I’m taking Sani sensei’s lesson in the Reki-kun room as usual.
But the lesson is little different today. It’s a lesson that responds to my spark of interest of magic tools creation which I witnessed the other day.
Specifically, it’s a lesson about magic tool techniques around the Lizwald Continent.
The contents of the lesson are planned to progress to magic tool techniques of the Forest next to the world which are far more advanced than the techniques of the Lizwald Continent.
But since we have just started, the techniques of the Forest next to the world seem to be still far ahead.
The other day, I was able to see the magic tool production even with my eyes which can see only magical power.
There were several things I learned and I also realized that there are many things about magic tools production that I have no knowledge of.
But in my case, I can’t practice immediately just because I realized it.
Even in the tour of the magic tools workshop, they had to go through many measures and I eventually had to be brought in while holding hands.
For that reason, I’m taking Sani sensei’s lesson today in order to attain new knowledge.
「――In other words, there is a fixed rule for the number of materials that can be combined with the magic fragment, and it will only show its effect within that range. It means that too much and too few won’t work. In addition, although the discovered combinations on the Lizwald Continent are many, it’s still insufficient. The Forest next to the world has a great amount of high-efficiency techniques. But in order to learn the basics first, the techniques of this continent――」
The proper amount of materials and the quality of the magic fragment can be controlled with the magic tool’s container.
But according to Sani sensei’s lesson, that amount can’t be too large or too low. There’s a certain range of measurement error, but the error range for quality steadily narrows.
This is similar to scientific experiments in my previous life, so it’s pretty fun.
The problem is the enormous quantity of techniques, but because I have a personal use archive just like Kuti, I won’t have a problem if I store them there. I will learn them though.
The archive is like data, so I won’t be able to see without retrieving it.
Therefore, as I thought, it’s necessary to remember it myself.
Weak points exist even in convenient functions. In order to cover for that weakness, effective practical use on a routine basis with great effort is necessary.
Putting in an effort is one of my best points, so there’s no problem at all.
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Kuti’s magical power which draws a blend of several materials into a largish magic fragment changes according to Sani sensei’s lesson.
They occasionally explode, but that’s just for entertainment.
I don’t know whether they actually explode, but this also has a meaning to serve as a warning when the difficulty level is high, or the compounding amount is wrong.
Kuti loves to fool around, but she doesn’t make meaningless actions in the lessons.
But it’s charming when she draws something unrelated to the lesson with her magical power though.
There’s no problem. She’s cute, so I will allow it. I will allow it even if it’s not permitted.
Even if the world turns against me, I will allow it. Kuti banzai.
However, as my knowledge continues to steadily increase, just like during the time of sorcery, it’s becoming harder to practice.
While hammering complicated composition recipes into my head, I begin considering just how am I going actually to make the magic tools.
I think I would be able to make a magic tool if I had the materials, sealing crystal, and magic fragment, but gathering those three will be extremely difficult.
I have the one magic fragment I have received from Theo, but Obaasama is currently holding on it, and she will show it to me when I ask.
I have no idea at all how am I going to get my hands on materials and a sealing crystal.
The best way as I thought would be going to the workshop. I will be able to get some right away.
I can’t see the materials myself, but if Kuti and others help me, I will be clear to a certain degree.
Before that, the problem is whether I will be able to revisit the magic tools workshop……
At any rate, the journey ahead looks to be full of troubles.
For now, I will increase my knowledge so that I’m ready to put it into practice whenever an opportunity arises.
So that I won’t have to avert my eyes once the chance comes because of insufficient knowledge.
With my motivation renewed, Sani sensei’s composition recipes lecture got even more profound and complex.