They all laughed. This was not seriously against him.
"Having settled it that he practises the art of music, I will surprise you with the information that he also pretends to the sister art of poesy," laughed Asami. "He is the author of 'The Great Death'!"
"What!"
From half a dozen of them.
And they broke into the song: hoarse, iron, clanging, mongolian! Within the six notes of the old Japanese scale!
(Do not be surprised at this. The Japanese army is full of poets.
Indeed, the Japanese land is full of them. They will spin you a complete comedy or tragedy between seventeen or thirty-seven syllables. And, to practise poetry is not there as here, heinous to one's friends. I know of a gunner who sat cross-legged under his gun behind Poutuloff and wrote a poem concerning The-Moon-in-a-Moat. It was finished as the Russians got his range and dropped a covey of shrapnel upon him. After the smoke cleared they found him dead. And he is forgotten. But his poem was also found and lived on.)
This was "The Great Death" of Shijiro Arisuga.
"Yell of metal, Strake of flame!
Death-wound spurting In my face!
Hail Red Death!"
"Banzai!" cried Jokichi.
"Teikoku Banzai!" yelled Asami.
And, after the tumult, Yasuki, the reserved, himself said:--
"By Shaka, it is the very Yamato Damashii itself! The spirit of young Japan."
"Nippon Denji!" laughed jolly Kitsushima.
"Yes! The Boys in Blue--as they called them in America in 1864."
Matsumoto had been to Princeton. But the thought of war--giving his soul for his emperor--made him as mad as they who had never left their native soil.
"I take all back," cried Nijin, into the tumult.
"And I," yelled Yasuki, who had agreed with him.
"Let him in!" shrilled Matsumoto and Jokichi together. "If he can write songs--"
"And let him sing! Let him sing war-songs!" adjured Kitsushima!
Still, the happy Nijin, out of propriety of his office, as recruiting-major, pretended to wish to stem the current started by the song.
"One moment!" he cried.
But they laughed him down and again started the war-song.
"I _will_ have a moment!"
"Take two!" shouted Jokichi.
"Singing and fighting are two very different occupations."
"No, they are precisely the same," laughed Kitsushima.
"I deny it!"
It was a fierce yell from Nijin, who was happiest, to pretend tremendous anger.
"I affirm it!" laughed Jokichi, into his face.
"Pretender!" cried Asami, shaking a happy fist at his superior.
Asami and Nijin stood with Zanzi for his admission.
Still, Nijin said in thunder:--
"Remember! poets never practise their preaching."
Nevertheless, if he had entered then, Arisuga would have been chosen, by acclaim, because of his song.
But enthusiasm cools rapidly, and these stoical orientals could be moved to enthusiasm by but this one thing--war.
So that after a month--two--it required another word from grizzled Zanzi, who had been in the war of the Restoration, to let Shijiro in.
"Jokoji!" That was the word. "His father is at Jokoji!"
And they demanded, and he told, the story of Jokoji--which, pardon me, I do not mean to tell. Save this little, so that you may understand, that it was that last terrible stand of Saigo behind the hills of Kagoshima, where the Shogunate perished and the empire was born again in 1868. And the shoguns you may care to know were that mighty line of feodal chieftains who had usurped the throne from the time of Yoritomo, to that of Keiki. For all these years the imperial power had rioted at Yedo, in the hands of two generals, while the emperor, a prisoner in his palace-hermitage in Kyoto, had been but the high priest of his people.
They are there yet, at Jokoji, to the last man, Saigo and his gallant rebels, in a great trench, without their heads, a warning to future rebels.
After that other word--Jokoji--Arisuga was chosen.
Observe that they finally took him because of his father--though he died a rebel. Indeed, those old insurgents, of 1868, are gradually being canonized with crimson death-names, because they neither knew dishonor, no, nor suffered it.
THE FLYING OF THE AUGUST CARP
II
THE FLYING OF THE AUGUST CARP
There was a time, of course, when Shijiro was too young to think of being a soldier--save of the tin-sworded and cocked-hatted kind. And it must be confessed, nay, it was confessed, by his uncles with profound sorrow, that he cared little enough for even that. It is quite true that lighted paper lanterns gleaming in the night, and morning glories with first sun on them, and his small samisen, pleased him more. All this was quite heinous to his samurai uncles and they did what they could to correct it and instil into the little mind of the boy that love for the glory of combat which they had. But, as often happens, their care and their prayers availed them nothing, while their carelessness and their repinings availed much. Of that I shall stop and tell: the picture--the flying of the carp--how all the life of the little boy was changed in one night,--so that he thought no more of Yone, the lanterns and the flowers, but only of being a soldier.