He came out into the night again, his lungs burning from the smoke. It was rolling now, billows of it, as it fed on old wood, dust, and hay. The grass by one of the sheds was already flickering with fiery dewdrops. He searched the sheds and found them empty, bales of hay waiting in them for the match to come.
The air was thick, heavy. He could hear horses in the distance, neighing shrilly in alarm. Hamish was telling him to go, to hurry.
The sound of the flames was greedy now, soaring into the night on a pillar of black smoke and sparks.
Rutledge hesitated, yet he knew he could do nothing for the barn. There was nothing one man-or an army of men-might do as the flames fed hungrily on the hay and then jumped to the dry, old wood of stalls and pillars and walls. He stood staring at it in despair, knowing what its destruction would mean to Aurore.
Finally retrieving the suitcase from the porch where he'd left it, he turned and hurried back down the drive to his car.
Wherever Simon was, he had to find him. He had the strongest feeling that it was already too late. But he had to try. To live with himself, he had to try.
But there was no sign of Wyatt on the road, and Rutledge thought as he coughed raggedly, I couldn't have missed him coming here-the fire wasn't that far along when I arrived. He must have taken a shortcut from here to Charlbury-he must have come out somewhere near the church where no one would see him. He's ahead of me!
Driving very fast now, his headlamps probing the darkness, he made the trip to Charlbury in a matter of minutes.
The Wyatt house was alight, not with fire but with lamps. He braked hard, skidding to a halt, and was out of the car almost as soon as the engine stopped.
Aurore was in the front garden, her face wild with fear.
"Simon isn't in the house," she said. "I can't find him, I've looked everywhere. Oh, God-can you see those flames? We must do something-Jimson-"
"Jimson's safe. Simon was at the farm-he set the barn to burn, Aurore. It will be gone in a short time. But he wasn't there, nor was Jimson. And the cattle, the horses are safe. There's nothing that can be done."
But the fire bell by the common was ringing loudly, and men, stuffing nightshirts into trousers, were gathering by the inn and piling into carts, wagons, whatever they could find, throwing buckets among the packed bodies. Rutledge caught sight of Jimson among them, yelling fiercely.
"He burned-but why! why!" Aurore ignored the chaos, her mind only on Simon.
Rutledge said, "The suitcase. He wanted to destroy it and anything else that might have been left there, any evidence that could still be found. It was the only thing he could think of doing before Hildebrand came tomorrow. Aurore, you must tell me now, where did you find that straw hat?"
"The suitcase-Margaret's?" She was very still. "I don't understand."
"It was hidden in the church, Aurore. Henry knew about the hiding place there, and Simon. Simon went to fetch it tonight. You hadn't destroyed it, had you? If you lied about that, you lied about the hat-"
Elizabeth Napier had come to the door. "I heard voices-is that you, Simon?" She peered out into the garden, seeing only the tall man beside Aurore.
"No, it's Rutledge."
"I smell smoke!" she exclaimed as she stepped out the door. Her voice was still rough. She turned in the direction that men and wagons were moving up the road and saw the distant flames leaping into the night sky. "My God!"
"It's the farm, there'6 nothing we can do. I don't know where Simon is. Elizabeth, did he know of hiding places in the church? Behind the old altar, for one, under the altar cloth? The one that Henry used as a boy? Who else did?"
"We were never allowed to play there-I've never heard of a hiding place. Has Simon already gone to try to save the farm buildings? We ought to be there, helping him! Be quick, Aurore, we need the car!" She started down the walk.
"There's a suitcase in the back of my car. Will you look at it and tell me if you recognize it?" The hurrying men had disappeared, but there were clots of women near the Wyatt Arms, some staring toward the fire, some of them packing another wagon with picks, shovels, buckets, a barrel of ale.
Aurore began to move, but he gripped her arm, holding it firmly.
Elizabeth said, "I'm not interested interested in suitcases! Why isn't Benson here when I need him? Will you take me, Aurore, or not-" in suitcases! Why isn't Benson here when I need him? Will you take me, Aurore, or not-"
"Please do as I ask." There was an inflection in his voice that stopped the flow of words as if they'd been cut off. She stared at him, surprised by his intensity.
Then she moved through the gate and turned to look at Rutledge again with an expression that was hard to read-anger he thought, because her primary concern was still Simon. But it was his as well. But it was his as well. She went on to the car. She went on to the car.
After a moment she called in surprise, "I know that case! That's Margaret's! Where on earth did you find it? I thought the killer had taken it?"
"You're absolutely sure of that? It belonged to her?"
"Of course I am! My father gave her this case for her birthday two years ago. It's part of a set." She turned and said, with sudden understanding, "It means you know who killed her, doesn't it?"
"I think, Miss Napier, that you'd better go back into the house and telephone Inspector Hildebrand in Singleton Magna. Tell him, please, that he's wanted here. That there's an emergency. Meanwhile, Aurore, you must help me find Simon!"
Elizabeth stepped away from the car and looked at him with fierce passion. "What's happened? Why won't you tell me! Aurore, make him tell me! make him tell me!"
Aurore opened her mouth to say something just as the silence was shattered by the sound of a gunshot coming from the direction of the museum.
"Oh, God-" She was already running, fleet as a wraith, her skirts lifted, her body tense with fear and terror.
Elizabeth screamed, one long heart-tearing sound, a name, and was after her in a flash of skirts and flying heels.
But Rutledge, swifter, was there ahead of them, at the door of the museum, opening it, rushing into the empty room, and then the next and the next, until he'd reached the small office that Simon had used.
At the door he came to such an abrupt halt that Aurore cannoned into him, and Elizabeth was a poor third, pressing at their backs, calling Simon's name.
"Don't come any closer!" he said, putting out an arm to stop Aurore.
"No, I must go to him, I've had training, I can-oh, God, let me go!"
Elizabeth, pushing her way past both of them, reached the threshold, and for an instant Rutledge thought she was about to faint. She swayed on her feet, grasped the door's edge, and began to whimper with soft, short breaths.
Aurore broke away and went into the room.
Rutledge knew what it held. He had seen. In that one brief, anguished glance, he had seen it all in the lamplight. Simon Wyatt, seated at the desk, a sheet of paper on the top in front of him, a pen beside it, and his blood blown across it by the impact of the bullet to his temple. The pistol on the floor beside his chair was German, a war souvenir.
The Germans, Rutledge thought helplessly, had got him after all.
And Hamish, aware of the grief and the pain and the horror of what had happened, said, "Look well. See yoursel'. If it's no' the Germans waiting, it will be me."
Rutledge stood there for an instant, frozen, seeing in his mind's eye his own shattered face lying on one arm out-flung across the bare wood.
27.
Rutledge made himself walk into the room and look at the sheet of paper under Simon's arm, although he had guessed what was written on it. It was addressed to Hildebrand. It said only, "You were wrong. I blacked out and killed them both. She didn't know. It is better this way." And the signature read, with a flourish, Simon Wyatt. Simon Wyatt.
Rutledge softly swore, the waste of a man's life shocking him.
Aurore was kneeling beside her husband, her arm across his shoulder, saying "He's still warm, there must be a pulse, if I can stop the bleeding-"
Elizabeth was clinging to the door frame, sobbing heavily, her eyes unable to look away.
Rutledge bent to Aurore, touched her shining hair briefly, gently, then forced her to let Simon go, lifting her to her feet, turning her to face him. "He's dead, Aurore. He's dead, there's nothing you can do."
She buried her face against him then, and he thought she was going to cry, like Elizabeth. But she was only searching for strength, her body at the point of breaking, her mind already broken.
She said, "I was so afraid. I was so afraid that one day-And now I'll never need to be afraid again."
She let him lead her out of the room but seemed unaware of the chair he seated her on or the handkerchief he thrust into her hands.
Elizabeth refused to go, clinging to the door, her eyes unable to leave the crumpled shoulders, the untidy fair hair, the great black stain of blood.
Rutledge finally got her to move back into the museum, and that was when she straightened, seeming to tower in her anger, and loosed the storm of it at Aurore.
"It's your fault, you killed him! killed him! You took him away from all he knew and all he wanted, and made him into what You took him away from all he knew and all he wanted, and made him into what you you believed he ought to be, and in the end, it killed him. He needn't have died but for you and your damned, selfish believed he ought to be, and in the end, it killed him. He needn't have died but for you and your damned, selfish blindness! blindness! I hope you're satisfied, I hope his spirit haunts you every day of life and breath left to you and that you never, never, know what happiness is, ever again!" I hope you're satisfied, I hope his spirit haunts you every day of life and breath left to you and that you never, never, know what happiness is, ever again!"
Rutledge went to her and shook her hard, until she broke into tears again and sank in the chair he quickly shoved toward her. Burying her head in her hands, she began to moan Simon's name, over and over, like a litany.
Aurore, white and strained, still hadn't cried. She looked up at Rutledge, her eyes filled with ineffable pain, and said only, "He didn't do it."
"You thought he had. He thought you had. He killed himself because he couldn't face losing you, he couldn't face the scandal, he couldn't face another change in his life. He was trying to protect you."
"Hildebrand came to him today-"
"I don't know how Simon knew of the suitcase. Whether he put it there-or found it there. If it's any comfort to you-"
He broke off as the door opened and Joanna Daulton came through the outer rooms toward them. Her hair still pinned up, the white streak like a blazon, but she was wearing a robe over her nightdress. She looked from Aurore to Elizabeth, saying something about the fire, and then seemed to shrink into herself as she took in what their faces told her as they lifted to hers. "Simon?" she asked Rutledge. "Gentle God! Where!"
He nodded toward the back room, then said, "Don't go."
She walked past him without a word and into the small office, staying only for a moment. He thought he heard her saying words of prayer from the service for the dead. Then she turned, her face chalk white, and said, "What can I do?"
"Will you call Hildebrand for me? Ask him to come directly. And then if you would, you might find some help for Miss Napier and Mrs. Wyatt. I think both have been through enough for one night. They need tea, warmth-comfort."
"I'll see to it," she said, but some of her usual efficient crispness was gone. "I loved him," she added simply, "I watched him grow from childhood. I thought, if I had another son, that's what I'd want him to be. Someone like Simon." She shook her head, as if to clear it. "I hope he's at rest-I hope he's at peace!" Her voice broke, and she went out the door, leaving him with the two women while she made the necessary arrangements.
Aurore said, "This has changed nothing in our bargain. I will not have this put at Simon's door. Do you hear me?" It was as if she hadn't taken in what he'd been saying earlier.
"Aurore-"
"No. He will not be remembered as a murderer. If there is a paper saying so in that room, please, for the love of God, destroy it. Don't let it destroy him!"
"I can't destroy evidence!"
"Then I will."
She got to her feet and was nearly to the door of the smaller room before he caught her, his hands on her arms.
"Aurore. Listen to me. It isn't over yet. Give me time! If you destroy that letter, you will probably hang. And he died to prevent that. Can you understand me?"
"He died because he couldn't endure any more pressure from anyone."
He made a swift and measured decision. "Come with me. Back to the house. I must lock this wing until Hildebrand arrives." He took Elizabeth's arm, supporting her, while Aurore-Aurore the widow-walked unaided by his side, one foot placed precisely in front of the other, as if she were half alive. It was always the Elizabeths of this world, he thought in a distant corner of his mind, around whom people gathered in a crisis, offering sympathy and comfort and human warmth. They seemed so vulnerable and helpless. And yet the Elizabeths were often tougher than all the rest, more deeply centered on how the crisis deprived them than moved by unbearable grief. How did you comfort Aurore, when you knew that even touching her was anathema? That beneath the incredible strength lay stark despair.
He locked the museum door with the key he found there and escorted both women across the front gardens. The side of his face was beginning to hurt, where the flames had seared it.
By the time they reached the house, Elizabeth was near to collapse. That spoke volumes to Rutledge-he understood clearly what she had done-and how it would affect the remainder of her life. And so did she. Simon's death lay at her door as much as at Hildebrand's. If she hadn't meddled-if she hadn't tried to bring him back to her somehow-anyhow-again and again ...
When Elizabeth had been settled on the sofa in the quiet parlor, a pillow under her head and the light shielded with a shawl, he turned toward the door.
Aurore said, "Where are you going? I want to know. I want to go with you."
"I'm not going to London. Only as far as the church. I want to see this hiding place. Aurore, tell me the truth. You found the hat, didn't you? Where?"
She shook her head, stubbornly adhering to the story she'd given him.
And she stubbornly followed Rutledge to the church, as if afraid he'd leave her, breaking their bargain. Or afraid that left alone, she couldn't hide from grief any longer?
Inside, the candles still burned and the odor of incense was very strong. It took him some time to find the stairs to the crypt, hidden in a corner of a side aisle. As Simon had done before, he took a candle to light his way down the narrow, crumbling steps and into the cool stone chamber that had once been a small church, its heavy pillars squat, its arches broad and ugly rather than graceful. Sturdy, strong enough to support the building that had been put up over it, windowless and bare, almost spiritually bleak, the crypt now served to house the dead. Wyatts for the most part, but there were others as well, he could see eight or ten tombs spaced unevenly around two walls, leaving the center of the stone-paved floor empty.
Along the other walls were stored a broken pew, bits of stone from rebuilding, boxes of hymnals, shovels and picks for digging graves, containers for flowers, lengths of canvas, buckets-all the oddments of death and burial. You could see, he thought, that nothing could be hidden among or behind them.
Neither he nor Aurore had spoken.
At one end of the crypt was a stone altar with no grace. A monolithic slab with a vine pattern running around it set upon three square, heavy stones. An altar cloth, thin from damp and age, draped the stones, covering them to the floor. In the center of the top was a squat stone cross, powerful in its roughness. A bronze vase, empty, stood to one side, as if waiting for flowers. And under the altar cloth, as it hung like a tent, was a narrow three-sided rectangle, the back open.
He went there and knelt on one knee to look more closely at it. It yawned, empty.
The dark space was large enough for a suitcase like Margaret Tarlton's, or for a small boy gleefully escaping from adult supervision. But who had put the suitcase in there?
He thought he had part of the answer now. He felt heavy with sadness.
Aurore was just behind him, staying close in the pale light of her own candle, her breath uneven, as if the place disturbed her. He thought she might be sorry she had come now. But she stooped to look at the small space too and then gasped as another voice spoke. It seemed to rise from the ground under their feet, although that was a trick of the echo.
It was Henry, on the stairs, saying, "My mother told me about Simon. I'm sorry. She's very upset, she feels responsible." He didn't have a candle.
Yes, she would, Rutledge thought. The final tragedy in her life.
Rutledge straightened up and came across the uneven floor toward Henry. "Was this your hiding place? Was this the place from which Simon Wyatt took the suitcase tonight?"
Henry said, "I'd rather not tell you. Let the dead lie in peace."
"It will help Simon. He isn't guilty; neither is Aurore."
Henry frowned, a move that emphasized the deep scar. "But it will harm someone else, won't it? It will hurt me."