very interesting in the sight. You would not think of turning away from a mountain or a waterfall to visit them, but when you are forcibly shut out from both, you condescend to homelier sights.

For instance, I wonder how many frequenters of the Alpine house ever saw or know that there is a dairy in its Plutonian regions. A rainy day discovered it to us, and, with many an injunction touching possible dust, we were bidden into those mysterious precincts. A carpet, laid loose over the steps, forestalled every atom of defilement, and, descending cautiously and fearfully through portals and outer courts, we trod presently the adytum. It was a dark, cool, silent place. The floors were white, spotless, and actually fragrant with cleanliness.

The sides of the room were lined with shelves, the shelves begemmed with bright pans, and the bright pans filled with milk,--I don't know how many pans there were, but I should think about a million,--and there was a mound of pails piled up to be washed, and cosy little colonies of butter, pleasant to eyes, nose, and mouth, and a curious machine to work butter over, consisting of something like a table in the shape of the letter V, the flat part a trough, with a wooden handle to push back and forth, and the buttermilk running out at the apex of the V. If the principle on which it is constructed is a secret, I don't believe I have divulged it; but I do not aim to let you know precisely what it is, only that there is such a thing. I hope now that every one will not flock down cellar the moment he alights from the Gorham train. I should be very sorry to divert the stream of travel into Mr. Hitchcock's dairy, for I am sure any great influx of visitors would sorely disconcert the good genius who presides there, and would be an ill requital for her kindness to us; but it was so novel and pleasant a sight that I am sure she will pardon me for speaking of it just this once.

Another mild entertainment during an intermittent rain is a run of about a mile up to the "hennery," which buds and blossoms with the dearest little ducks of ducks, broad-billed, downy, toddling, tumbling in and out of a trough of water, and getting continually lost on the bluff outside; little chickens and turkeys, and great turkeys, not pleasant to the eye, but good for food, and turkey-gobblers, stiffest-mannered of all the feathered creation; and geese, sailing in the creek majestic, or waddling on the grass dumpy; and two or three wild geese, tolled down from the sky, and clipped away from it forever; and guinea-hens, speckled and spheral; and, most magnificent of all, a pea cock, who stands in a corner and unfolds the magnificence of his tail. Watching his movements, I could not but reflect upon the superior advantages which a peacock has over a woman. The gorgeousness of his apparel is such that even Solomon in all his glory was not arrayed in the like; yet so admirable is the contrivance for its management that no suspicion of mud or moisture stains its brilliancy.

A woman must have recourse to clumsy contrivances of india-rubber and gutta-percha if her silken skirts shall not trail ignobly in the dust.

The peacock at will rears his train in a graceful curve, and defies defilement.

Besides abundance of food and parade-ground, these happy fowls have a very agreeable prospect. Their abrupt knoll commands a respectable section of the Androscoggin Valley,--rich meadow-lands, the humanities of church-spire and cottage, the low green sweep of the intervale through which the river croons its quiet way under shadows of rock and tree, answering softly to the hum of bee and song of bird,--answering just as softly to the snort and shriek of its hot-breathed rival, the railroad. Doubtless the railroad, swift, energetic, prompt, gives itself many an air over the slow-going, calm-souled water-way, but let Monsieur Chemin de Fer look to his laurels,--a thing of yesterday and tomorrow,--a thing of iron and oil and accidents. I, the River, descend from the everlasting mountains. I was born of the perpetual hills. I fear no more the heat o' the sun, nor the furious winter's rages; no obstacle daunts me. Time cannot terrify. My power shall never faint, my foundations never shrink, my fountains never fail.

"Men may come, and men may go, But I go on forever."

And the railroad, pertinacious, intrusive, aggressive, is, after all, the dependent follower, the abject copyist of the river. Toss and scorn as it may, the river is its leader and engineer. Fortunes and ages almost would have been necessary to tunnel those mountains, if indeed tunnelling had been possible, but the river winds at its own sweet will. Without sound of hammer or axe, by force of its own heaven-born instincts, it has levelled its lovely way unerring, and wherever it goes, thither goes the railroad, to its own infinite gain.

Railroads are not generally considered picturesque, but from the standpoint of that hennery, and from several other standpoints, I had no fault to find. Unable to go straight on, as the manner of railroads is, it bends to all the wayward little fancies of the river, piercing the wild wood, curling around the base of the granite hills, now let loose a space to shoot across the glade, joyful of the permission to indulge its railroad instinct of straightness; and, amid so much irregularity and headlong wilfulness, a straight line is really refreshing. Up the sides of its embankment wild vines have twisted and climbed, and wild-flowers have budded into bloom.

Berlin Falls is hardly a wet-day resource, but the day on which we saw it changed its mind after we left the hotel, and from clouds and promise of sunshine turned into clouds and certainty of rain. For all that, the drive along the river, within sound of its roaring and gurgling and rippling and laughing overflow of joy, with occasional glimpses of it through the trees, with gray cloud-curtains constantly dropping, then suddenly lifting, and gray sheets of rain fringing down before us, and the thirsty, parched leaves, intoxicated with their much mead of the mountains, slapping us saucily on the check, or in mad revel flinging into our faces their goblets of honey-dew,--ah! it was a carnival of tricksy delight, making the blood glow like wine. The falls, which chanced to be indeed no falls, but shower-swollen into rapids, are one of the most wonderful presentations of Nature's masonry that I have ever seen. It is not the water, but the rock, that amazes.

The whole Androscoggin River gathers up its strength and plunges through a gorge,--a gateway in the solid rock is regular, as upright, as if man had brought in the whole force of his geometry and gunpowder to the admeasurement and excavation,--plunges, conscious of imprisonment and the insult to its slighted majesty,--plunges with fierce protest and frenzy of rage, breaks against a grim, unyielding rock to dash itself into a thousand whirling waves; then rushes on to be again imprisoned between the pillars of another gorge, only less regular, not less inexorable, than the first; then, leaping and surging, it beats against its banks, and is hurled wrathfully back in jets of spray and wreaths of foam; or, soothed into gentler mood by the soft touch of mosses on the brown old rocks, it leaps lightly up their dripping sides, and trickles back from the green, wet, overhanging spray, and so, all passion sobbed away, it babbles down to its bed of Lincoln green, where Robin Hood and Maid Marian wait under the oaken boughs.

In the leaden, heavy air the scene was sombre,--tragic. In sunshine and shadows it must have other moods, perhaps a different character; I did not see the sunshine play upon it.

But the day of days you shall give to the mountain. The mountain, Washington, king of all this Atlantic coast,--at least till but just now, when some designing Warwick comes forward to press the claims of an ignoble Carolinian upstart, with, of course, a due and formidable array of feet and figures: but if they have such a mountain, where, I should like to know, has he been all these years? A mountain is not a thing that you can put away in your pocket, or hide under the eaves till an accident reveals its whereabouts. Verily our misguided brethren have much to do to make out a case; and, in the firm belief that I am climbing up the highest point of land this side the Rocky Mountains, I begin my journey.

Time was when the ascent of Mount Washington could be justly considered a difficult and dangerous feat; but the Spirit of the Age who has many worse things than this to answer for, has struck in and felled and graded and curbed, till now one can ascend the mountain as safely as he goes to market. I consider this road one of the greatest triumphs of that heavily responsible spirit. Loquacious lovers of the "romantic"

lament the absence of danger and its excitements, and the road does indeed lie open to that objection. He who in these latter days would earn a reputation for enterprise--and I fancy the love of adventure to be far less common than the love of being thought adventurous--must have recourse to some such forlorn hope as going up the mountain on the ice in midwinter, or coasting down on a hand-sled. But I have no inclination in that direction. I am willing to encounter risks, if there is no other way of attaining objects. But risks in and of themselves are a nuisance. If there is no more excellent way, of course you must clamber along steep, rugged stairways of bridle-paths, where a single misstep will send you plunging upon a cruel and bloody death; but so far as choice goes, one would much more wisely ride over a civilized road, where he can have his whole mind for the mountain, and not be continually hampered with fears and watchfulness for his own personal safety. It is a great mistake to suppose that discomfort is necessarily heroism. Besides, to have opened a carriage-way up the mountain is to have brought the mountain with all its possessions down to the cradle of the young and the crutch of the old,--almost to the couch of the invalid. I saw recorded against one name in the books of the Tip-top House the significant item, "aged eight months." Probably the youngster was not directly much benefited by his excursion, but you are to remember that perhaps his mother could not have come without him, and therein lay the benefit. The day before our ascent, a lady over seventy years old ascended without extreme fatigue or any injury.

Several days after, a lady with apparently but a few weeks of earth before her, made the ascent to satisfy the longings of her heart, and gaze upon the expanses of this, before the radiance of another world should burst upon her view. If people insist upon encountering danger, they can find a swift river and ford it, or pile up a heap of stones and climb them, or volunteer to serve their country in the army: meanwhile, let us rejoice that thousands who have been shut away from the feast may now sit down to the table of the Lord.

This road, we were told, was begun about eight years ago, but by disastrous circumstances its completion was delayed until within a year or two. Looking at the country through which it lies, the only wonder is that it ever reached completion. As it is, I believe its proprietors do not consider it quite finished, and are continually working upon its improvement. Good or bad, it seems to me to be much the best road anywhere in the region. The pitches and holes that would fain make coaching on the common roads so precarious are entirely left out here. The ascent is continuous. Not a step but leads upward. The rise was directed never to exceed one foot in six, and it does not; the average is one foot in eight. Of course, to accomplish this there must be a great deal of winding and turning. In one place you can look down upon what seem to be three roads running nearly parallel along a ridge, but what is really the one road twisting to its ascent. Some idea of the skill and science required to engineer it may be gathered by looking into the tangled wilderness and rocky roughness that lie still each side the way. Through such a gnarled, knotted, interlaced jungle of big trees and little trees, and all manner of tangled twining undergrowths, lining the sides of precipices, or hanging with bare roots over them, concealing dangers till the shuddering soul almost plunges into them, the road-men carefully and painfully sought and fought their way. Up on rocky heights it was comparatively easy, for, as one very expressively phrased it, every stone which they pried up left a hole and made a hole. The stone wrenched from above rolled below, and go lowered the height and raised the depth, and constantly tended to levelness. Besides, there were no huge tree-trunks to be extracted from the unwilling jaws of the mountain by forest-dentists, with much sweat and toil and pain of dentist if not of jaws. Since, also, the rise of one foot in six was considered as great as was compatible with the well-being and well-doing of horses, whenever the way came upon a knob or a breastwork that refused to be brought down within the orthodox dimensions, it must turn. If the knob would not yield, the way must, and, in consequence, its lengthened bitterness is long drawn out. A line that continually doubles on itself is naturally longer than one which goes straight to the mark. Mount Washington is little more than a mile high; the road that creeps up its surly sides is eight miles long. Frost and freshet are constant foes; the one heaves and cracks, and the other tears down through the cracks to undermine and destroy. Twenty-seven new culverts, we were told, had been made, within the space of a mile and a half, since last year; and these culverts are no child's play, but durable works,--aqueducts lined with stone and bridged with plank, large enough for a man to pass through with a wheelbarrow, and laid diagonally across the road, so that the torrents pouring down the gutter shall not have to turn a right angle, which they would gladly evade doing, but a very obtuse one, which they cannot in conscience refuse; and, as the road all the way is built a little higher on the precipice side than on the mountain side, the water naturally runs into the gutter on that side, and so is easily beguiled into leaving the road, which it would delight to destroy, and, roaring through the culvert, tumbles unwarily down the precipice before it knows what it is about.

I have heard it said, that the man who originated this road has since become insane. More likely he was insane at the time. Surely, no man in his senses would ever have projected a scheme so wild and chimerical, so evidently impossible of fulfilment. Projected it was, however, not only in fancy, but in fact, to our great content; and so, tamely but comfortably, an untiring cavalcade, we leave the peaceful glen set at the mountain's base, and wind through the lovely, lively woods, tremulous with sunshine and shadows, musical with the manifold songs of its pregnant solitudes, out from the woods, up from the woods, into the wild, cold, shrieking winds among the blenched rocks and the pale ghosts of dead forests stiff and stark, up and up among the caverns, and the gorges, and the dreadful chasms, piny ravines black and bottomless, steeps bare and rocky leading down to awful depths; on and on, fighting with maddened winds and the startled, wrathful wraiths, onward and upward till we stand on the bleak and shivering, the stony and soulless summit.

Desolation of desolations! Desolation of desolations! How terrible is this place! The shining mountain that flashed back to the sun his radiance is become a bald and frowning desert that appalls us with its barrenness. The sweet and sylvan approach gave no sign of such a goal, but the war between life and death was even then begun. The slant sunlight glinted through the jungle and bathed us with its glory of golden-green. The shining boles of the silvery gray birch shot up straight, and the white birch unrolled its patches of dead pallor in the sombre, untrodden depths. The spruces quivered like pure jellies tipped with light, sunshine prisoned in every green crystal.

Myrtle-vines ran along the ground, the bunch-berry hung out its white banner, and you scarcely saw the trees that lay faint and fallen in the arms of their mates. The damp, soft earth nourished its numerous brood, Terrae omni parentis alumnos, its own thirsty soul continually refreshed from springs whose sparkle we could not see, though the gurgle and ripple of their march sung out from so many hiding-places that we seemed to be

"Seated in hearing of a hundred streams."

Whole settlements of the slender, stately brakes filled the openings, and the mountain-ash drooped in graceful curves over our heads, but gradually the fine tall trees dwindled into dwarfs, chilled to the heart by the silent, pitiless cold. Others battled bravely with the bowling winds, which have stripped them bare on one side, while they seem to toss out their arms wildly on the other, imploring protection and aid from the valley-dwellers below. Up and up, and you come suddenly upon the "Silver Forest," a grove of dead white trees, naked of leaf and fruit and bud, bare of color, dry of sap and juice and life, retaining only their form,--cold set outline of their hale and hearty vigor; a skeleton plantation, bleaching in the frosty sun, yet mindful of its past existence, sturdy, and defiant of the woodman's axe; a frostwork mimicry of nature, a phantom forest. On and on, turning to overlook the path you have trodden, at every retrospect the struggle between life and death becomes more and more palpable. The Destroyer has hurled his winds, his frosts, his fires; and gray wastes, broken wastes, black wastes, attest with what signal power. But life follows closely, planting his seeds in the very footprints of death.

Where blankness and bleakness seem to reign, a tiny life springs in mosses, rich with promise of better things. Long forked tongues of green are lapping up the dreary wastes, and will presently overpower them with its vivid tints. Even amid the blanched petrifaction of the Silver Grove fresh growths are creeping, and the day is not far distant that shall see those pale statues overtopped, submerged, lost in an emerald sea. Even among the rocks, the strife rages. Some mysterious principle inheres in the insensate rock, whose loss makes this crumbling, discolored, inert debris. Up you go, up and up, and life dies out. Chaos and ruin reign supreme. Headlong steeps yawn beside your path, losing their depths in darkness. Great fragments of rock cover all the ground, lie heaped, pile upon pile, jagged, gray, tilted into a thousand sharp angles, refusing a foothold, or offering it treacherously. Wild work has been here; and these gigantic wrecks bear silent witness of the uproar. It seems but a pause, not a peace.

Agiocochook, Great Mountain of Spirits, rendezvous of departed souls, clothed with the strength and fired with the passions of the gods,--in what caverns under the cliffs do the wearied Titans rest? From what dungeons of gloom emerging shall they renew their elemental strife?

What shall be the sign of their awaking to darken the earth with their missiles and deafen the skies with their thunder? And what daring of man is this to scorn his smiling valleys and adventure up into these realms of storm? No Titan he, yet the truest Titan of all, for he wrestled and overcame. No giant he, yet grander than the giants, since without Pelion or Ossa he has scaled heaven. Through uncounted aeons the mountain has been gathering its forces. Frost and snow and ice and the willing winds have been its sworn retainers. Cold and famine and death it flaunted in the face of the besieger. Man is of a day, and the elements are but slippery allies. A spade and a compass are his meagre weapons; yet man has conquered. The struggle was long, with many a reconnaissance and partial triumph, but at length the victory is complete. Man has placed his hand on the monarch's mane. He has pierced leviathan with a hook. The secrets of the mountain are uncovered. His fastnesses conceal no treasures that shall not be spread out to the day. His bolts and bars of ice can no longer press back the foot of the invader. Yon gray and slender ribbon, that floats down his defiles, disappearing now over his ledges to reappear on some lower range, and he lightly across the plateau,--that is his bridle of submission, his badge of servitude. Obedient to that, he yields up his hoarded wealth and pays tribute, a vassal to his lord. Men and women and little children climb up his rugged sides, and the crown upon his beetling brows is set in the circle of humanity.

In the first depression of abandonment one loses heart, and sees only the abomination of desolation; but gradually the soul lifts itself from the barren earth, and floats out upon the ocean, in which one stands islanded on a gray rock, fixed in seas of sunshine.

Whether you shall have a fair day or a foul is as may be. At the mountain's base they discreetly promise you nothing. It may be sunny and sultry down there, while storms and floods have at it on the peak.

But mine was a day of days,--clear, alternating with cloudy. When you had looked long enough to dazzle and weary your eyes, a cloud would come and fold you about with opaqueness, and while you waited in the cloud, lo here! lo there! it flashed apart and shimmered yonder a blue sky, a brilliant landscape, and the distant level of the sea; or slowly its whiteness cleaved and rolled away, revealing a glorified mountain, a lake lying in the shadows, or the simple glen far down from which we came. It was constant change and ever-new delight.

But this going up mountains is a bad thing for the clouds. All their fleecy softness, all their pink and purple and pearly beauty, all the mystery of their unattainableness, is weighed in the balance and found to be fog, and by no means unapproachable. They will never impose upon us again. Never more will they ride through the serene blue, white-stoled cherubs of the sky. Henceforth there is very little sky about them. Sail away, little cloud, little swell, little humbug. Make believe you are away up in the curves of the sky. Not one person in fifty will climb a mountain and find you out. But I have been there, and you are nothing but fog, of the earth, earthy. And when I sat in the cleft of a rock on the side of Mount Washington, every fibre dulled through with your icy moisture, I could with a good will have sent a sheriff to arrest you for obtaining love under false pretences. O you innocent, child-like cloud heaving with warmth and passion as we saw, but a gray little imp, cold at the heart, and malignant, and malignant, as we felt.

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