What is now France was at that time divided into three kingdoms, Austrasia, Neustria, and Burgundy, King Chilperic reigning over Austrasia; King Sigebert over Neustria. But the power behind the throne lay in the wives of these kings, with whom alone we have to do.
Contrasted characters they were,--Fredegonde wicked, faithless, self-seeking; Brunehild patriotic and devoted to the good of her country; yet in the end wickedness triumphed, and honesty died a violent and frightful death. With this preliminary we may proceed with our tale.
Fredegonde was the daughter of poor peasants, who dwelt in the vicinity of Montdidier in Picardy. But so striking and notable was her beauty that at an early age she was made, under circumstances of which we are not informed, one of the ladies in waiting on Queen Andovere, the first wife of King Chilperic. The poor queen was destined to suffer from the artfulness of her maid. The beauty of Fredegonde quickly attracted the attention of the king, and her skilful and unscrupulous arts soon made her a power in the court. The queen was in her way; but no long time passed before, on the pretext of a spiritual relationship with her husband which rendered the marriage illegal, the hapless Andovere was repudiated and banished to a convent.
But Chilperic was not yet ready to marry a peasant. He chose for his second wife Galsuinthe, daughter of the king of the Visigoths. This marriage lasted a still shorter time than the other. Galsuinthe was found strangled in her bed; and now, no longer able to restrain his passion for the beautiful and artful maid of honor, Chilperic married Fredegonde, and raised the peasant maiden to the throne for which she had so deeply and darkly wrought.
The marriage of Galsuinthe had been preceded by that of her younger sister, Brunehild, who became the wife of Sigebert, brother of Chilperic and king of Austrasia. The murder of Galsuinthe was ascribed by Brunehild to Fredegonde, with excellent reason if we may judge from her subsequent career, and from that day on an undying hatred existed between the two queens. To this the stirring incidents of their after lives were due. War broke out between the two kings, probably inspired by Brunehild's thirst for revenge for her sister's death on the one hand, and the ambition and hatred of Fredegonde on the other. Sigebert was successful in the field, but treachery soon robbed him of the fruits of victory. He was murdered in his tent (in the year 575) by two assassins in the pay of Queen Fredegonde.
This murder gave Chilperic the ascendancy. Sigebert's army disbanded, and Brunehild, as the only means of preserving her life, sought an asylum in the cathedral of Paris. And now the scene becomes one of rapid changes, in which the unscrupulous Fredegonde plays the leading part.
Chilperic, not daring to offend the church by slaying the fugitive queen under its protection, sent her to Rouen. Here the widowed lady, her beauty rendered more attractive by her misfortunes, was seen and loved by Merovee, the son of Chilperic by his first wife, then in that town on a mission from his father. Fired with passion for the hapless queen, he married her privately, the Bishop of Rouen sealing their union.
This imprudent action soon became known at the court of Chilperic, and the ambitious Fredegonde hastened to turn it to her advantage. Merovee was heir to the throne of Chilperic. He was in her way, and had now given her a pretext for his removal. Chilperic, who seems to have been the weak slave of her designs, would have seized both Merovee and his bride but for the Austrasians, who demanded that their queen Brunehild should be restored to them, and enforced their demands with threats. She was surrendered; but Merovee, under the influence of his step-mother, was imprisoned, then shorn and shut up in a monastery, and afterwards became a fugitive, and was urged to head a rebellion against his father.
Such was the terror, however, which the unhappy youth entertained for his cruel step-mother, that he put an end to his existence by suicide, inducing a faithful servant to strike him dead.
Fredegonde's success in getting rid of one of the heirs to the throne, only partly satisfied her ambitious views. There was another son, Clovis, brother of Merovee. To rid herself of him the wily queen took another course. Three of her own children had recently died, and she ascribed their death to Clovis, whom she accused of sorcery. He was seized under this charge, thrown into prison, and there ended his career, a poniard-thrust closing his brief tale of life. The tale of murders in this direction was completed by that of the repudiated Queen Andovere, who was soon found strangled in the convent to which she had been consigned.
Fredegonde had thus rid herself of all claimants to the throne outside of herself and her descendants, Galsuinthe having left no children.
Though death had recently robbed her of three children, one survived, a son named Clotaire, then a few months old. Her next act of treachery was to make away with her weak and confiding husband, perhaps that she might reign alone, perhaps through fear that Chilperic might discover her guilty relations with Landry, an officer of the court, and subsequently mayor of the palace. Whatever the reason, soon after these events, King Chilperic, while in the act of dismounting on his return from the chase, was struck two mortal blows by a man who took to rapid flight, while all around the cry was raised, "Treason! it is the hand of the Austrasian Childebert against our lord the king!"
The readiness with which this cry was raised seemed evidence of its falsity. Men ascribed it and the murder to emissaries of Fredegonde.
But, heedless of their opinions, she installed herself as sovereign guardian of her infant son, and virtual reigning queen of Neustria. It was now the year 584. Fredegonde had by her beauty, ambition, boldness, and unscrupulousness raised herself from the lowly rank of a peasant's daughter to the high position of sovereign over a great dominion, a queenship which she was to hold during the remainder of her life, her strong will, effrontery, artifice, skill in deception, and readiness to strengthen her position by crime, enabling her to overcome all resistance and maintain her ascendancy over the restless and barbarous elements of the kingdom she ruled. She was a true product of the times, one born to become dominant over a barbarous people.
Gregory of Tours tells a story of Chilperic and Fredegonde, which will bear repetition here. In addition to the sons of Chilperic, of whom the queen disposed as we have seen, he had a daughter, Rigouthe by name, whom he promised in marriage to Prince Recared, son of the king of the Visigoths of Spain.
"A grand deputation of Goths came to Paris to fetch the Frankish princess. King Chilperic ordered several families in the fiscal domains to be seized and placed in cars. As a great number of them wept and were not willing to go, he had them kept in prison that he might more easily force them to go away with his daughter. It is said that several, in their despair, hung themselves, fearing to be taken from their parents.
Sons were separated from fathers, daughters from mothers, and all departed with deep groans and maledictions, and in Paris there reigned a desolation like that of Egypt. Not a few, of superior birth, being forced to go away, even made wills whereby they left their possessions to the churches, and demanded that, so soon as the young girl should have entered Spain, their wills should be opened just as if they were already in their graves.
"When King Chilperic gave up his daughter to the ambassadors of the Goths, he presented them with vast treasures. Queen Fredegonde added thereto so great a quantity of gold and silver and valuable vestments that, at the sight thereof, the king thought he must have nought remaining. The queen, perceiving his emotion, turned to the Franks, and said to them,--
"'Think not, warriors, that there is here aught of the treasures of former kings. All that ye see is taken from my own possessions, for my most glorious king has made me many gifts. Thereto have I added of the fruits of my own toil, and a great part proceeds from the revenues I have drawn, either in kind or in money, from the houses that have been ceded unto me. Ye yourselves have given me riches, and ye see here a portion thereof; but there is here nought of the public treasure.'
"And the king was deceived into believing her words. Such was the multitude of golden and silver articles and other precious things that it took fifty wagons to hold them. The Franks, on their part, made many offerings; some gave gold, others silver, sundry gave horses, but most of them vestments.
"At last the young girl, with many tears and kisses, said farewell. As she was passing through the gate an axle of her carriage broke, and all cried out 'Alack!' which was interpreted by some as a presage. She departed from Paris, and at eight miles' distance from the city she had her tents pitched. During the night fifty men arose and, having taken a hundred of the best horses, and as many golden bits and bridles, and two large silver dishes, fled away, and took refuge with King Childebert.
During the whole journey whoever could escape fled away with all that he could lay hands on. It was required also of all the towns that were traversed on the way that they should make great preparations to defray expenses, for the king forbade any contribution from the treasury. All the charges were met by extraordinary taxes levied upon the poor."
In this story there is probably much exaggeration, but it has its significance as a picture of life in the dark ages, from one to the manner born. So far as Fredegonde was concerned, the marriage of Rigouthe removed from her path one possible future rival for the throne.
Twice in the foregoing pages Childebert of Austrasia has been mentioned.
Who was this Childebert, it may be asked? He was the son of Brunehild, whom the Austrasians had preserved after the murder of their king, and as a guardian for whom they had insisted on the return, by Chilperic, of the captive queen. Brunehild from that time reigned in Austrasia during the minority of her son, and in a manner in striking contrast with the reign of her wicked rival.
Unlike the latter, she was a princess by birth, and of that race of Gothic kings who had preserved some traces of the Roman civilization.
Fredegonde was a barbarian, Brunehild a scion of a semi-civilization and far superior to her rival in culture and intellectual power. As a queen she did so much for her country that her name as a public benefactor was long afterwards remembered in the land. The highways, the bridges, all the public works of the state received her careful attention, so much so that the Roman roads in Austrasia received, and long retained, the name of "Brunehild's Causeways." Her name was associated with many other things in the land. In a forest near Bourges men long pointed out "Brunehild's castle," at Etampes was shown "Brunehild's tower," and near Cahors "Brunehild's fort." A more interesting evidence of her activity for the good of her people for ages existed in the by-word of "Brunehild's alms," which long retained the evidence of her abundant charities. She protected men of letters,--a rare production in that day,--and in return we find one of them, Fortunatus, bishop of Poitiers, dedicating poems to her.
But the life of Queen Brunehild was far from being a quiet one. In addition to her conflicts with her mortal foe, Queen Fredegonde, she had her own nobles to fight against. They seem to have detested her from the fact that her palace was filled with royal officers and favorites, whose presence excited the jealousy of the great landholders and warriors. But Brunehild protected them, with unyielding courage, against their foes, and proved herself every inch a queen. It was a semblance of the Roman imperial monarchy which she wished to establish in Austrasia, and to her efforts in this direction were due her struggles with the turbulent lords of the land, whose opposition gave her more and more trouble as time went on.
A story of this conflict is told by Gregory of Tours. One of the palace officers of the queen, Lupus, a Roman by birth, but made by her duke of Champagne, "was being constantly insulted and plundered by his enemies, especially by Ursion Bertfried. At last, having agreed to slay him, they marched against him with an army. At the sight, Brunehild, compassionating the evil case of one of her lieges unjustly presented, assumed a manly courage, and threw herself among the hostile battalions, crying, 'Stay, warriors; refrain from this wicked deed; persecute not the innocent; engage not, for a single man's sake, in a battle which will desolate the country!' 'Back, woman!' said Ursion to her; 'let it suffice thee to have ruled under thy husband's sway. Now it is thy son that reigns, and his kingdom is under our protection, not thine. Back!
if thou wouldst not that the hoofs of our horses trample thee under as the dust of the ground!' After the dispute had lasted some time in this strain, the queen, by her address, at last prevented the battle from taking place."
The words of Ursion were prophetic. To be trampled under horses' hoofs into the dust was the final fate of the queen, though for many years yet she was to retain her power and to keep up her strife with the foes who surrounded her. Far nobler of soul than Fredegonde, she was as strong in all those qualities which go to make a vigorous queen.
But we must hasten on to the end of these royal rivals. Fredegonde died quietly in Paris, in 597, powerful to her death, and leaving on the throne her son Clotaire II., whom she had infected with all her hatred against the queen of Austrasia. Brunehild lived till 614, thirty-nine years after the death of her husband Sigebert, and through the reigns of her son and two of her grandsons, who were but puppets in her hands. Her later years were marked by lack of womanly virtue, and by an unscrupulousness in ridding herself of her enemies significant of barbarous times. At length, when she had reached the advanced age of eighty years, she was deserted by her army and her people whom the crimes imputed to her had incensed, and fell into the hands of her mortal foe, Clotaire II., in whom all the venom of his cruel mother seemed retained.
After having subjected the aged queen to base and gross insults and severe tortures, the crowned wretch had her paraded on a camel in front of his whole army, and then tied by one arm, one foot, and hair of her head to the tail of an unbroken horse, which dashed and kicked her to pieces as he rushed away in affright, before the eyes of the ferocious Clotaire and his army.
By the death of Brunehild and her sons, whom Clotaire also put to death, this king became master of Austrasia, and thus lord of all the Frankish realm, the successor in power of the two queens whose story stands out so prominently in that dark and barbarous age.
_ROLAND AT RONCESVALLES._
From the long, straight ridge of the Pyrenees, stretching from the Bay of Biscay to the Mediterranean, and dividing the land of France from that of Spain, there extend numerous side-hills, like buttresses to the main mountain mass, running far into the plains on either side. Between these rugged buttresses lie narrow valleys, now spreading into broad amphitheatres, now contracting into straightened ravines, winding upward to the passes across the mountain chain. Dense forests often border these valleys, covering the mountain-sides and summits, and hiding with their deep-green foliage the rugged rocks from which they spring. Such is the scene of the celebrated story which we have next to tell.
All these mountain valleys are filled with legends, centring around a great event and a mighty hero of the remote past, whose hand and sword made famous the little vale of Roncesvalles, which lies between the defiles of Sizer and Val Carlos, in the land of the Basques. This hero was Roland, the nephew of the great emperor Charlemagne, who has been given by romantic fiction the first place among the legendary Paladins of France, and made memorable in epic poetry as the hero of the celebrated "Orlando Furioso" of Ariosto, and the less notable "Orlando Innamorato" of Boiardo.
All these stories are based upon a very slender fabric of history, which would have been long since forgotten had not legend clung to it with so loving a hand, and credited its hero with such a multitude of marvellous deeds. The history of the event is preserved for us by Eginhard, the secretary and annalist of Charlemagne. He takes few words to tell what has given rise to innumerable strophes.
In the year 778, Charlemagne invaded Spain, then almost wholly in the hands of the Saracens. His march was a victorious one until Saragossa was reached. Here he found himself before a well-supplied, strongly-fortified, and fully-garrisoned city, while his own army was none too well provided with food. In the end he found it expedient to retreat, leaving Saragossa still in Saracen hands.
The retreat was conducted without loss until the Pyrenees were reached.
These were crossed by the main body of the army without hostile disturbance, leaving to follow the baggage-train and a rear-guard under the king's nephew Roland, prefect of the Marches of Brittany, with whom were Eginhard, master of the household, and Anselm, count of the palace; while legend adds the names of Oliver, Roland's bosom friend, the warlike Archbishop Turpin, and other warriors of renown.
Their route lay through the pass of Roncesvalles so narrow at points that only two, or at most three men could move abreast, while the rugged bordering hills were covered with dense forest, affording a secure retreat for an ambushing foe. It was when the main body of the army was miles in advance, and the rear-guard struggling up this narrow defile, that disaster came. Suddenly the surrounding woods and mountains bristled with life. A host of light-armed Basque mountaineers emerged from the forest, and poured darts and arrows upon the crowded columns of heavily-armed Franks below. Rocks were rolled down the steep declivities, crushing living men beneath their weight. The surprised troops withdrew in haste to the bottom of the valley, death pursuing them at every step. The battle that followed was doubtless a severe and hotly-contested one; the prominent place it has gained in tradition indicates that the Franks must have defended themselves valiantly; but they fought at a terrible disadvantage, and in the end they were killed to a man. Then the assailants, rich with the plunder which they had obtained from the baggage-wagons and the slain bodies, vanished into the forests whence they came, leaving to Charlemagne, when he returned in search of Roland and his men, only the silence of death and the livid heaps of the slain in that terrible valley of slaughter.
Such is the sober fact. Fancy has adorned it with a thousand loving fictions. In the valleys are told a multitude of tales connected with Roland's name. A part of his armor has given its name to a flower of the hills, the _casque de Roland_, a species of hellebore. The _breiche de Roland_, a deep fissure in the mountain crest, is ascribed to a stroke of his mighty blade. The sound of his magic horn still seems to echo around those rugged crests and pulse through those winding valleys, as it did on the day when, as legend says, it was borne to the ears of Charlemagne miles away, and warned him of the deadly peril of his favorite chieftain.
This horn is reputed to have had magical powers. Its sound was so intense as to split all other horns. The story goes that Roland, himself sadly wounded, his fellows falling thickly around him, blew upon it so mighty a blast that the veins and nerves of his neck burst under the effort. The sound reached the ears of Charlemagne, then encamped eight miles away, in the Val Carlos pass.
"It is Roland's horn," he cried. "He never blows it except the extremity be great. We must hasten to his aid."
"I have known him to sound it on light occasions," answered Ganalon, Roland's secret foe. "He is, perhaps, pursuing some wild beast, and the sound echoes through the wood. It would be fruitless to lead back your weary host to seek him."
Charlemagne yielded to his specious argument, and Roland and all his followers died. Charles afterwards discovered the body with the arms extended in the form of a cross, and wept over it his bitterest tears.
"There did Charlemagne," says the legend, "mourn for Orlando to the very last day of his life. On the spot where he died he encamped and caused the body to be embalmed with balsam, myrrh, and aloes. The whole camp watched it that night, honoring his corpse with hymns and songs, and innumerable torches and fires kindled in the adjacent mountains."
At the battle of Hastings the minstrel Taillefer, as we have elsewhere told, rode before the advancing Norman host, singing the "Song of Roland," till a British hand stilled his song and laid him low in death.
This ancient song is attributed, though doubtfully, to Turold, that abbot of Peterborough who was so detested by Hereward the Wake. From it came many of the stories which afterwards were embodied in the epic legends of mediaeval days. To quote a few passages from it may not be amiss. The poet tells us that Roland refused to blow his magic horn in the beginning of the battle. In the end, when ruin and death were gathering fast around, and blood was flowing freely from his own veins, he set his lips to the mighty instrument, and filled vales and mountains with its sound.
"With pain and dolor, groan and pant, Count Roland sounds his Olifant: The crimson stream shoots from his lips; The blood from bursten temple drips; But far, oh, far, the echoes ring, And in the defiles reach the king, Reach Naymes and the French array; ''Tis Roland's horn,' the king doth say; 'He only sounds when brought to bay,'
How huge the rocks! how dark and steep The streams are swift; the valleys deep!
Out blare the trumpets, one and all, As Charles responds to Roland's call.
Round wheels the king, with choler mad The Frenchmen follow, grim and sad; No one but prays for Roland's life, Till they have joined him in the strife.
But, ah! what prayer can alter fate?
The time is past; too late! too late!"
The fight goes on. More of the warriors fall. Oliver dies. Roland and Turpin continue the fight. Once more a blast is sent from the magic horn.