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She stared without comprehension, and he varied his symbolism. "Your home, then?" he pantomimed the act of sleeping.

The result was the same, simply a troubled look from her glorious eyes.

"Now what the devil!" he muttered. "You have a name, haven't you? A name? Look!" He tapped his chest. "Alan. Get it? Alan. Alan."

That she understood instantly. "Alan," she repeated dutifully, looking up at him.

But when he attempted to make her assign a name to herself, he failed utterly. The only effect of his efforts was a deepening of the perplexity in her features. He reverted, at last, to the effort to make her indicate in some fashion the place of her home and people, varying his gestures in every way he could devise. And at last she seemed to comprehend.

She rose doubtfully to her feet and uttered a strange, low, mournful cry. It was answered instantly from the brush, and Carver stiffened as he saw the emergence of that same motley pack of nondescript beings. They must have been watching, lurking just beyond view. Again they circled the two slain members as they advanced.

Carver whipped out his revolver. His movement was followed by a wail of anguish from the girl, who flung herself before him, arms outspread as if to shield the wild pack from the menace of the weapon. She faced him fearfully, yet defiantly, and there was puzzled questioning in her face as well. It was as if she accused the man of ordering her to summon her companions only to threaten them with death.

He stared. "O.K.," he said at last. "What's a couple of rare specimens on an island that's covered with 'em? Send 'em away."

She obeyed his gesture of command. The weird pack slunk silently from view, and the girl backed hesitantly away as if to follow them, but halted abruptly at Carver's word. Her attitude was a curious one, partly fear, but more largely composed, it seemed, of a sort of fascination, as if she did not quite understand the zoologist's nature.

This was a feeling he shared to a certain extent, for there was certainly something mysterious in encountering a white girl on this mad Austin Island. It was as if there were one specimen, and only one, of every species in the world here on this tiny islet, and she were the representative of humanity. But still he frowned perplexedly into her wild, amber eyes.

It occurred to him again that on the part of Austin he had traversed he had seen no two creatures alike. Was this girl, too, a mutant, a variant of some species other than human, who had through mere chance adopted a perfect human form? As, for instance, the doglike cat whose body still lay on the sand where he had flung it. Was she, perhaps, the sole representative of the human form on the island, Eve before Adam, in the garden? There had been a woman before Adam, he mused.

"We'll call you Lilith," he said thoughtfully. The name fitted her wild, perfect features and her flame-hued eyes. Lilith, the mysterious being whom Adam found before him in Paradise, before Eve was created. "Lilith," he repeated. "Alan--Lilith. See?"

She echoed the sounds and the gesture. Without question she accepted the name he had given her, and that she understood the sound as a name was evident by her response to it. For when he uttered it a few minutes later, her amber eyes flashed instantly to his face and remained in a silent question.

Carver laughed and resumed his puzzled thoughts. Reflectively, he produced his pipe and packed it, then struck a match and lighted it. He was startled by a low cry from the girl Lilith, and looked up to see her extended hand. For a moment he failed to perceive what she sought, and then her fingers closed around the hissing stem of the match! She had tried to seize the flame as one takes a fluttering bit of cloth.

She screamed in pain and fright. At once the pack of nondescripts appeared at the edge of the forest, voicing their howls of anger, and Carver whirled again to meet them. But again Lilith, recovering from the surprise of the burn, halted the pack with her voice, and sent them slinking away into the shadows. She sucked her scorched fingers and turned widened eyes to his face. He realized with a start of disbelief that the girl did not comprehend fire!

There was a bottle of alcohol in the box of equipment; he produced it and, taking Lilith's hand, bound a moistened strip of handkerchief about her two blistered fingers, though he knew well enough that alcohol was a poor remedy for burns. He applied the disinfectant to the bullet graze on her knee; she moaned softly at the sting, then smiled as it lessened, while her strange amber eyes followed fixedly the puffs of smoke from his pipe, and her nostrils quivered to the pungent tobacco odor.

"Now what," queried Carver, smoking reflectively, "am I going to do with you?"

Lilith had apparently no suggestion. She simply continued her wide-eyed regard.

"At least," he resumed, "you ought to know what's good to eat on this crazy island. You do eat, don't you?" He pantomimed the act.

The girl understood instantly. She rose, stepped to the spot where the body of the doglike cat lay, and seemed for an instant to sniff its scent. Then she removed the wooden knife from her girdle, placed one bare foot upon the body, and hacked and tore a strip of flesh from it. She extended the bloody chunk to him, and was obviously surprised at his gesture of refusal.

After a moment she withdrew it, glanced again at his face, and set her own small white teeth in the meat. Carver noted with interest how daintily she managed even that difficult maneuver, so that her soft lips were not stained by the slightest drop of blood.

But his own hunger was unappeased. He frowned over the problem of conveying his meaning, but at last hit upon a means. "Lilith!" he said sharply. Her eyes flashed at once to him. He indicated the meat she held, then waved at the mysterious line of trees. "Fruit," he said. "Tree meat. See?" He went through the motions of eating.

Again the girl understood instantly. It was odd, he mused, how readily she comprehended some things, while others equally simple seemed utterly beyond her. Queer, as everything on Austin Island was queer. Was Lilith, after all, entirely human? He followed her to the tree line, stealing a sidelong look at her wild, flame-colored eyes, and her features, beautiful, but untamed, dryadlike, elfin--wild.

She scrambled up the crumbling embankment and seemed to vanish magically into the shadows. For a moment Carver felt a surge of alarm as he clambered desperately after her; she could elude him here as easily as if she were indeed a shadow herself. True, he had no moral right to restrain her, save the hardly tenable one given by her attack; but he did not want to lose her--not yet. Or perhaps not at all.

"Lilith!" he shouted as he topped the cliff.

She appeared almost at his elbow. Above them twined a curious vine like a creeping conifer of some kind, bearing white-greenish fruits the size and shape of a pullet's egg. Lilith seized one, halved it with agile fingers, and raised a portion to her nostrils. She sniffed carefully, daintily, then flung the fruit away.

"Pah bo!" she said, wrinkling her nose distastefully.

She found another sort of queerly unprepossessing fruit composed of five finger-like protuberances from a fibrous disk, so that the whole bore the appearance of a large, malformed hand. This she sniffed as carefully as she had the other, then smiled sidewise up at him.

"Bo!" she said, extending it.

Carver hesitated. After all, it was not much more than an hour ago that the girl had been trying to kill him. Was it not entirely possible that she was now pursuing the same end, offering him a poisonous fruit?

She shook the unpleasantly bulbous object. "Bo!" she repeated, and then, exactly as if she understood his hesitancy, she broke off one of the fingers and thrust it into her own mouth. She smiled at him.

"Good enough, Lilith." He grinned, taking the remainder.

It was much pleasanter to the tongue than to the eye. The pulp had a tart sweetness that was vaguely familiar to him, but he could not quite identify the taste. Nevertheless, encouraged by Lilith's example, he ate until his hunger was appeased.

The encounter with Lilith and her wild pack had wiped out thoughts of his mission. Striding back toward the beach he frowned, remembering that he was here as Alan Carver, zoologist, and in no other role. Yet--where could he begin? He was here to classify and to take specimens, but what was he to do on a mad island where every creature was of an unknown variety? There was no possibility of classification here, because there were no classes. There was only one of everything--or so it appeared.

Rather than set about a task futile on the very face of it, Carver turned his thoughts another way. Somewhere on Austin was the secret of this riotous disorder, and it seemed better to seek the ultimate key than to fritter away his time at the endless task of classifying. He would explore the island. Some strange volcanic gas, he mused vaguely, or some queer radioactive deposit--analogous to Morgan's experiments with X-rays on germ plasm. Or--or something else. There must be some answer.

"Come on, Lilith," he ordered, and set off toward the west, where the hill seemed to be higher than the opposing eminence at the island's eastern extremity.

The girl followed with her accustomed obedience, with her honey-hued eyes fastened on Carver in that curious mixture of fear, wonder, and--perhaps--a dawning light of worship.

The zoologist was not too preoccupied with the accumulation of mysteries to glance occasionally at the wild beauty of her face, and once he caught himself trying to picture her in civilized attire--her mahogany hair confined under one of the current tiny hats, her lithe body sheathed in finer textile than the dried and cracking skin she wore, her feet in dainty leather, and her ankles in chiffon. He scowled and thrust the visualization away, but whether because it seemed too anomalous or too attractive he did not trouble to analyze.

He turned up the slope. Austin was heavily wooded, like the Aucklands, but progress was easy, for it was through a forest, not a jungle. A mad forest, true enough, but still comparatively clear of underbrush.

A shadow flickered, then another. But the first was only a queen's pigeon, erecting its glorious feather crest, and the second only an owl parrot. The birds on Austin were normal; they were simply the ordinary feathered life of the southern seas. Why? Because they were mobile; they traveled, or were blown by storms, from island to island.

It was mid-afternoon before Carver reached the peak, where a solemn outcropping of black basalt rose treeless, like a forester's watchtower. He clambered up its eroded sides and stood with Lilith beside him, gazing out across the central valley of Austin Island to the hill at the eastern point, rising until its peak nearly matched their own.

Between sprawled the wild forest, in whose depths blue-green shadows shifted in the breeze like squalls visible here and there on the surface of a calm lake. Some sort of soaring bird circled below, and far away, in the very center of the valley, was the sparkle of water. That, he knew must be the rivulet he had already visited. But nowhere--nowhere at all--was there any sign of human occupation to account for the presence of Lilith--no smoke, no clearing, nothing.

The girl touched his arm timidly, and gestured toward the opposite hill.

"Pah bo!" she said tremulously. It must have been quite obvious to her that he failed to understand, for she amplified the phrase. "R-r-r-r!" she growled, drawing her perfect lips into an imitation of a snarl. "Pah bo, lay shot." She pointed again toward the east.

Was she trying to tell him that some fierce beasts dwelt in that region? Carver could not interpret her symbolism in any other way, and the phrase she had used was the same she had applied to the poisonous fruit.

He narrowed his eyes as he gazed intently toward the eastern eminence, then started. There was something, not on the opposing hill, but down near the flash of water midway between.

At his side hung the prism binoculars he used for identifying birds. He swung the instrument to his eyes. What he saw, still not clearly enough for certainty, was a mound or structure, vine-grown and irregular. But it might be the roofless walls of a ruined cottage.

The sun was sliding westward. Too late in the day now for exploration, but to-morrow would do. He marked the place of the mound in his memory, then scrambled down.

As darkness approached, Lilith began to evince a curious reluctance to move eastward, hanging back, sometimes dragging timidly at his arm. Twice she said "No, no!" and Carver wondered whether the word was part of her vocabulary or whether she had acquired it from him. Heaven knew, he reflected amusedly, that he had used the word often enough, as one might use it to a child.

He was hungry again, despite the occasional fruits Lilith had plucked for him. On the beach he shot a magnificent Cygnus Atratus, a black Australian swan, and carried it with its head dragging, while Lilith, awed by the shot, followed him now without objection.

He strode along the beach to his box; not that that stretch was any more desirable than the next, but if Kolu and Malloa were to return, or were to guide a rescue expedition from the Fortune, that was the spot they'd seek first.

He gathered driftwood, and, just as darkness fell, lighted a fire.

He grinned at Lilith's start of panic and her low "O-o-oh!" of sheer terror as the blaze of the match caught and spread. She remembered her scorched fingers, doubtless, and she circled warily around the flames, to crouch behind him where he sat plucking and cleaning the great bird.

She was obviously quite uncomprehending as he pierced the fowl with a spit and set about roasting it, but he smiled at the manner in which her sensitive nostrils twitched at the combined odor of burning wood and cooking meat.

When it was done, he cut her a portion of the flesh, rich and fat like roast goose, and he smiled again at her bewilderment. She ate it, but very gingerly, puzzled alike by the heat and the altered taste; beyond question she would have preferred it raw and bleeding. When she had finished, she scrubbed the grease very daintily from her fingers with wet sand at a tidal pool.

Carver was puzzling again over what to do with her. He didn't want to lose her, yet he could hardly stay awake all night to guard her. There were the ropes that had lashed his case of supplies; he could, he supposed, tie her wrists and ankles; but somehow the idea appealed to him not at all. She was too naive, too trusting, too awe-struck and worshipful. And besides, savage or not, she was a white girl over whom he had no conceivable rightful authority.

At last he shrugged and grinned across the dying fire at Lilith, who had lost some of her fear of the leaping flames. "It's up to you," he remarked amiably. "I'd like you to stick around, but I won't insist on it."

She answered his smile with her own quick, flashing one, and the gleam of eyes exactly the color of the flames they mirrored, but she said nothing. Carver sprawled in the sand; it was cool enough to dull the activities of the troublesome sand fleas, and after a while he slept.

His rest was decidedly intermittent. The wild chorus of night sounds disturbed him again with its strangeness, and he woke to see Lilith staring fixedly into the fire's dying embers. Some time later he awakened again; now the fire was quite extinct, but Lilith was standing. While he watched her silently, she turned toward the forest. His heart sank; she was leaving.

But she paused. She bent over something dark--the body of one of the creatures he had shot. The big one, it was; he saw her struggle to lift it, and, finding the weight too great, drag it laboriously to the coral spit and roll it into the sea.

Slowly she returned; she gathered the smaller body into her arms and repeated the act, standing motionless for long minutes over the black water. When she returned once more she faced the rising moon for a moment, and he saw her eyes glistening with tears. He knew he had witnessed a burial.

He watched her in silence. She dropped to the sand near the black smear of ashes; but she seemed in no need of sleep. She stared so fixedly and so apprehensively toward the east that Carver felt a sense of foreboding. He was about to raise himself to sitting position when Lilith, as if arriving at a decision after long pondering, suddenly sprang to her feet and darted across the sand to the trees.

Startled, he stared into the shadows, and out of them drifted that same odd call he had heard before. He strained his ears, and was certain he heard a faint yelping among the trees. She had summoned her pack. Carver drew his revolver quietly from its holster and half rose on his arm.

Lilith reappeared. Behind her, darker shadows against the shadowy growths, lurked wild forms, and Carver's hand tightened on the grip of his revolver.

But there was no attack. The girl uttered a low command of some sort, the slinking shadows vanished, and she returned alone to her place on the sand.

The zoologist could see her face, silver-pale in the moonlight, as she glanced at him, but he lay still in apparent slumber, and Lilith, after a moment, seemed ready to imitate him. The apprehension had vanished from her features; she was calmer, more confident. Carver realized why, suddenly; she had set her pack to guard against whatever danger threatened from the east.

Dawn roused him. Lilith was still sleeping, curled like a child on the sand, and for some time he stood gazing down at her. She was very beautiful, and now, with her tawny eyes closed, she seemed much less mysterious; she seemed no island nymph or dryad, but simply a lovely, savage, primitive girl. Yet he knew---or he was beginning to suspect--the mad truth about Austin Island. If the truth were what he feared, then he might as well fall in love with a sphinx, or a mermaid, or a female centaur, as with Lilith.

He steeled himself. "Lilith!" he called gruffly.

She awoke with a start of terror. For a moment she faced him with sheer panic in her eyes; then she remembered, gasped, and smiled tremulously. Her smile made it very hard for him to remember what it was that he feared in her, for she looked beautifully and appealingly human save for her wild, flame-colored eyes, and even what he fancied he saw in those might be but his own imagining.

She followed him toward the trees. There was no sign of her bestial bodyguards, though Carver suspected their nearness. He breakfasted again on fruits chosen by Lilith, selected unerringly, from the almost infinite variety, by her delicate nostrils. Carver mused interestedly that smell seemed to be the one means of identifying genera on this insane island.

Smell is chemical in nature. Chemical differences meant glandular ones, and glandular differences, in the last analysis, probably accounted for racial ones. Very likely the differences between a cat, say, and a dog was, in the ultimate sense, a glandular difference. He scowled at the thought and stared narrowly at Lilith; but, peer as he might, she seemed neither more nor less than an unusually lovely little savage--except for her eyes.

He was moving toward the eastern part of the island, intending to follow the brook to the site of the ruined cabin, if it was a ruined cabin. Again he noted the girl's nervousness as they approached the stream that nearly bisected this part of the valley. Certainly, unless her fears were sheer superstition, there was something dangerous there. He examined his gun again, then strode on.

At the bank of the brook Lilith began to present difficulties. She snatched his arm and tugged him back, wailing, "No, no, no!" in frightened repetition.

When he glanced at her in impatient questioning, she could only repeat her phrase of yesterday. "Lay shot" she said, anxiously and fearfully. "Lay shot!"

"Humph!" he growled. "A cannon's the only bird I ever heard of that could--" He turned to follow the watercourse into the forest.

Lilith hung back. She could not bring herself to follow him there. For an instant he paused, looking back at her slim loveliness, then turned and strode on. Better that she remained where she was. Better if he never saw her again, for she was too beautiful for close proximity. Yet Heaven knew, he mused, that she looked human enough. But Lilith rebelled. Once she was certain that he was determined to go on, she gave a frightened cry. "Alan!" she called. "Al-an!"

He turned, astonished that she remembered his name, and found her darting to his side. She was pallid, horribly frightened, but she would not let him go alone.

Yet there was nothing to indicate that this region of the island was more dangerous than the rest. There was the same mad profusion of varieties of vegetation, the same unclassifiable leaves, fruits, and flowers. Only--or he imagined this--there were fewer birds.

One thing slowed their progress. At times the eastern bank of the rivulet seemed more open than their side, but Lilith steadfastly refused to permit him to cross. When he tried it, she clung so desperately and so violently to his arms that he at last yielded, and plowed his way through the underbrush on his own bank. It was as if the watercourse were a dividing line, a frontier, or--he frowned--a border.

By noon they had reached a point which Carver knew must be close indeed to the spot he sought. He peered through the tunnel that arched over the course of the brook, and there ahead, so overgrown that it blended perfectly with the forest wall, he saw it.

It was a cabin, or the remains of one. The log walls still stood, but the roof, doubtless of thatch, had long ago disintegrated. But what struck Carver first was the certainty, evident in design, in window openings, in doorway, that this was no native hut. It had been a white man's cabin of perhaps three rooms.

It stood on the eastern bank; but by now the brook had narrowed to a mere rill, gurgling from pool to tiny rapids. He sprang across, disregarding Lilith's anguished cry. But at a glimpse of her face he did pause. Her magnificent honey-hued eyes were wide with fear, while her lips were set in a tense little line of grimmest determination. She looked as an ancient martyr must have looked marching out to face the lions, as she stepped deliberately across to his side. It was almost as if she said, "If you are bound to die, then I will die beside you."

Yet within the crumbling walls there was nothing to inspire fear. There was no animal life at all, except a tiny, ratlike being that skittered out between the logs at their approach. Carver stared around him at the grassy and fern grown interior, at the remnants of decaying furniture and the fallen debris. It had been years since this place had known human occupants, a decade at the very least.

His foot struck something. He glanced down to see a human skull and a human femur in the grass. And then other bones, though none of them were in a natural position. Their former owner must have died there where the ruined cot sagged, and been dragged here by--well, by whatever it was that had feasted on human carrion.

He glanced sidewise at Lilith, but she was simply staring affrightedly toward the east. She had not noticed the bones, or if she had, they had meant nothing to her. Carver poked gingerly among them for some clue to the identity of the remains, but there was nothing save a corroded belt buckle. That, of course, was a little; it had been a man, and most probably a white man.

Most of the debris was inches deep in the accumulation of loam. He kicked among the fragments of what must once have been a cupboard, and again his foot struck something hard and round--no skull this time, but an ordinary jar.

He picked it up. It was sealed, and there was something in it. The cap was hopelessly stuck by the corrosion of years; Carver smashed the glass against a log. What he picked from the fragments was a notebook, yellowedged and brittle with time. He swore softly as a dozen leaves disintegrated in his hands, but what remained seemed stronger. He hunched down on the log and scanned the all-but-obliterated ink.

There was a date and a name. The name was Ambrose Callan, and the date was October 25th, 1921. He frowned. In 1921 he had been--let's see, he mused; fifteen years ago--he had been in grade school. Yet the name Ambrose Callan had a familiar ring to it.

He read more of the faded, written lines, then stared thoughtfully into space. That was the man, then. He remembered the Callan expedition because as a youngster he had been interested in far places, exploration, and adventure, as what youngster isn't? Professor Ambrose Callan of Northern; he began to remember that Morgan had based some of his work with artificial species--synthetic evolution--on Callan's observations.

But Morgan had only succeeded in creating a few new species of fruit fly, of Drosophila, by exposing germ plasm to hard X-rays. Nothing like this--this madhouse of Austin Island. He stole a look at the tense and fearful Lilith, and shuddered, for she seemed so lovely--and so human. He turned his eyes to the crumbling pages and read on, for here at last he was close to the secret.

He was startled by Lilith's sudden wail of terror. "Lay shot!" she cried. "Alan, lay shot!"

He followed her gesture, but saw nothing. Her eyes were doubtless sharper than his, yet--There! In the deep afternoon shadows of the forest something moved. For an instant he saw it clearly--a malevolent pygmy like the cat-eyed horror he had glimpsed drinking from the stream. Like it? No, the same; it must be the same, for here on Austin no creature resembled another, nor ever could, save by the wildest of chances.

The creature vanished before he could draw his weapon, but in the shadows lurked other figures, other eyes that seemed alight with nonhuman intelligence. He fired, and a curious squawling cry came back, and it seemed to him that the forms receded for a time. But they came again, and he saw without surprise the nightmare horde of creatures.

He stuffed the notebook in his pocket and seized Lilith's wrist, for she stood as if paralyzed by horror. He backed away out of the doorless entrance, over the narrow brook. The girl seemed dazed, half hypnotized by the glimpses of the things that followed them. Her eyes were wide with fear, and she stumbled after him unseeing. He sent another shot into the shadows.

That seemed to rouse Lilith. "Lay shot!" she whimpered, then gathered her self-control. She uttered her curious call, and somewhere it was answered, and yet further off, answered again.

Her pack was gathering for her defense, and Carver felt a surge of apprehension for his own position. Might he not be caught between two enemies?

He never forgot that retreat down the course of the little stream. Only delirium itself could duplicate the wild battles he witnessed, the unearthly screaming, the death grips of creatures not quite natural, things that fought with the mad frenzy of freaks and outcasts. He and Lilith must have been slain immediately save for the intervention of her pack; they slunk out of the shadows with low, bestial noises, circling Carver cautiously, but betraying no scrap of caution against--the other things.

He saw or sensed something that had almost escaped him before. Despite their forms, whatever their appearance happened to be, Lilith's pack was doglike. Not in looks, certainly; it was far deeper than that. In nature, in character; that was it.

And their enemies, wild creatures of nightmare though they were, had something feline about them. Not in appearance, no more than the others, but in character and actions. Their method of fighting, for instance--all but silent, with deadly claw and needle teeth, none of the fencing of canine nature, but with the leap and talons of feline. But their aspect, their--their catness was more submerged by their outward appearance, for they ranged from the semi-human form of the little demon of the brook to ophidian-headed things as heavy and lithe as a panther. And they fought with a ferocity and intelligence that was itself abnormal.

Carver's gun helped. He fired when he had any visible target, which was none too often; but his occasional hits seemed to instill respect into his adversaries.

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