The following ballad is founded upon one of the marvellous legends connected with the famous General ----, of Hampton, New Hampshire, who was regarded by his neighbors as a Yankee Faust, in league with the adversary. I give the story, as I heard it when a child, from a venerable family visitant.
DARK the halls, and cold the feast, Gone the bridemaids, gone the priest.
All is over, all is done, Twain of yesterday are one!
Blooming girl and manhood gray, Autumn in the arms of May!
Hushed within and hushed without, Dancing feet and wrestlers' shout; Dies the bonfire on the hill; All is dark and all is still, Save the starlight, save the breeze Moaning through the graveyard trees, And the great sea-waves below, Pulse of the midnight beating slow.
From the brief dream of a bride She hath wakened, at his side.
With half-uttered shriek and start,-- Feels she not his beating heart?
And the pressure of his arm, And his breathing near and warm?
Lightly from the bridal bed Springs that fair dishevelled head, And a feeling, new, intense, Half of shame, half innocence, Maiden fear and wonder speaks Through her lips and changing cheeks.
From the oaken mantel glowing, Faintest light the lamp is throwing On the mirror's antique mould, High-backed chair, and wainscot old, And, through faded curtains stealing, His dark sleeping face revealing.
Listless lies the strong man there, Silver-streaked his careless hair; Lips of love have left no trace On that hard and haughty face; And that forehead's knitted thought Love's soft hand hath not unwrought.
"Yet," she sighs, "he loves me well, More than these calm lips will tell.
Stooping to my lowly state, He hath made me rich and great, And I bless him, though he be Hard and stern to all save me!"
While she speaketh, falls the light O'er her fingers small and white; Gold and gem, and costly ring Back the timid lustre fling,-- Love's selectest gifts, and rare, His proud hand had fastened there.
Gratefully she marks the glow From those tapering lines of snow; Fondly o'er the sleeper bending His black hair with golden blending, In her soft and light caress, Cheek and lip together press.
Ha!--that start of horror! why That wild stare and wilder cry, Full of terror, full of pain?
Is there madness in her brain?
Hark! that gasping, hoarse and low, "Spare me,--spare me,--let me go!"
God have mercy!--icy cold Spectral hands her own enfold, Drawing silently from them Love's fair gifts of gold and gem.
"Waken! save me!" still as death At her side he slumbereth.
Ring and bracelet all are gone, And that ice-cold hand withdrawn; But she hears a murmur low, Full of sweetness, full of woe, Half a sigh and half a moan "Fear not! give the dead her own!"
Ah!--the dead wife's voice she knows!
That cold hand whose pressure froze, Once in warmest life had borne Gem and band her own hath worn.
"Wake thee! wake thee!" Lo, his eyes Open with a dull surprise.
In his arms the strong man folds her, Closer to his breast he holds her; Trembling limbs his own are meeting, And he feels her heart's quick beating "Nay, my dearest, why this fear?"
"Hush!" she saith, "the dead is here!"
"Nay, a dream,--an idle dream."
But before the lamp's pale gleam Tremblingly her hand she raises.
There no more the diamond blazes, Clasp of pearl, or ring of gold,-- "Ah!" she sighs, "her hand was cold!"
Broken words of cheer he saith, But his dark lip quivereth, And as o'er the past he thinketh, From his young wife's arms he shrinketh; Can those soft arms round him lie, Underneath his dead wife's eye?
She her fair young head can rest Soothed and childlike on his breast, And in trustful innocence Draw new strength and courage thence; He, the proud man, feels within But the cowardice of sin!
She can murmur in her thought Simple prayers her mother taught, And His blessed angels call, Whose great love is over all; He, alone, in prayerless pride, Meets the dark Past at her side!
One, who living shrank with dread From his look, or word, or tread, Unto whom her early grave Was as freedom to the slave, Moves him at this midnight hour, With the dead's unconscious power!
Ah, the dead, the unforgot!
From their solemn homes of thought, Where the cypress shadows blend Darkly over foe and friend, Or in love or sad rebuke, Back upon the living look.
And the tenderest ones and weakest, Who their wrongs have borne the meekest, Lifting from those dark, still places, Sweet and sad-remembered faces, O'er the guilty hearts behind An unwitting triumph find.
1843
THE BRIDAL OF PENNACOOK.
Winnepurkit, otherwise called George, Sachem of Saugus, married a daughter of Passaconaway, the great Pennacook chieftain, in 1662. The wedding took place at Pennacook (now Concord, N. H.), and the ceremonies closed with a great feast. According to the usages of the chiefs, Passaconaway ordered a select number of his men to accompany the newly-married couple to the dwelling of the husband, where in turn there was another great feast. Some time after, the wife of Winnepurkit expressing a desire to visit her father's house was permitted to go, accompanied by a brave escort of her husband's chief men. But when she wished to return, her father sent a messenger to Saugus, informing her husband, and asking him to come and take her away. He returned for answer that he had escorted his wife to her father's house in a style that became a chief, and that now if she wished to return, her father must send her back, in the same way. This Passaconaway refused to do, and it is said that here terminated the connection of his daughter with the Saugus chief.--Vide MORTON'S New Canaan.
WE had been wandering for many days Through the rough northern country. We had seen The sunset, with its bars of purple cloud, Like a new heaven, shine upward from the lake Of Winnepiseogee; and had felt The sunrise breezes, midst the leafy isles Which stoop their summer beauty to the lips Of the bright waters. We had checked our steeds, Silent with wonder, where the mountain wall Is piled to heaven; and, through the narrow rift Of the vast rocks, against whose rugged feet Beats the mad torrent with perpetual roar, Where noonday is as twilight, and the wind Comes burdened with the everlasting moan Of forests and of far-off waterfalls, We had looked upward where the summer sky, Tasselled with clouds light-woven by the sun, Sprung its blue arch above the abutting crags O'er-roofing the vast portal of the land Beyond the wall of mountains. We had passed The high source of the Saco; and bewildered In the dwarf spruce-belts of the Crystal Hills, Had heard above us, like a voice in the cloud, The horn of Fabyan sounding; and atop Of old Agioochook had seen the mountains'
Piled to the northward, shagged with wood, and thick As meadow mole-hills,--the far sea of Casco, A white gleam on the horizon of the east; Fair lakes, embosomed in the woods and hills; Moosehillock's mountain range, and Kearsarge Lifting his granite forehead to the sun!
And we had rested underneath the oaks Shadowing the bank, whose grassy spires are shaken By the perpetual beating of the falls Of the wild Ammonoosuc. We had tracked The winding Pemigewasset, overhung By beechen shadows, whitening down its rocks, Or lazily gliding through its intervals, From waving rye-fields sending up the gleam Of sunlit waters. We had seen the moon Rising behind Umbagog's eastern pines, Like a great Indian camp-fire; and its beams At midnight spanning with a bridge of silver The Merrimac by Uncanoonuc's falls.
There were five souls of us whom travel's chance Had thrown together in these wild north hills A city lawyer, for a month escaping From his dull office, where the weary eye Saw only hot brick walls and close thronged streets; Briefless as yet, but with an eye to see Life's sunniest side, and with a heart to take Its chances all as godsends; and his brother, Pale from long pulpit studies, yet retaining The warmth and freshness of a genial heart, Whose mirror of the beautiful and true, In Man and Nature, was as yet undimmed By dust of theologic strife, or breath Of sect, or cobwebs of scholastic lore; Like a clear crystal calm of water, taking The hue and image of o'erleaning flowers, Sweet human faces, white clouds of the noon, Slant starlight glimpses through the dewy leaves, And tenderest moonrise. 'T was, in truth, a study, To mark his spirit, alternating between A decent and professional gravity And an irreverent mirthfulness, which often Laughed in the face of his divinity, Plucked off the sacred ephod, quite unshrined The oracle, and for the pattern priest Left us the man. A shrewd, sagacious merchant, To whom the soiled sheet found in Crawford's inn, Giving the latest news of city stocks And sales of cotton, had a deeper meaning Than the great presence of the awful mountains Glorified by the sunset; and his daughter, A delicate flower on whom had blown too long Those evil winds, which, sweeping from the ice And winnowing the fogs of Labrador, Shed their cold blight round Massachusetts Bay, With the same breath which stirs Spring's opening leaves And lifts her half-formed flower-bell on its stem, Poisoning our seaside atmosphere.
It chanced that as we turned upon our homeward way, A drear northeastern storm came howling up The valley of the Saco; and that girl Who had stood with us upon Mount Washington, Her brown locks ruffled by the wind which whirled In gusts around its sharp, cold pinnacle, Who had joined our gay trout-fishing in the streams Which lave that giant's feet; whose laugh was heard Like a bird's carol on the sunrise breeze Which swelled our sail amidst the lake's green islands, Shrank from its harsh, chill breath, and visibly drooped Like a flower in the frost. So, in that quiet inn Which looks from Conway on the mountains piled Heavily against the horizon of the north, Like summer thunder-clouds, we made our home And while the mist hung over dripping hills, And the cold wind-driven rain-drops all day long Beat their sad music upon roof and pane, We strove to cheer our gentle invalid.
The lawyer in the pauses of the storm Went angling down the Saco, and, returning, Recounted his adventures and mishaps; Gave us the history of his scaly clients, Mingling with ludicrous yet apt citations Of barbarous law Latin, passages From Izaak Walton's Angler, sweet and fresh As the flower-skirted streams of Staffordshire, Where, under aged trees, the southwest wind Of soft June mornings fanned the thin, white hair Of the sage fisher. And, if truth be told, Our youthful candidate forsook his sermons, His commentaries, articles and creeds, For the fair page of human loveliness, The missal of young hearts, whose sacred text Is music, its illumining, sweet smiles.
He sang the songs she loved; and in his low, Deep, earnest voice, recited many a page Of poetry, the holiest, tenderest lines Of the sad bard of Olney, the sweet songs, Simple and beautiful as Truth and Nature, Of him whose whitened locks on Rydal Mount Are lifted yet by morning breezes blowing From the green hills, immortal in his lays.
And for myself, obedient to her wish, I searched our landlord's proffered library,-- A well-thumbed Bunyan, with its nice wood pictures Of scaly fiends and angels not unlike them; Watts' unmelodious psalms; Astrology's Last home, a musty pile of almanacs, And an old chronicle of border wars And Indian history. And, as I read A story of the marriage of the Chief Of Saugus to the dusky Weetamoo, Daughter of Passaconaway, who dwelt In the old time upon the Merrimac, Our fair one, in the playful exercise Of her prerogative,--the right divine Of youth and beauty,--bade us versify The legend, and with ready pencil sketched Its plan and outlines, laughingly assigning To each his part, and barring our excuses With absolute will. So, like the cavaliers Whose voices still are heard in the Romance Of silver-tongued Boccaccio, on the banks Of Arno, with soft tales of love beguiling The ear of languid beauty, plague-exiled From stately Florence, we rehearsed our rhymes To their fair auditor, and shared by turns Her kind approval and her playful censure.
It may be that these fragments owe alone To the fair setting of their circumstances,-- The associations of time, scene, and audience,-- Their place amid the pictures which fill up The chambers of my memory. Yet I trust That some, who sigh, while wandering in thought, Pilgrims of Romance o'er the olden world, That our broad land,--our sea-like lakes and mountains Piled to the clouds, our rivers overhung By forests which have known no other change For ages than the budding and the fall Of leaves, our valleys lovelier than those Which the old poets sang of,--should but figure On the apocryphal chart of speculation As pastures, wood-lots, mill-sites, with the privileges, Rights, and appurtenances, which make up A Yankee Paradise, unsung, unknown, To beautiful tradition; even their names, Whose melody yet lingers like the last Vibration of the red man's requiem, Exchanged for syllables significant, Of cotton-mill and rail-car, will look kindly Upon this effort to call up the ghost Of our dim Past, and listen with pleased ear To the responses of the questioned Shade.
I. THE MERRIMAC.
O child of that white-crested mountain whose springs Gush forth in the shade of the cliff-eagle's wings, Down whose slopes to the lowlands thy wild waters shine, Leaping gray walls of rock, flashing through the dwarf pine; From that cloud-curtained cradle so cold and so lone, From the arms of that wintry-locked mother of stone, By hills hung with forests, through vales wide and free, Thy mountain-born brightness glanced down to the sea.
No bridge arched thy waters save that where the trees Stretched their long arms above thee and kissed in the breeze: No sound save the lapse of the waves on thy shores, The plunging of otters, the light dip of oars.
Green-tufted, oak-shaded, by Amoskeag's fall Thy twin Uncanoonucs rose stately and tall, Thy Nashua meadows lay green and unshorn, And the hills of Pentucket were tasselled with corn.
But thy Pennacook valley was fairer than these, And greener its grasses and taller its trees, Ere the sound of an axe in the forest had rung, Or the mower his scythe in the meadows had swung.
In their sheltered repose looking out from the wood The bark-builded wigwams of Pennacook stood; There glided the corn-dance, the council-fire shone, And against the red war-post the hatchet was thrown.
There the old smoked in silence their pipes, and the young To the pike and the white-perch their baited lines flung; There the boy shaped his arrows, and there the shy maid Wove her many-hued baskets and bright wampum braid.