'No.' He explained how reluctant he had been to give any unnecessary trust. He had guarded everything, fearing that because Croxdale had known Austwick a long time perhaps he would be more inclined to trust him than to trust Pitt.
'Very wise,' she agreed. 'Is Croxdale of the opinion that there is something very serious being planned in France?'
'I saw nothing except a couple of faces,' he answered. 'And when I look back, it was Gower who told me they were Meister and Linsky. There was talk, but no more than usual. There was a rumour that Jean Jaures was coming from Paris, but he didn't.'
Vespasia frowned. 'Jacob Meister and Pieter Linsky? Are you sure?'
'Yes, that's what Gower said. I know the names, of course. But only for just one day, maybe thirty-six hours, then they left again. They certainly didn't return to Frobisher's.'
Vespasia looked puzzled. 'And who said Jean Jaures was coming?'
'One of the innkeepers, I think. The men in the cafe were talking about it.'
'You think? A name like Jaures is mentioned and you don't remember by whom?' she said incredulously.
Again he was struck by his own foolishness. How easily he was duped. He had not heard it himself Gower had told him. He admitted this to Vespasia.
'Did he mention Rosa Luxemburg?' she asked with a slight frown.
'Yes, but not that she was to coming to St Malo.'
'But he mentioned her name?'
'Yes. Why?'
'Jean Jaures is a passionate socialist, but a gentle man,' she explained. 'He was a campaigner for reform. He sought office, and on occasion gained it, but he fights for change, not for overthrow. As far as I know, he is content to keep his efforts within France. Rosa Luxemburg is different. She is Polish, now naturalised German, and of a much more international cast of mind. I have Russian emigre emigre friends who fear that one day she will cause real violence. In some places, I'm afraid real violence is almost bound to happen. The oppression in Russia will end in tragedy.' friends who fear that one day she will cause real violence. In some places, I'm afraid real violence is almost bound to happen. The oppression in Russia will end in tragedy.'
'Stretching as far as Britain?' he said dubiously.
'No, only in so far as the world is sometimes a far smaller place than we think. There will be refugees, however. Indeed, London is already full of them.'
'What did Gower want?' he asked. 'Why did he kill West? Was West going to tell me Gower was a traitor?'
'Perhaps. But, I admit, none of it makes sufficient sense to me so far, unless there is something a great deal larger than a few changes in the laws for French workers, or a rising unease in Germany and Russia. None of this is new, and none of it worries Special Branch unduly.'
'I wish Narraway were here,' Pitt said with intense feeling. 'I don't know enough for this job. He should have regarded Austwick as his protege unless he knows Austwick is a traitor too?'
'I imagine that is possible.' She was still lost in thought. 'And if Victor is innocent, which I do not doubt, then there was a very clever and carefully thought-out plan to get both you and he out of London. Why can we not deduce what it is, and why?'
Pitt went to his office in Lisson Grove, aware as he walked along the corridors of the eyes of the other men on him, watching, waiting. Austwick's particularly.
'Good morning,' Austwick said, apparently forgetting the 'sir' he would have added for Narraway.
'Good morning, Austwick,' Pitt replied a little tartly, not looking at him but going on until he reached Narraway's office door. He realised he still thought of it as Narraway's, just as he still thought of the position as his.
He opened the door and went inside. There was nothing of Pitt's here yet no pictures, no books but Narraway's things had been returned, so that to Pitt it felt as if he were still expecting the man himself to come back. When that happened he would not have to pretend to be pleased, and it would not be entirely for unselfish reasons either. He cared for Narraway, and he had at least some idea of how much the job meant to him: it was his vocation, his life. Pitt would be immensely relieved to give it back to him. It was not within Pitt's skill or his nature to perform this job. He regretted that it was now his duty.
He dealt with the most immediate issues of the day first, passing on all he could to juniors. When that was done, he told them not to interrupt him. Then he went through all Narraway's records of every crime Gower had been involved with over the past year and a half. He read all the documents, getting a larger picture concerning European revolutionary attempts to improve the lot of the working men. He also read the latest report from Paris.
As he did so, the violence proposed settled over him like a darkness, senseless and destructive. But the anger at injustice he could not help sharing. It grieved him that people had been oppressed and denied a reasonable life for so long that the change, when it came and it must would be fuelled by so much hatred.
The more he read, the greater the tragedy seemed to him that the high idealism of the revolution of '48 had been crushed with so little legacy of change left behind.
Gower's own reports were spare, as if he had edited out any emotive language. At first Pitt thought that was just a very clear style of writing. Then he began to wonder if it were more than that: a guarding of Gower's own feelings, in case he gave something away unintentionally, or Narraway himself picked up a connection, an omission, even a false note.
Then he took out Narraway's own papers. He had read most of them before, because it was part of his duty in taking over the position. Many of the cases he was familiar with anyway, from general knowledge within the Branch. He selected three specifically to do with Europe and socialist unrest, those associated with Britain, memberships of socialist political groups such as the Fabian Society. He compared them with the cases on which Gower had worked, and looked for any notes that Narraway might have made.
What were the facts he knew, personally? That Gower had killed West and made it appear it was Wrexham who had done so. All doubt left him that it had been extremely quick thinking on Gower's part. It had been his intention all the time, and with Wrexham's collaboration. Pitt recalled the chase across London and then on to Southampton. He was bitterly conscious that it had been too easy. The conclusion was inevitable: Gower and Wrexham were working together. To what end? Again, looked at from the result, it could only have been to keep Pitt in St Malo or, more specifically, to keep him from being in London, and aware of what was happening to Narraway.
But to what greater purpose? Was it to do with socialist uprisings? Or was that also a blind, a piece of deception?
Who was Wrexham? He was mentioned briefly, twice, in Gower's reports. He was a young man of respectable background who had been to university and dropped out of a modern history course to travel in Europe. Gower suggested he had been to Germany and Russia, but seemed uncertain. It was all very vague, and with little substantiation. Certainly there was nothing to cause Narraway to have him watched, or enquired into any further. Presumably it was just sufficient information to allow Gower to say afterwards that he was a legitimate suspect.
The more he studied what was there, the more Pitt was certain that there had to be a far deeper plan behind the random acts he had connected in bits and pieces. The picture was too sketchy, the rewards too slight to make sense of murder. It was all disparate, and too small.
The most urgent question was whether Narraway had been very carefully made to look guilty of theft in order to gain some kind of revenge for old defeats and failures, or whether the real intent was to get him dismissed from Lisson Grove and out of England? The more Pitt looked at it, the more he believed it was the latter.
If Narraway had been here, what would he have made of the information? Surely he would have seen the pattern? Why could Pitt not see it? What was he missing?
He was still comparing one event with another and searching for the links, the commonality, when there was a sharp knock on the door. He had asked not to be interrupted. This had better be something of importance, or he would tear a strip off the man, whoever he was.
'Come in,' he said sharply.
The door opened and Stoker came in, closing it behind him.
Pitt stared at him coldly.
Stoker ignored his expression. 'I tried to speak to you last night,' he said quietly. 'I saw Mrs Pitt in Dublin. She was well and in good spirits. She's a lady of great courage. Mr Narraway is fortunate to have her fighting his cause, although I dare say it's not for his sake she's doing it.'
Pitt stared at him. He looked subtly quite different from the way he had when standing in front of Croxdale the previous evening. Was that a difference in respect? In loyalty? Personal feeling? Or because one was the truth and the other lies?
'Did you see Mr Narraway?' Pitt asked him.
'Yes, but not to speak to. It was the day O'Neil was shot,' Stoker answered.
'By whom?'
'I don't know. I think probably Talulla Lawless, but whether anyone will ever prove that, I don't know. Mr Narraway's in trouble, Mr Pitt. He has powerful enemies-'
'I know that,' Pitt interrupted him. 'Apparently dating back twenty years.'
'Not that,' Stoker said impatiently. 'Now, here in Lisson Grove. Someone wanted him discredited and out of England, and wanted you in France, gone in the other direction, where you wouldn't know what was going on here and couldn't help.'
'Tell me all you know of what happened in Ireland,' Pitt demanded. 'And for heaven's sake sit down!' It was not that he wanted the information in detail so much as he needed the chance to weigh everything Stoker said, and make some judgement as to the truth of it, and exactly where Stoker's loyalties were.
Stoker obeyed without comment.
'I was there only two days-' he began.
'Who sent you?' Pitt interrupted.
'No one. I made it look like it was Mr Narraway, before he went.'
'Why?'
'Because I don't believe he's guilty any more than you do,' Stoker said bitterly. 'He's a hard man, clever, cold at times, in his own way, but he'd never betray his country. They got rid of him because they knew he'd see what was going on here, and stop it. They thought you might too, in loyalty to Mr Narraway, even if you didn't spot what they're doing. No offence, sir, but you don't know enough yet to see what it is.'
Pitt winced, but he had no argument. It was painfully true.
'Mr Narraway seemed to be trying to find out who set him up to look like he took the money meant for Mulhare, probably because that would lead back to whoever it is here in London,' Stoker went on. 'I don't know whether he found out or not, because they got him by killing O'Neil. They set that up perfectly. Fixed a quarrel between them in front of a couple o' score of people, then somehow got him to go alone to O'Neil's house, and had O'Neil shot just before he got there.
'By all accounts, Mrs Pitt was right on his heels, but he swore to the police that she wasn't there at the time, so they didn't bother her. She went back to where she was staying, and that's the last I know of it. Mr Narraway was arrested and no doubt, if we don't do anything, they'll try him and hang him. But we'll have a week or two before that.' He stopped, meeting Pitt with steady, demanding eyes.
He must trust Stoker. The advantage outweighed the risk.
'Then we have about ten days in which to rescue Narraway,' he replied. 'Perhaps whoever is behind this will be as aware of that as we are. It is safe to assume that by that time they will have achieved whatever it is they plan, and for which they needed him gone.'
Stoker sat up a little straighter. 'Yes, sir.'
'And we have no idea who it is that is planning it,' Pitt continued. 'Except that they have great power and authority within the Branch, so we dare not trust anyone. Even Sir Gerald himself may choose to trust this person rather than trust you or me.'
Stoker allowed himself a slight smile. 'You're right, sir. And that could be the end of everything, probably of you an' me, and certainly of Mr Narraway.'
'Then we are alone in working out what it is.' Pitt had already made up his mind that if he were to trust Stoker at all, then it might as well be entirely. This was not the time to let Stoker believe he was only half relied on.
Pitt pulled out the papers he had been studying and placed them sideways on the desk so they could both see them.
'This is the pattern I found so far.' He pointed to communications, gun smuggling, the movements of known radicals both in Britain and in the continent of Europe.
'Not much of a pattern,' Stoker said grimly. 'It looks pretty much like always to me.' He pointed. 'There's Rosa Luxemburg in Germany and Poland in that part, but she's been getting noisier for years.There's Jean Jaures in France, but he's harmless enough. Your basic socialist reformer. Bit hard now and then, but what he's saying is fair enough, if you look at it. Nothing to do with us, though. He's as French as frogs' legs.'
'And here?' Pitt pointed to some Fabian Society activity in London and Birmingham.
'They'll get changes through Parliament, eventually,' Stoker said. 'That Keir Hardie'll do a thing or two, but that's not our bother either. Personally I wish him good luck. We need a few changes. No, sir, there is something big planned, and pretty bad, an' we haven't worked out what it is yet.'
Pitt did not reply. He stared at the reports yet again, rereading the text, studying the geographic patterns of where they originated, who was involved.
Then he saw something curious. 'Is that Willy Portman?' he asked Stoker, pointing to a report of known agitators observed in Birmingham.
'Yes, sir, seems like it. What's he doing here? Nasty piece of work, Willy Portman. Violent. Nothing good, if he's involved.'
'I know,' Pitt agreed. 'But that's not it. This report says he was seen at a meeting with Joe Gallagher. Those two have been enemies for years. What could bring them together?'
Stoker stared at him. 'There's more,' he said very quietly. 'McLeish was seen in Sheffield with Mick Haddon.'
Pitt knew the names. They were both extremely violent men, and again known to hate each other.
'And Fenner,' he added, putting his finger on the page where Fenner's name was noted. 'And Guzman, and Scarlatti.That's the pattern.Whatever it is, it's big enough to bring these enemies together in a common cause, and here in Britain.'
There was a shadow of fear in Stoker's eyes. 'I'd like reform, sir, for lots of reasons. But I don't want everything good thrown out at the same time. And violence isn't the way to do anything, because no matter what you need to do in the first place, it never ends there. Seems to me that if you execute the monarch, either you end up with a religious dictator like Cromwell, who rules over the people more tightly than any king ever did and then you only have to get rid of him anyway or else you end up with a monster like Robespierre in Paris, and the Reign of Terror, then Napoleon after that. Then you get a king back in the end anyway. At least for a while. I prefer us as we are, with our faults, rather than all that.'
'So do I,' Pitt agreed. 'But we can't stop it if we don't know what it is, and when and how it will strike. I don't think we have very long.'
'No, sir. And if you'll excuse me spelling it out, we haven't any allies either, least of all not here in Lisson Grove. Whoever blackened Mr Narraway's name did a very good job of it, and nobody trusts you because you're his man.'
Pitt smiled grimly. 'It's a lot more than that, Stoker. I'm new to this job and none of the men will trust me above Austwick, for which you can hardly blame them.'
'Is Austwick a traitor, sir?'
'I think so. But he may not be the only one.'
'I know that,' Stoker said very quietly.
Chapter Eleven.
Narraway was intensely relieved to see the familiar coast of Ireland slip away over the horizon with no coastguard or police boat in pursuit of them. At least for a few hours he could turn his attention to what he should do once he arrived at Holyhead. The obvious thing would be to catch the next train to London. Would it be so obvious a move that he might be apprehended? On the other hand, would delay only give anyone still bent on catching him a better chance to cross the Irish Sea in a lighter, perhaps faster boat, and arrest him before he could get any help?
He was standing on the deck looking westwards. Charlotte was beside him. She looked weary and the marks of fear were still drawn deep into her face. Even so, he found her beautiful. He had long ago grown tired of unspoiled perfection. If that was what one hungered for the colour, the proportion, the smooth skin, the perfect balance of feature there were works of art all over the world to stare at. Even the poorest man could find a copy for himself.
A real woman had warmth, vulnerability, fears and blemishes of her own, or else how could she have any gentleness towards yours? Without experience, one was a cup waiting to be filled well-crafted perhaps, but empty. And to a soul of any courage or passion, experience also meant a degree of pain, false starts, occasional bad judgements, a knowledge of loss. Young women were charming for a short while, but very soon they bored him.
He was used to loneliness, but there were times when its burden ached so deeply he could never be unaware of it. After all, that had happened in Ireland. Now, standing on the deck with Charlotte, watching the wind unravel her hair and blow it across her face was another such time.
She had already told him what she had learned of Talulla, John Tyrone and the money, and of Fiachra McDaid. It was complicated. Some of the situation he had guessed from what O'Casey had told him, but he had not understood Talulla's place in it. Without her and Fiachra having convinced her that her parents were innocent, she would not have blamed Cormac. She would still have blamed Narraway, of course, but that was fair. Kate's death was as much his fault as anyone's, in so far as it was foreseeable. He had known how Sean felt about her.
What did Talulla imagine Cormac could have done to save Sean? Sean was a rebel whose wife gave him up to the English. Was that betrayal, treason to the spirit of Ireland, or just a practical decision to avoid more pointless, heart-breaking bloodshed? How many people were still alive who would not have been if the uprising had happened? Perhaps half the people she knew.
But of course she wouldn't see it that way. She couldn't afford to. She needed her anger, and it was justified only if her parents were the victims.
And Fiachra? Narraway winced at his own blindness. How desperately he had misread him! He had concealed the passion of his Irish nationalism inside what had seemed to be a concern for the disenfranchised of all nations. The more Narraway thought about it, the more it made sense. Odd how often a sweeping love for all could be willing to sacrifice the one, or the ten, or the score, almost with indifference. Fiachra would see the glory of greater social justice, freedom for Ireland and the price would slip through his fingers uncounted. He was a dreamer who stepped over the corpses without even seeing them. Under the charm there was ice and by God, he was clever. In law he had committed no crime. If justice ever reached him, it would be for some other reason, at another time.
Narraway looked at Charlotte again. She became aware of it and turned to him.
'There's no one anywhere on the whole sea,' she said with a slightly rueful smile. 'I think we're safe.'
The inclusion of herself in his escape gave him a sort of warmth that he was aware was ridiculous. He was behaving like a man of twenty.
'So far,' he agreed. 'But when we get on the train at Holyhead you would be safer to be in a different carriage. I doubt there will be anyone looking for me, but it's not impossible.'
'Who?' she said, as if dismissing the idea. 'No one could have got here ahead of us.' Before he could answer she went on, 'And don't tell me they anticipated your escape. If they had, they'd have prevented it. Don't be naive, Victor. They wanted you hanged. It would be the perfect revenge for Sean.'