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[Footnote 47: I am frozen with horror!--I tremble!--I shiver!]

"I'll tell you what," said Uncle Philip, laying down his newspaper, "you need neither tremble nor frisson, nor get yourself into any horror about it. The child's only a girl of five years old, and I've no notion that the little tricks, that all children are apt to play at times, are proofs of natural wickedness, or signs that they will grow up bad men and women. But to cut the matter short, the girl is too little to learn French. She is not old enough either to understand it, or to remember it, and you see it's impossible for her to give her mind to it. So from this time, I say, she shall learn no more French till she is grown up, and desires it herself. (_Little Anne gave a skip half way to the ceiling._) You shall be paid for her quarter all the same, and I'll pay you myself on the spot. So you need never come again."

Mr. Ravigote was now from head to foot all one smile; and bowing with his hands on his heart, he, at Uncle Philip's desire, mentioned the sum due for a quarter's attempt at instruction. Uncle Philip immediately took the money out of his pocket-book, saying, "There,--there is a dollar over; but you may keep it yourself: I want no change. I suppose my niece, Kitty Clavering, will not be pleased at my sending you off; but she will have to get over it, for I'll see that child tormented no longer."

Mr. Ravigote thought in his own mind, that the torment had been much greater to him than to the child; but he was so full of gratitude, that he magnanimously offered to take the blame on himself, and represent to Mrs. Clavering that it was his own proposal to give up Mademoiselle Annette, as her organ of French was not yet developed.

"No, no," said Uncle Philip, "I am always fair and above-board. I want nobody to shift the blame from my shoulders to their own. Whatever I do, I'll stand by manfully. I only hope that you'll never again attempt to teach French to babies."

Mr. Ravigote took leave with many thanks, and on turning to bid his adieu to the little girl, he found that she had already vanished from the parlour, and was riding about the green on the back of old Neptune.

When Uncle Philip told Mrs. Clavering of his dismissal of Mr. Ravigote, she was so deeply vexed, that she thought it most prudent to say nothing, lest she should be induced to say too much.

A few days after this event, Madame Franchimeau sent an invitation, written in French, for Mrs. Clavering, and "Monsieur Philippe" to pass the evening at her house, and partake of a _petit souper_,[48] bringing with them _le doux Sammi_, and _la belle Fanchette_.[49] This supper was to celebrate the birthday of her niece, Mademoiselle Robertine, who had just arrived from New York, and was to spend a few weeks at Corinth.

[Footnote 48: A little supper.]

[Footnote 49: The gentle Sammy and the lovely Fanchette.]

Uncle Philip had never yet been prevailed on to enter the French house, as he called it; and on this occasion he stoutly declared off, saying that he had no desire to see any more of their foolery, and that he hated the thoughts of a French supper. "My friend, Tom Logbook," said he, "who commands the packet Louis Quatorze, and understands French, told me of a supper to which he was invited the first time he was at Havre, and of the dishes he was expected to eat, and I shall take care never to put myself in the way of such ridiculous trash. Why, he told me there was wooden-leg soup, and bagpipes of mutton, and rabbits in spectacles, and pullets in silk stockings, and potatoes in shirts.[50]

Answer me now, are such things fit for Christians to eat?"

[Footnote 50: _Soupe a la jambe de bois--musettes de mouton--lapins en lorgnettes--poulardes en bas de soie--pommes de terre en chemise._ See Ude, &c.]

For a long time Mrs. Clavering tried in vain to prevail on Uncle Philip to accept of the invitation. At last Dick suggested a new persuasive.

"Mother," said he, "I have no doubt Uncle Philip would go to the French supper, if you will let us all have a holiday from school for a week."

"That's a good thought, Dick," exclaimed the old gentleman. "Yes, I think I would. Well, on these terms I will go, and eat trash. I suppose I shall live through it. But remember now, this is the first and last and only time I will ever enter a French house."

After tea, the party set out for Monsieur Franchimeau's, and were ushered into the front parlour, which was fitted up in a manner that exhibited a strange _melange_ of slovenliness and pretension. There was neither carpet nor matting, and the floor was by no means in the nicest order; but there were three very large looking-glasses, the plates being all more or less cracked, and the frames sadly tarnished. The chairs were of two different sorts, and of very ungenteel appearance; but there was a kind of Grecian sofa, or lounge, with a gilt frame much defaced, and a red damask cover much soiled; and, in the centre of the room, stood a _fauteuil_[51] covered with blue moreen, the hair poking out in tufts through the slits. The windows were decorated with showy curtains of coarse pink muslin and marvellously coarse white muslin; the drapery suspended from two gilt arrows, one of which had lost its point, and the other had parted with its feather. The hearth was filled with rubbish, such as old pens, curl-papers, and bits of rag; but the mantel-piece was adorned with vases of artificial flowers under glass bells, and two elegant chocolate cups of French china.

[Footnote 51: Easy chair.]

The walls were hung with a dozen bad lithographic prints, tastefully suspended by bows of gauze ribbon. Among these specimens of the worst style of the modern French school, was a Cupid and Psyche, with a background that was the most prominent part of the picture, every leaf of every tree on the distant mountains being distinctly defined and smoothly finished. The clouds seemed unwilling to stay behind the hills, but had come so boldly forward and looked so like masses of stone, that there was much apparent danger of their falling on the heads of the lovers and crushing them to atoms. Psyche was an immensely tall, narrow woman, of a certain age, and remarkably strong features; and Cupid was a slender young man, of nineteen or twenty, about seven feet high, with long tresses descending to his waist.

Another print represented a huge muscular woman, with large coarse features distorted into the stare and grin of a maniac, an enormous lyre in her hand, a cloud of hair flying in one direction, and a volume of drapery exhibiting its streaky folds in another; while she is running to the edge of a precipice, as if pursued by a mad bull, and plunging forward with one foot in the air, and her arms extended above her head.

This was Sappho on the rock of Leucate. These two prints Mr. Franchimeau (who professed connoisseurship, and always talked when pictures were the subject--that is, French pictures) pointed out to his visiters as magnificent emanations of the Fine Arts. "The coarse arts, rather,"

murmured Uncle Philip.

The guests were received with much suavity by the French ladies and the _vieux_ papa; and Capt. Kentledge was introduced by Madame Franchimeau to three little black-haired girls, with surprisingly yellow faces, who were designated by the mother as "_mon aimable Lulu, ma mignonne Mimi, and ma petite ange Gogo_."[52] Uncle Philip wondered what were the real names of these children.

[Footnote 52: My lovely Lulu, my darling Mimi, and my little angel Gogo.]

After this, Madame Franchimeau left the room for a moment, and returned, leading in a very pretty young girl, whom she introduced as her _tres chere niece, Mademoiselle Robertine_,[53] orphan daughter of a brother of her respectable Alphonse.

[Footnote 53: Her beloved niece, Miss Robertine.]

Robertine had a neat French figure, a handsome French face, and a profusion of hair arranged precisely in the newest style of the wax figures that decorate the windows of the most fashionable _coiffeurs_.[54] She was dressed in a thin white muslin, with a short black silk apron, embroidered at the corners with flowers in colours.

Mr. Franchimeau resigned to her his chair beside Uncle Philip, to whom (while her aunt and the Ravigotes were chattering and shrugging to Mrs.

Clavering) she addressed herself with considerable fluency and in good English. People who have known but little of the world, and of the best tone of society, are apt, on being introduced to new acquaintances, to talk to them at once of their profession, or in reference to it; and Robertine questioned Uncle Philip about his ships and his voyages, and took occasion to tell him that she had always admired the character of a sailor, and still more that of a captain; that she thought the brown tinge given by the sea air a great improvement to a fine manly countenance; that fair-complexioned people were her utter aversion, and that a gentleman was never in his best looks till he had attained the age of forty, or, indeed, of forty-five.

[Footnote 54: Hair-dressers.]

"Then I am long past the age of good looks," said Uncle Philip, "for I was sixty-two the sixth of last June."

"Is it possible!" exclaimed Robertine. "I had no idea that Captain Kentledge could have been more than forty-three or forty-four at the utmost. But gentlemen who have good health and amiable dispositions, never seem to grow old. I have known some who were absolutely charming even at seventy."

"Pshaw!" said Uncle Philip, half aside.

Robertine, who had been tutored by her aunt Franchimeau, ran on with a tirade of compliments and innuendos, so glaring as to defeat their own purpose. Sam, who sat opposite, and was a shrewd lad, saw in a moment her design, and could not forbear at times casting significant looks towards his uncle. The old captain perfectly comprehended the meaning of those looks, and perceived that Mademoiselle Robertine was spreading her net for him. Determining not to be caught, he received all her smiles with a contracted brow; replied only in monosyllables; and, as she proceeded, shut his teeth firmly together, closed his lips tightly, pressed his clenched hands against the sides of his chair, and sat bolt upright; resolved on answering her no more.

About nine o'clock, the door of the back parlour was thrown open by the little mulatto girl, and Madame Franchimeau was seen seated at the head of the supper-table. Mr. Franchimeau led in Mrs. Clavering; Mr. Ravigote took Fanny; Madame Ravigote gave her hand to Sam, and Robertine, of course, fell to the lot of Uncle Philip, who touched with a very ill grace the fingers that she smilingly extended to him.

In the centre of the supper-table was a salad decorated with roses, and surrounded by four candles. The chief dish contained _blanquettes_ of veal; and the other viands were a _fricandeau_ of calves' ears; a _puree_ of pigs' tails; a _ragout_ of sheep's feet, and another of chickens' pinions interspersed with claws; there was a dish of turnips with mustard, another of cabbage with cheese, a bread omelet, a plate of poached eggs, a plate of sugar-plums, and a dish of hashed fish, which Madame Franchimeau called a _farce_.

As soon as they were seated, Robertine took a rose from the salad, and with a look of considerable sentiment, presented it to Uncle Philip, who received it with a silent frown, and took an opportunity of dropping it on the floor, when Sam slyly set his foot on it and crushed it flat. The young lady then mixed a glass of _eau sucre_[55] for the old gentleman, saying very sweet things all the time; but the beverage was as little to his taste as the Hebe that prepared it.

[Footnote 55: Sugar and water.]

The French children were all at table, and the youngest girl looking somewhat unwell, and leaving her food on her plate, caused Mrs.

Clavering to make a remark on her want of appetite.

"_N'importe_,"[56] said Madame Franchimeau; "she is not affamished; she did eat very hearty at her tea; she had shesnoot for her tea."

[Footnote 56: No matter.]

"Chestnuts!" exclaimed Mrs. Clavering.

"Oh, yes; we have them at times. _N'importe_, my little Gogo; cease your supper, you will have the better appetite for your breakfast. You shall have an apple for your breakfast--a large, big apple. Monsieur Philippe, permit me to help you to some of this fish; you will find it a most excellent _farce_:[57] I have preserved it from corruption by a process of vinegar and salt, and some charcoal. Madame Colavering, I will show you that mode of restoring fish when it begins to putrefy: a great chemist taught it to my assassined Alphonse."

[Footnote 57: Farce, in French cookery, signifies chopped meat, fish, poultry, well seasoned and mixed with other ingredients.]

Uncle Philip pushed away his plate with unequivocal signs of disgust, and moved back his chair, determined not to taste another mouthful while he stayed in the house. Suspicious of everything, he even declined Robertine's solicitations to take a glass of _liqueur_ which she poured out for him, and which she assured him was genuine _parfait amour_.[58]

During supper, she had talked to him, in a low voice, of the great superiority of the American nation when compared with the French; and regretted the frivolity and _inconsequence_ of the French character; but assured him that when French ladies had the honour of marrying American gentlemen, they always lost that inconsequence, and acquired much depth and force.

[Footnote 58: Perfect love.]

After supper, Mr. Franchimeau, who, notwithstanding his taciturnity and _brusquerie_, was what Uncle Philip called a Jack of all trades, sat down to an old out-of-tune piano, that stood in one of the recesses of the back parlour, and played an insipid air of "Paul at the Tomb of Virginia," singing with a hoarse stentorian voice half-a-dozen namby-pamby stanzas, lengthening out or contracting some of the words, and mispronouncing others to suit the measure and the rhyme. This song, however, seemed to produce great effect on the French part of his audience, who sighed, started, and exclaimed--"_Ah! quels sont touchans, ces sentimens sublimes!_"[59]

[Footnote 59: Ah! how touching are these sublime sentiments!]

"_Ma chere amie_," continued Madame Franchimeau, pressing the hand of Mrs. Clavering, "_permettez que je pleure un peu le triste destin de l'innocence et de la vertu--infortune Paul--malheureuse Virginie_;"[60]

and she really seemed to shed tears.

[Footnote 60: My dear friend, permit me to weep a little for the sad fate of innocence and virtue--unfortunate Paul--hapless Virginia.]

Uncle Philip could no longer restrain himself, but he started from his chair and paced the room in evident discomposure at the folly and affectation that surrounded him; his contempt for all men that played on pianos being much heightened by the absurd appearance of the huge black-whiskered, shock-headed Monsieur Franchimeau, with his long frock-coat hanging down all over the music-stool. Robertine declined playing, alleging that she had none of her own music with her; and she privately told Uncle Philip that she had lost all relish for French songs, and that she was very desirous of learning some of the national airs of America--for instance, the Tars of Columbia. But still Uncle Philip's heart was iron-bound, and he deigned no other reply than, "I don't believe they'll suit you."

A dance was then proposed by Madame Ravigote, and Robertine, "nothing daunted," challenged Uncle Philip to lead off with her; but, completely out of patience, he turned on his heel, and walked away without vouchsafing an answer. Robertine then applied to Sam, but with no better success, for as yet he had not learned that accomplishment, and she was finally obliged to dance with old Mr. Ravigote, while Madame Franchimeau took out her mother; Fanny danced with the lovely Lulu, and Mimi and Gogo with each other; Mr. Franchimeau playing cotillions for them.

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