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He started to put a hand over his heart, once again offended. But he stopped in mid-gesture.

"They say a lot of things. The fact is, there came a moment when, well..." He looked at me the way a Jehovah's Witness looks at a doorbell. "... I had other concerns. The Mexicana's case was at a standstill."

"You mean the money had run out."

"The little there was, yes. Run out."

"And so you stopped representing her."

"Look ..." He showed me the palms of his hands, raising them slightly, as though that were a guarantee. "This is how I earn my living. I couldn't afford to work for free-that's what court-appointed lawyers are for. Besides, I repeat that it was simply not possible to know .. ."

"I understand. She didn't come around to settle the score later?"

He became lost in the contemplation of his glass on the glass top of the table. My question did not seem to call up pleasant memories. Finally he shrugged in reply, and sat looking at me.

"But later," I insisted, "you did did work for her again." work for her again."

Once more he put his hands in his jacket pockets and took them out again. A sip from the glass, and the hands again.

"Maybe I did," he finally admitted. "For a short period of time, and a long time ago. Then I refused to go on. I'm clean."

My information said otherwise, but I didn't argue. What I'd been told was that when she got out of prison, the Mexicana had grabbed him by the balls and squeezed them till Eddie did what she wanted him to do, and then she threw him out once he was no longer useful. Those were the words of the police chief of Torremolinos, Pepe Cabrera. "Mendoza had that bastard shitting bricks. To the last." And that phrase fit Eddie Alvarez like a glove. You could perfectly imagine him so scared he was shitting bricks, or anything else Teresa Mendoza told him to shit. "Tell him I sent you," Cabrera had said while we were eating in the sporty port city of Benalmadena. "That piece of shit owes me big-time, and he won't be able to say no. That affair of the container from London and the robbery at Heathrow, for example-just mention that and he'll be eating out of your hand. What you you get out of get out of him him is your business." is your business."

"She wasn't upset or anything, then," I persisted.

He looked at me with professional caution. "Why do you say that?" he asked.

"Punta Castor."

I figured he was calculating exactly how much I knew about what had happened. I didn't want to disappoint him. "The famous trap," I prodded. The word seemed to have a laxative effect.

"Bullshit," he said, squirming in his rattan-and-wicker chair, making it creak. "What do you know about traps?... That word is an exaggeration."

"That's why I'm here. So you can set the record straight."

"At this late stage of things, it can hardly matter," he replied, picking up his glass. "In that mess at Punta Castor, Teresa knew I had nothing to do with what Canabota and that sergeant in the Guardia Civil were planning. Afterward, she took the trouble to find all that out. And when my turn came . . . Well, I convinced her that I'd been an innocent bystander. And the fact that I'm still alive proves that I convinced her."

He turned thoughtful, tinkling the ice in his glass. He took a drink. "Despite the money lost on the paintings, Punta Castor, and all the rest..." he insisted, and he himself seemed surprised, "I'm still alive."

He took another drink. And then another. Apparently, all this remembering made him thirsty.

"Actually," he said, "no one ever went specifically after Santiago Fisterra. No one. Canabota just needed somebody to use as a decoy while the real cargo was unloaded someplace else. That was standard practice: they used the Gallego the way they might have used anybody else. Bad luck is all it was. He wasn't the type to flip if somebody slapped a pair of handcuffs on him. Plus he was from outside, he had that attitude of his, and he had very few friends in the Strait.... And there was that sergeant in the Guardia Civil that had got the idea in his head of doing the Gallego in. So they picked him." "And her," I suggested.

He squirmed and made the chair creak again, looking at the stairs to the terrace as though Teresa Mendoza were about to appear on them. A silence. Another drink. Then he straightened his glasses and said, "Unfortunately." Then he fell silent again. Another drink. Unfortunately, no one could have imagined the Mexicana would get where she got.

"So what happened to them afterward?... To Canabota and this Sergeant Velasco?"

The defiance lasted three seconds. He folded. You know as well as I do, You know as well as I do, his eyes said distrustfully. Anybody that reads the newspapers knows. But if you think it's me that's going to explain it to you, you've got another think coming. his eyes said distrustfully. Anybody that reads the newspapers knows. But if you think it's me that's going to explain it to you, you've got another think coming.

"I don't know anything about that." He made the gesture of zipping his mouth closed, looking mischievous and self-satisfied-the expression of a man who has remained standing longer than others of his acquaintance. I ordered coffee for me and another chocolate-colored whisky for him. From the city and the port came sounds muted by distance. An automobile was climbing the highway below the terrace, with a great deal of noise from its muffler, toward the peak of the Rock. I thought I saw a blond woman at the wheel, and a man in a sailor's jacket.

"Anyway," Eddie Alvarez went on, after considering the matter for a while, "all of that was later, when things changed and she decided to collect on her outstanding debts. .. . And listen, when she got out of El Puerto de Santa Maria, I figure all she was thinking about was disappearing from the world. I don't think she was ever ambitious, or a dreamer. . . . I'll wager she was never even truly vengeful. She just wanted to stay alive, that's all. Thing is, sometimes luck, after slapping you around for a while, decides to smile on you."

A group of men and women from Gibraltar occupied a neighboring table. Alvarez knew them, and he went over to say hello. That gave me the opportunity to study him from some remove: the obsequious way he smiled, shook hands, listened-like a man listening for clues to what he ought to say. A survivor, I told myself. The kind of slimy son of a bitch who survives, as another Eddie had described him-in this case Eddie Campello, also from Gibraltar, an old friend of mine and publisher of the local weekly Vox. Vox. "Doesn't even have the balls to double-cross you, our friend," said Campello when I asked about the relationship between the lawyer and Teresa Mendoza. "What happened at Punta Castor was Canabota and that sergeant from the Guardia Civil-Alvarez wasn't involved. He just pocketed the Gallego's money, and money didn't mean shit to that woman. The fact that she rescued that asshole and put him to work for her again is proof of that." "Doesn't even have the balls to double-cross you, our friend," said Campello when I asked about the relationship between the lawyer and Teresa Mendoza. "What happened at Punta Castor was Canabota and that sergeant from the Guardia Civil-Alvarez wasn't involved. He just pocketed the Gallego's money, and money didn't mean shit to that woman. The fact that she rescued that asshole and put him to work for her again is proof of that."

"And let me tell you"-Eddie Alvarez was back at our table-"I'd say that the Mexicana is still not vengeful. She's more ... I don't know. Maybe just practical, you see?... In her world, you don't leave loose ends."

Then he told me something interesting. "When they threw her into El Puerto, I went to the house that she and the Gallego had in Palmones, to liquidate everything and close it up. And you know what? She had gone to sea that night like so many other times, not knowing that it would be the last time. But she had everything all in order, in boxes, drawers, everything in its place. Even in the closets. That house could have passed an army inspection.

"More than cold-blooded calculation, ambition, or thirst for revenge"- Alvarez nodded, looking at me as though the drawers and boxes and closets explained everything-"I think it was a sense of symmetry."

She finished sweeping the wooden walkway, poured herself half a glass of tequila and filled the rest with orange juice, and then went to smoke a cigarette out on the end of the walk, shoeless, her feet half buried in the warm sand. The sun was still low, and its diagonal rays covered the beach with shadows from each wave or footprint, making the sandy expanse look like a landscape on the moon. Between the kiosk and the shoreline everything was clean and neat, awaiting the swimmers who would begin to arrive at mid-morning: two lounge chairs under each umbrella, carefully aligned by Teresa, with their blue-and-white-striped cushions shaken out and straightened. The air was calm, the sea was quiet, the water at the shore silent, and the early-morning sun shimmered with metallic orange splendor between the black silhouettes of the few passersby: retirees on their morning walks; a young couple with a dog; a solitary man looking out at the ocean, a fishing pole stuck into the sand beside him. And down toward the end of the beach and the orange glow, toward the east, behind the pines and the palm trees and the magnolias, Marbella, with the red-tile rooftops of its villas and its concrete-and-glass towers rising in the golden haze.

She savored her cigarette, undone and rerolled, as usual, with a little hashish. Tony, the manager of the stall, didn't like her to smoke anything but tobacco when he was around, but at this hour Tony hadn't arrived and the swimmers would be a while yet-it was the first few days of the season-so she could smoke in peace. And that tequila with orange juice, or vice versa, was terrific. She'd been here since eight this morning-coffee, no sugar, a piece of bread with olive oil, a donut-setting out the lounge chairs, sweeping the walkway, straightening tables and chairs, and ahead of her she still had a day of work identical to yesterday's and the day before's: dirty glasses behind the counter, and at the bar and the tables lemon slushes, juices, iced coffees, Cuba fibres, mineral waters, her head splitting and her shirt drenched with sweat, under the palm-thatch roof the sun filtered through. The heavy, humid atmosphere reminded her of Altata in the summer, but with more people and more smell of suntan lotion.

And she had to be alert, too, to the demands of the customers: I ordered this with no ice, Listen, hey, I ordered this with lemon and ice, Don't tell me you don't have any Fanta, You gave it to me sparkling and I ordered it still. Chingale. Chingale. These fucking Spaniards and gringos summering here with their flowered shorts and red greasy skins and sunglasses, their screaming kids and their bodies spilling out of their bathing suits and T-shirts and pareos- they were much worse, much more self-centered and inconsiderate, than the customers that frequented Dris Larbi's puti-clubs. Teresa spent twelve hours a day with these people, back and forth, with no time even to sit down for ten minutes, the recently healed fracture in her arm aching from the weight of the drink-laden tray, her hair in two braids and a kerchief around her forehead to keep the sweat out of her eyes. And always with Tony watching her suspiciously. These fucking Spaniards and gringos summering here with their flowered shorts and red greasy skins and sunglasses, their screaming kids and their bodies spilling out of their bathing suits and T-shirts and pareos- they were much worse, much more self-centered and inconsiderate, than the customers that frequented Dris Larbi's puti-clubs. Teresa spent twelve hours a day with these people, back and forth, with no time even to sit down for ten minutes, the recently healed fracture in her arm aching from the weight of the drink-laden tray, her hair in two braids and a kerchief around her forehead to keep the sweat out of her eyes. And always with Tony watching her suspiciously.

But it wasn't all bad. There was that period in the morning when she'd finished straightening the kiosk and lining up the lounge chairs and could sit quietly and look out at the ocean, waiting, at peace. Or at night when she walked down the shore toward the modest pension pension in the old part of Marbella, just like in the old days-centuries ago-in Melilla, when she closed up the Yamila. The hardest thing to get used to when she got out of El Puerto had been the bustle of the outside world, the noises, the traffic, the beaches full of people, the deafening music from the bars and discotheques, the flocks of people all along the coast from Torremolinos to Sotogrande. After a year and a half of strict routine and order, Teresa sometimes felt more uncomfortable on the outside than she'd felt behind bars. In prison, they told stories about inmates with long sentences who got out and then tried to find a way-that is, a crime-to get back into that single place in the world where they felt at home. Teresa never believed that, until one day, sitting in the same place where she was sitting now, smoking, she was suddenly swept by homesickness, if it could be called that, for the order and routine and silence of the life behind bars. Jail is home for nobody but the unfortunate of the earth, Patty had said once. For people who don't have any dreams. in the old part of Marbella, just like in the old days-centuries ago-in Melilla, when she closed up the Yamila. The hardest thing to get used to when she got out of El Puerto had been the bustle of the outside world, the noises, the traffic, the beaches full of people, the deafening music from the bars and discotheques, the flocks of people all along the coast from Torremolinos to Sotogrande. After a year and a half of strict routine and order, Teresa sometimes felt more uncomfortable on the outside than she'd felt behind bars. In prison, they told stories about inmates with long sentences who got out and then tried to find a way-that is, a crime-to get back into that single place in the world where they felt at home. Teresa never believed that, until one day, sitting in the same place where she was sitting now, smoking, she was suddenly swept by homesickness, if it could be called that, for the order and routine and silence of the life behind bars. Jail is home for nobody but the unfortunate of the earth, Patty had said once. For people who don't have any dreams.

Abbe Faria-Teresa had finished The Count of Monte Cristo The Count of Monte Cristo and many other novels, and she was still buying books, which sat in piles around her room in the and many other novels, and she was still buying books, which sat in piles around her room in the pension pension-was not one of those who considered prison home. On the contrary: the old prisoner had yearned to get out so that he could recover the life that had been stolen from him. Like Edmond Dantes, but too late. After thinking a lot about this, Teresa had come to the conclusion that the treasure that belonged to the two men was simply a pretext for staying alive, dreaming of escape, feeling that they were free despite the locks and bars and chains and walls of the Chateau d'If. And in the case of Lieutenant O'Farrell, the story of the cache of lost coca was also, in its way, a means of staying free-which may have been why Teresa never entirely believed it. Although now, when she was finally living in a world with real days, not just numbers on a calendar, she found that she wanted wanted to believe in something. She wanted to have something just that clear-cut to live for. to believe in something. She wanted to have something just that clear-cut to live for.

Now what? she had asked herself as she'd stepped into the street outside the prison. The answer had come from O'Farrell, who sent her to some friends who owned kiosks on the beaches at Marbella. "They won't ask questions or exploit you too much," she'd said. "Or fuck you if you don't want them to." The job made Teresa's parole possible-she still had more than a year of her debt to society to pay off, and the only limitation on her was that she stay in one place and make an appearance once a week at the local police station. The job also paid enough for a room in a she had asked herself as she'd stepped into the street outside the prison. The answer had come from O'Farrell, who sent her to some friends who owned kiosks on the beaches at Marbella. "They won't ask questions or exploit you too much," she'd said. "Or fuck you if you don't want them to." The job made Teresa's parole possible-she still had more than a year of her debt to society to pay off, and the only limitation on her was that she stay in one place and make an appearance once a week at the local police station. The job also paid enough for a room in a pension pension on Calle San Lazaro, some books and clothes, food, tobacco, a few sniffs of coke from time to time-and the packages of Moroccan chocolate for spiking the Bisontes she smoked in her room at night or during slow hours on the beach, like now. on Calle San Lazaro, some books and clothes, food, tobacco, a few sniffs of coke from time to time-and the packages of Moroccan chocolate for spiking the Bisontes she smoked in her room at night or during slow hours on the beach, like now.

A seagull dropped down, watchfully gliding near the shore. It skimmed the surface of the water and flew out seaward without finding anything. Fuck you, thought Teresa, inhaling, as she watched it fly away. Fucking wolf with wings. She'd once liked seagulls; she had considered them romantic, until she got to know them on the trips back and forth across the Strait in the Phantom, and especially one afternoon, in the early days, when something went wrong with the engine in the middle of the ocean. They had both tried to get the engine started, and Santiago stayed at it while she lay down to rest, watching the gulls circle lazily nearby. He warned her to cover her face, because gulls were known, he said, to peck at people if they fell asleep. The memory came back with crystal-clear images: the quiet water, the seagulls floating on the water around the drifting speedboat or gliding and fluttering above it, and Santiago aft, working on the engine, covered with grease to his elbows, his naked torso with the tattoo of Christ on one arm, on the other those initials-whose, she never found out.

She inhaled several times more, letting the hash spread slowly through her veins, toward her heart and brain. She tried not to think much about Santiago, just as she tried to keep her headaches at bay by taking a couple of aspirin before it was too late and the pain moved in for hours, shrouding her in an exhausting cloud of queasiness and unreality.

Generally she managed not to think too much, period, about Santiago or anybody or anything. She had discovered too many uncertainties and horrors lurking in every thought that went beyond the here and now, or the practical. Sometimes, especially when she was lying awake at night, she couldn't keep herself from remembering. But as long as she didn't actually think, the remembering would give her no more than a sensation of movement toward nowhere, like a boat adrift. That was why she now smoked hashish. The smoke in her lungs-which may have traveled with me in twenty-kilo bundles from Morocco, she sometimes thought, amused by the paradox, when she scraped around in her pocket to pay for a miserable little bag of it-accentuated that sense she had of drifting off, drifting away. It brought with it not consolation or indifference, but rather a gentle stupor. It made her unsure that it was she herself she was remembering, as though there were several Teresas lurking in her memory, none with any direct relation to the Teresa of today.

Maybe it's that this is life, she would tell herself, confused and puzzled. Maybe old age, when it comes, is about looking back and seeing the many strangers that you have been and in whom you can't quite recognize yourself. With that idea in her head, sometimes she took out the torn photograph and looked at it, realizing that the features of the man that had been torn from the photo mixed in her memory with those of Santiago Fisterra, as though the two of them had been one. It was the opposite of what happened with the girl in the photo, the one with the big black eyes, who had shattered into so many different women that it was no longer possible to re-compose her into just one.

These were Teresa's thoughts from time to time, until she realized that they were, or could be, the trap. So from then on she seized at the recourse of keeping her mind blank-allowing the smoke to run slowly through her blood and the tequila to calm her with its familiar taste. Those women who resembled her, those other Teresas, were falling into the past, floating like dead leaves on water.

That was also why she read so much, now. Reading, she'd learned in prison, especially novels, allowed her to inhabit her mind in a new way-as though by blurring the boundaries between reality and fiction, she might witness her own life as if it were happening to somebody else. Besides teaching her things, reading helped her think differently, or think better, because on the page, others did it for her. Although it was also true that with novels you could apply your point of view to every situation or character. Even to the voice that told the story: sometimes it would be that of a narrator, either with a name or anonymous, and sometimes it would be your own. She had discovered with surprise and pleasure that as she turned each page, the book was written, as though for the first time, all over again.

When she got out of El Puerto, Teresa had continued to read, and her choices were guided by intuitions, tides, first lines, cover illustrations. So now, in addition to her leather-bound Monte Cristo, Monte Cristo, she had her own books, which she bought one by one, cheap editions that she found at street markets or in used-book shops, or pocket books that she bought after giving spin after spin to those revolving racks. She would read novels written long ago by men and women whose portraits were sometimes on the back cover or the flap of the dust jacket, and also modern novels about love, adventure, travel. Of all she had read, her favorites were she had her own books, which she bought one by one, cheap editions that she found at street markets or in used-book shops, or pocket books that she bought after giving spin after spin to those revolving racks. She would read novels written long ago by men and women whose portraits were sometimes on the back cover or the flap of the dust jacket, and also modern novels about love, adventure, travel. Of all she had read, her favorites were Gabriela, Clove, and Cinnamon, Gabriela, Clove, and Cinnamon, by a Brazilian writer named Jorge Amado; by a Brazilian writer named Jorge Amado; Anna Karenina, Anna Karenina, about the life of a Russian aristocrat, written by another Russian; and about the life of a Russian aristocrat, written by another Russian; and A Tale of Two Cities, A Tale of Two Cities, which made her cry at the end, when the brave Englishman-Sydney Carton was his name-consoled the frightened young woman by taking her hand as she walked toward the guillotine. She also read that book about a doctor married to a millionaire that Patty had suggested she leave till later, and another, very strange one, hard to understand, that had drawn her in because from the first moment she recognized the land and the language and the soul of the characters that ran through its pages. The book was called which made her cry at the end, when the brave Englishman-Sydney Carton was his name-consoled the frightened young woman by taking her hand as she walked toward the guillotine. She also read that book about a doctor married to a millionaire that Patty had suggested she leave till later, and another, very strange one, hard to understand, that had drawn her in because from the first moment she recognized the land and the language and the soul of the characters that ran through its pages. The book was called Pedro Paramo, Pedro Paramo, and although Teresa never fully unlocked its mysteries, she returned to it over and over again, opening it at random to reread a few pages. The way the words flowed fascinated her, as though she had peered into an unknown, shadowy, magical place that was related to something she herself possessed-she was sure of that-in some dark part of her blood and memory: and although Teresa never fully unlocked its mysteries, she returned to it over and over again, opening it at random to reread a few pages. The way the words flowed fascinated her, as though she had peered into an unknown, shadowy, magical place that was related to something she herself possessed-she was sure of that-in some dark part of her blood and memory: I I came to Comala because I was told that my father, a certain Pedro Paramo, was living there.... came to Comala because I was told that my father, a certain Pedro Paramo, was living there....

So after a great deal of reading in El Puerto de Santa Maria, Teresa went on adding books to her inner library, one after another, on her free day each week, on nights when sleep would not come. Even the familiar fear of the gray light of dawn could be held at bay, sometimes, if she opened the book that always lay on the night table.

Tony arrived. Still young, with a beard, a ring in each ear, his skin tan from many Marbella summers. A T-shirt with the Osborne bull on it. A beach professional-or beach bum, perhaps, living off tourists, with no apologies. No apparent emotions at all. In the time she'd been there, Teresa had never seen him angry or in a particularly good mood, excited or disappointed, and certainly never cheery. He managed the kiosk with dispassionate efficiency, earned good money, was courteous with the customers and inflexible with the bores and troublemakers. Under the counter, he kept a baseball bat for emergencies, and he served the municipal police that patrolled the beaches snifters of cognac in the morning and gin and tonics when they were off duty. When Teresa came to meet him, shortly after getting out of El Puerto, Tony looked at her long and hard and said he'd give her a job because a friend had asked him to. "But no drugs, no alcohol in front of the customers, no picking them up or letting them pick you up, no sticking your hand in the cash drawer, or I'll throw you out on the fucking street. And if you stick your hand in the cash drawer, I'll also bust your face. The hours are eight to eight, plus the time it takes you to pick up after we close. Take it or leave it."

Teresa had taken it. She needed a legal gig in order to satisfy the conditions of her parole, and eat, and sleep under a dry roof. And Tony and his kiosk were as good or bad as anything else.

She finished smoking the basuco, basuco, burning the tips of her fingers, and then finished off the tequila and orange juice in one long gulp. The first swimmers were beginning to arrive, with their towels and their suntan lotion. The guy with the fishing rod was still down on the shoreline, and the sun was rising higher and higher, warming the sand. A nice-looking man was doing exercises down past the lounge chairs, gleaming with sweat like a horse after a long race. She could almost smell his skin. Teresa stood watching him for a while-his flat stomach, his back muscles flexing with each push-up or twist of his torso. Once in a while he would pause to catch his breath, looking down at the ground as though he were thinking, and she watched him with her own thoughts running around and around in her head. Flat stomachs, back muscles. Men with bronzed, weather-beaten skin smelling of sweat, jealous under their pants. burning the tips of her fingers, and then finished off the tequila and orange juice in one long gulp. The first swimmers were beginning to arrive, with their towels and their suntan lotion. The guy with the fishing rod was still down on the shoreline, and the sun was rising higher and higher, warming the sand. A nice-looking man was doing exercises down past the lounge chairs, gleaming with sweat like a horse after a long race. She could almost smell his skin. Teresa stood watching him for a while-his flat stomach, his back muscles flexing with each push-up or twist of his torso. Once in a while he would pause to catch his breath, looking down at the ground as though he were thinking, and she watched him with her own thoughts running around and around in her head. Flat stomachs, back muscles. Men with bronzed, weather-beaten skin smelling of sweat, jealous under their pants. Chale. Chale. It was so easy to catch them, and yet so hard, despite everything, despite how predictable they were. And so simple to become a mere "girlfriend," an appendage, a nothing, when you thought with your pussy, or even when you just thought so much that finally it was all the same, you were stupid from being so fucking smart. Since she'd been on the outside again, Teresa had had only one sexual encounter: a young waiter at a kiosk on the other end of the beach, one Saturday night when instead of heading off for her room she stayed around, drinking a few drinks and smoking a couple of joints while she sat on the sand and watched the lights of the fishing boats in the distance and dared herself not to remember. The waiter's timing when he came up to her was perfect, and he was cute, clever, and funny enough to make her laugh, so they wound up a couple of hours later in his car, parked in an abandoned lot near the bullring. It was an encounter that just happened, and Teresa went into it with more curiosity than real desire-she watched herself, absorbed in her own reactions and emotions. The first man in a year and a half-something many of the girls in the prison would have given months of freedom for. It was so easy to catch them, and yet so hard, despite everything, despite how predictable they were. And so simple to become a mere "girlfriend," an appendage, a nothing, when you thought with your pussy, or even when you just thought so much that finally it was all the same, you were stupid from being so fucking smart. Since she'd been on the outside again, Teresa had had only one sexual encounter: a young waiter at a kiosk on the other end of the beach, one Saturday night when instead of heading off for her room she stayed around, drinking a few drinks and smoking a couple of joints while she sat on the sand and watched the lights of the fishing boats in the distance and dared herself not to remember. The waiter's timing when he came up to her was perfect, and he was cute, clever, and funny enough to make her laugh, so they wound up a couple of hours later in his car, parked in an abandoned lot near the bullring. It was an encounter that just happened, and Teresa went into it with more curiosity than real desire-she watched herself, absorbed in her own reactions and emotions. The first man in a year and a half-something many of the girls in the prison would have given months of freedom for.

But she picked the wrong place and the wrong company. Those lights out on the black ocean, she later decided, were to blame. The waiter, a kid who resembled the man doing exercises down by the lounge chairs-no doubt why this memory had come to her now-was selfish and clumsy, and the condom that she made him put on after looking for a good long time for a pharmacy open at that hour didn't make things any better. It was so uncomfortable inside the car that she had to struggle even to unzip her jeans.

When they finished, the kid was visibly ready to go home and get some sleep, and Teresa was unsatisfied and furious with herself-more furious still with the silent woman who looked back at her from behind the red cigarette-ember in the car window: a luminous dot like those on the fishing boats that worked all night, and on the boats in her memory. So she pulled on her jeans again, got out of the car, said, So long, nice knowing you. She hadn't even caught the kid's name, and if it mattered to him, then que chingue a su madre. que chingue a su madre.

That same night, when she got to her room, Teresa took a long, hot shower, and then she got drunk and lay naked on her bed, facedown-so drunk that she vomited, long arcs of bile-and fell asleep at last with one hand between her thighs, her fingers inside her sex. She could hear the distant sound of Cessnas and speedboat engines, and the voice of Luis Miguel singing from the cassette player on the night table. If they let us, if they let us, we will love each other all our lives. If they let us, if they let us, we will love each other all our lives.

She woke up that same night, shivering in the darkness, because she had finally discovered, in a dream, what was going on in that little Mexican novel by Juan Rulfo. It was the one she'd never quite understood before, no matter how hard she'd tried. I came to Comala because I was told that my father, a certain Pedro Paramo, was living there. . .. I came to Comala because I was told that my father, a certain Pedro Paramo, was living there. . ..

Hijole! The characters in that story were all dead, but they just didn't know it. The characters in that story were all dead, but they just didn't know it.

"Youve got a phone call," Tony said. got a phone call," Tony said.

Teresa put the dirty glasses in the sink, set the tray on the counter, and went down to the end of the bar. It was the butt-end of a long, hot, hard day: thirsty men, women in dark sunglasses with their pussies in the sun- some of them had no shame-ordering beers and drinks all day; and her head was splitting and her feet burned from walking back and forth from the bar to the lounge chairs over the hot coals of the sand, waiting on table after table, and sweating like crazy in the blinding glare of that blast oven. It was late afternoon, and some of the bathers were beginning to leave the beach, but she still had a couple of hours of work ahead of her.

She dried her hands on her apron and picked up the telephone. Nobody had called her since she'd gotten out of El Puerto, either at the kiosk or anywhere else, nor could she imagine why anybody would do so now. Tony must have been thinking the same thing, because he watched her out of the corner of his eye as he dried glasses and lined them up on top of the bar.

"Hello," she said warily.

She recognized the voice at the first word, with no need for the person to say, It's me. A year and a half hearing that voice day and night had engraved it in her memory. So she smiled and then laughed out loud, almost joyously. 'Orale, mi teniente! 'Orale, mi teniente! How great to hear your voice. How's life treating you? She was truly happy to hear that self-assured, composed tone of voice, that person who took things as they came. That person who knew herself and other people as well, because she knew how to look at them, and she had learned even more from people's silences than from their words. At the same time, in one part of her mind, Teresa thought, How great to hear your voice. How's life treating you? She was truly happy to hear that self-assured, composed tone of voice, that person who took things as they came. That person who knew herself and other people as well, because she knew how to look at them, and she had learned even more from people's silences than from their words. At the same time, in one part of her mind, Teresa thought, Chale, Chale, I wish I could talk like that, dial a telephone number after all this time and say, I wish I could talk like that, dial a telephone number after all this time and say, How's it hanging, Mexicanita, you silly bitch you, I hope you've missed me while you were screwing half of Marbella, now that nobody's watching you. We going to see each other, or have you moved on? How's it hanging, Mexicanita, you silly bitch you, I hope you've missed me while you were screwing half of Marbella, now that nobody's watching you. We going to see each other, or have you moved on?

Teresa asked whether she was really out, and Patty O'Farrell laughed and said, "Of course I'm out, silly, out three days ago, and going from one homecoming to another-I don't sleep, and then they wake me up again! And every time I catch my breath or regain consciousness I've tried to find your telephone number-and I finally found it, about time, huh?-so I could tell you that those fucking dyke guards could not keep the old Abbe down, and that they can finally shove the Chateau d'lf up their asses, and that it's about time for Edmond Dantes and his friend Faria to have a long, civilized conversation somewhere where the sun doesn't come in through bars. So I thought you could take a bus, or a taxi if you've got some money, or whatever, and come to Jerez, because tomorrow they're throwing me a little party and the truth is, without you, parties are weird. How about that, puss? Jail-house habits are hard to break, huh? So, you coming or not?"

It was quite a party. A party at a country house in Jerez, what the Spaniards called a cortijo, cortijo, one of those places where it took you forever to get from the archway at the entrance of the grounds to the house itself, at the end of a long gravel driveway, with expensive cars parked at the door and walls of red-ocher plaster and windows with wrought-iron grilles that reminded Teresa-this is where they come from, she realized-of old Mexican haciendas. The place was like one of those houses in the magazines: rustic furniture ennobled by antiquity, dark paintings on the walls, terracotta floors, beamed ceilings. And a hundred or so guests drinking and talking in two large rooms and out on the terrace with its grape arbor extending toward the rear, a roofed bar to one side, an enormous wood-fired grill, and a pool. The sun was just setting, and the dusty dull gold light gave an almost material consistency to the warm air, out on the horizon of green vineyards softly rising and falling into the distance. "I like your house," Teresa said. "I wish it was mine." "But it belongs to your family." "There's a big difference between my family and me." They were sitting under the grape arbor, in wooden chairs with linen-upholstered cushions, each with a glass in hand, looking at the people milling about nearby. Everything in keeping, Teresa decided, with the place and the cars at the door. At first she'd been ill at ease in her jeans and high heels and simple blouse, especially when some people looked at her strangely when she arrived, but Patty O'Farrell-in a mauve cotton dress, pretty embossed sandals, her blond hair cut short as she always wore it-reassured her. "Here," she said, "everybody dresses the way they want to. And you look terrific. That hair pulled back so tight, with the part down the middle, looks wonderful on you. Very native. You never wore it like that in lockup." "In lockup I didn't go to any parties." "Oh, yes you did!" one of those places where it took you forever to get from the archway at the entrance of the grounds to the house itself, at the end of a long gravel driveway, with expensive cars parked at the door and walls of red-ocher plaster and windows with wrought-iron grilles that reminded Teresa-this is where they come from, she realized-of old Mexican haciendas. The place was like one of those houses in the magazines: rustic furniture ennobled by antiquity, dark paintings on the walls, terracotta floors, beamed ceilings. And a hundred or so guests drinking and talking in two large rooms and out on the terrace with its grape arbor extending toward the rear, a roofed bar to one side, an enormous wood-fired grill, and a pool. The sun was just setting, and the dusty dull gold light gave an almost material consistency to the warm air, out on the horizon of green vineyards softly rising and falling into the distance. "I like your house," Teresa said. "I wish it was mine." "But it belongs to your family." "There's a big difference between my family and me." They were sitting under the grape arbor, in wooden chairs with linen-upholstered cushions, each with a glass in hand, looking at the people milling about nearby. Everything in keeping, Teresa decided, with the place and the cars at the door. At first she'd been ill at ease in her jeans and high heels and simple blouse, especially when some people looked at her strangely when she arrived, but Patty O'Farrell-in a mauve cotton dress, pretty embossed sandals, her blond hair cut short as she always wore it-reassured her. "Here," she said, "everybody dresses the way they want to. And you look terrific. That hair pulled back so tight, with the part down the middle, looks wonderful on you. Very native. You never wore it like that in lockup." "In lockup I didn't go to any parties." "Oh, yes you did!"

And the two of them laughed, remembering. There was tequila, Teresa discovered, and alcohol of all kinds, and uniformed servants moving about with trays of hors d'oeuvres. Perfect. Two flamenco guitarists were playing at the center of a group of guests. The music, happy and melancholy at the same time, rising and falling in gusts of sound, fit the place and the landscape in the background. Sometimes the people listening clapped, and some of the young women danced, arms high, fingers snapping, heels tapping, pretending to be Gypsies, and then conversed with their companions. Teresa envied the self-possession that allowed them to move about like that, greet people, talk, smoke in that distinguished way that Patty also had, one arm across their lap, one hand holding the other elbow, the arm vertical, the smoking cigarette between their fingers. This may not have been the highest of high society, she concluded, but it was fascinating to watch them-they were so different from the people she'd met in Culiacan with Guero Davila, thousands of years and miles from her most recent past and from what she was, or ever would be. Even Patty seemed an unreal link between those different worlds. That's the way you're supposed to act, she decided, and I wish I could learn how. And how nice to be able to observe it all, so unimportant and invisible that nobody even noticed you.

Most of the male guests were over forty, with dark jackets, good shoes and watches, and informal touches-open shirts, no tie. Their skin was tanned, and not exactly from working in the fields. As for the women, there were two definite types: good-looking girls with long legs, some a little ostentatious in their clothing and jewelry, and others that were better dressed, more sober, with fewer adornments and makeup, on whom plastic surgery and money-one permitted by the other-sat very naturally. Patty's sisters belonged to that second group: nose jobs, facelifts, blond hair with tips and streaks, that marked Andalucian accent that betokened good breeding, elegant hands that had never washed a dish, designer clothes. Around fifty the older one, forty-something the other, Teresa figured. They resembled Patty from the front-the oval faces, the way they twisted their mouths when they talked or smiled. They'd looked Teresa up and down with that same arching of the eyebrows-two circumflexes that took her in and put her down in mere seconds-before returning to their social obligations and their guests.

"Pigs," Patty muttered when they'd turned their backs, just as Teresa was thinking, Orale, Orale, what was I thinking, wearing this smuggler outfit. I should have worn something else, the silver bracelets and a skirt instead of jeans and heels and this old blouse that they looked at like it was a dishrag. what was I thinking, wearing this smuggler outfit. I should have worn something else, the silver bracelets and a skirt instead of jeans and heels and this old blouse that they looked at like it was a dishrag.

"The older one," Patty said, "is married to a lazy idiotic bum, that potbellied bald guy laughing like a hyena in that group over there, and the other one kisses up to my father the way he likes it. Although the truth is, they both kiss his ass."

"Is your father here?"

"Good god, of course not." Patty crinkled her nose elegantly, her whisky on the rocks halfway to her mouth. "That old cabron cabron lives under glass in his apartment in Jerez.... He's allergic to the country." She laughed maliciously. "Pollen and all that." lives under glass in his apartment in Jerez.... He's allergic to the country." She laughed maliciously. "Pollen and all that."

"Why did you invite me?"

Without looking at her, Patty finished raising her glass to her lips. "I thought," she said, her lips moist, "that you'd like to have a drink with me."

"There are bars to have drinks in. And this is not my scene."

Patty set her glass down on the table and lit a cigarette, although the previous one was still burning in the ashtray.

"Mine, either. Or at least not entirely." She looked around contemptuously. "My sisters are absolute imbeciles-throwing a party to welcome me back into society. Instead of hiding me, they show me off, get it? That way they can act like they're not ashamed of the lost sheep.... Tonight they'll go to bed with their cunts cold and their consciences easy, like they always do."

"Maybe you're being unfair to them. Maybe they're really glad."

"Unfair?... Here?" She bit her lower lip with an unpleasant smile. "Would you believe it if I told you that nobody has yet to ask me how it was for me in prison?... Taboo subject. Just, Hey, sweetheart. Kiss, kiss. Kiss, kiss. Like I'd been on vacation in the Caribbean." Like I'd been on vacation in the Caribbean."

Her tone was lighter than in El Puerto, Teresa thought. More flighty, frivolous; more talkative. She says the same things and in the same way, but there's something different, as though here she feels the need to give me explanations that in our former life were unnecessary. Teresa had been watching her from the first moment, when Patty stepped away from some people to greet her, and then when she left her alone a couple of times, going and coming among the guests. It took a minute to recognize her, to really believe it was her behind those smiles, the gestures of complicity with people who were strangers to Teresa, to really believe it was Patty accepting cigarettes, inclining her head while someone lit them for her.

When Patty returned and they went out to sit on the terrace, Teresa finally began to recognize her. And it was true that now she explained things more, justified them, as if unsure that Teresa would understand, or-the thought now struck Teresa-approve.

That possibility gave her something to think about. Maybe, she ventured after some reflection, the personal legends that work behind bars don't work on the outside, and once you're out you have to establish who you are all over again. Confirm it in the light of the street. Maybe Lieutenant O'Farrell is nobody here, or not what she really wants to be. And maybe, also, she's afraid that I'll realize that. My advantage is that I never knew what or who I was while I was on the inside, and so maybe that's why I'm not worried about what or who I am outside. I've got nothing to explain to anybody. Nothing to convince anybody about. Nothing to prove.

"You still haven't told me what I'm doing here," Teresa said.

Patty shrugged. The sun was lower now on the horizon, turning the air scarlet. Her short blond hair was set on fire in that light.

"I will-in due time." She half closed her eyes, looking into the distance. "For now, just enjoy this."

Maybe the change in Patty had some simple explanation, thought Teresa. A lieutenant without any troops, a retired general whose prestige goes unrecognized in the civilian world. Maybe she's invited me here because she needs me. Because I respect her and I know that period in her life, and these people don't. As far as they're concerned, she's just a society girl with a drug problem, a black sheep that these people-this family, this class-take in and tolerate because they never renounce their own in public, even if they hate them or hold them in contempt. Maybe that's why she needs company so much. She needs a witness. Somebody that knows, and that sees all this, and that can keep her mouth shut. Down deep, life is very fucking simple: You can divide people into those you're obliged to make conversation with while you have a drink, and those you can drink with for hours without saying a word, like Guero Davila did in that cantina in Culiacan. People who know, or intuit, enough for there to be no need for words, and who're behind you even if they're not totally with you. They're just there. And maybe this is that case, although I have no idea where that takes us. To what new variant on the word "solitude."

"To your health, Lieutenant."

"And to yours, Mexicana."

They clinked glasses. Teresa looked around, enjoying the fragrance of the tequila. In a group of guests near the pool she saw a tall young man-so tall he stood out from everyone around him. He was thin, with very black hair, slicked back and glistening, long and curly at the neck. He was wearing a dark suit, white shirt with no tie, shiny black shoes. The pronounced jaw and big curved nose gave him an interesting profile, like a skinny eagle. A guy with class, she thought. Like those super-Spaniard types one imagines from days gone by, aristocrats and hidalgos and all that-Malinche must have gone over to the other side for some some reason-who probably never actually existed. reason-who probably never actually existed.

"Nice people here," Teresa said.

Patty turned to follow her eyes. "Oh god," she groaned. "Boring and more boring."

"They're your friends."

"I don't have any friends, my dear." Her voice had hardened a notch, more like in the old days.

"Chingale"-Teresa pulled her head back as though dodging a blow-"I thought you and I were."

Patty looked at her wordlessly and took a sip of her drink. Her eyes seemed to be laughing; there were wrinkles all around them. She finished her whisky, put the glass down on the table, and brought her cigarette to her lips without saying anything.

"Anyway," said Teresa after a moment, "the music is nice and the house is beautiful. They were worth the trip." She looked distractedly at the eagle-faced man, and once again Patty followed her gaze.

"Yeah?. .. Well, I hope you don't resign yourself to so little. Because this is nothing in comparison to what you could have."

Hundreds of crickets were chirping in the darkness. A lovely moon was rising, illuminating the grapevines, silvering every leaf; the walk lay white and curving before them. Behind them the lights of the enormous country house glimmered. The remains of the party had been cleared and the downstairs put in order for some time already, and now the mansion was silent. The last guests had said their good nights and Patty's sisters and brother-in-law were on their way back to Jerez after a nice heart-to-heart talk with Patty on the terrace, discussing her plans for the future, everyone uncomfortable and wanting the conversation over with. And the Lieutenant was right to the end-no one mentioned, even in passing, Patty's years in El Puerto de Santa Maria. Teresa, whom Patty had insisted stay over, wondered what in the world her former rackmate had on her mind that night.

Both of them had drunk quite a bit that evening, but not enough. So as silent servants had gone about magically eliminating all traces of the party, Patty had disappeared, then reappeared, surprise, surprise, with a gram of white powder that made their minds very clear and sharp indeed after it was razor-bladed into lines on the glass top of the table. Unbelievable stuff- stuff Teresa knew how to appreciate. Then, as clear-sighted and alert as though the day had just begun, they walked unhurriedly off toward the dark vineyards beyond the terrace. With no particular destination.

"I want you real awake for what I'm going to tell you," said Patty, recognizable again.

"I am very fucking awake," said Teresa. And she was prepared to listen. She had emptied another glass of tequila as they walked, and then had set the glass down at some point on the path. And being awake-she thought, without knowing what made her think it-was very much like being all right again. Like finding yourself unexpectedly at home in your own skin. Without thoughts, without memories. Just the immense night and the familiar voice speaking in a secretive whisper, as if someone might be crouching in the shadows, spying on them in that strange light silvering the broad vineyards. And she could also hear the chirping of the crickets, the sound of her friend's footsteps, and the swishing of her own bare feet-she had left her heels on the terrace-on the loose soil of the path. "... And that's the story," Patty concluded.

Well, I have no intention of thinking about your story now, Teresa told herself. I don't plan to consider or analyze anything tonight as long as the darkness lasts and there are stars up there, and the tequila and coke have got me feeling like this for the first time in so long. I don't know why you waited until today to tell me all this, or what you intend to do about it. I listened to that story of yours like I'd listen to a novel. And I prefer it that way, because otherwise I'd be forced to acknowledge the existence of the future. So let's agree that you told me a nice story, or rather finished telling me what you started whispering about when we were rackmates. Then I'll go back and sleep, and tomorrow, in the daylight, I'll start a new day.

And yet, Teresa admitted to herself, it was a good story. The boyfriend shot dead, the half-ton of coca that nobody ever found. Now, after the party, Teresa could picture the boyfriend, a guy like the ones she'd seen in the house, with a dark jacket and a shirt with no tie and all very elegant. Like the second or third generation of Colonia Chapultepec but better, spoiled like those society kids in Culiacan that drove to high school in their 4x4s escorted by bodyguards. A boyfriend who was lowlife and society at the same time- white powder dusting his nose a gram at a time, fucking other girls and letting her fuck other guys and other girls, too, and playing with fire until he got burned, getting mixed up in a world where fuck-ups-not to mention amateurism, with a litde bit of spoiled machismo stirred in-exacted a high price.

They killed him and two others, Patty had said, and Teresa knew better than many people what kind of fucked-up thing her friend was talking about. They killed him for lying to them and double-crossing them and not doing what he said he'd do, and it was bad luck, the worst, because the next day the Narcotics Division moved in, because the other half-ton of coca, they were following it real close, and they had bugged everything, down to the glass of water he gargled with after he brushed his teeth. The hit was done by the Russian mafia, who got kind of drastic when some bullnecked Boris wasn't happy with the boyfriend's explanations of the suspicious loss of half a shipment that had come into the port of Malaga in a single container. And those Communists recycled into gangsters tended to wipe the slate clean-after many fruitless attempts to recover the cargo, when their patience ran out, one of the boyfriend's partners had been found dead in his house in front of the TV, and the other was discovered out on the Cadiz-Seville highway. Patty's boyfriend got it as he was leaving a Chinese restaurant in Fuengirola, three in the head as he opened the car door, two by accident for her, since they thought she wasn't in the loop. But fuck being out of the loop-she was definitely in it. Because the boyfriend was one of those bigmouths that spill things before and after they come, or when they've got their nose in the powder. Which meant that at some point, in bed or after a few lines, he had told Patty that the stash of coke, the half a shipment, half a ton that everybody thought was lost and sold off on the black market, was still all packed up nice and neat and stashed in a cave on the coast near Cape Trafalgar, waiting for somebody to come and give it a lift home. And after the murder of her boyfriend and the others, the only person that knew the location was Patty. So when she got out of the hospital and the Narcotics Division guys were waiting for her in the parking lot, all that happened when they asked her about the famous half a ton was that her eyebrows went up practically to her hairline. What! What! I have no fucking idea what you're talking about, she said, looking them dead in the eye, one by one. And after a lot of subsequent huffing and puffing on their part, they believed her. I have no fucking idea what you're talking about, she said, looking them dead in the eye, one by one. And after a lot of subsequent huffing and puffing on their part, they believed her.

So what do you think, Mexicana?" "I don't think."

She had stopped, and Patty was looking at her. The light of the moon behind Patty fell on her shoulders and the crown of her head, whitening her short hair as though she'd suddenly gone gray.

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