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You cannot always rely on your guides for a tasteful preparation of food. Many of them are ignorant of the difference between frying and broiling, and their notion of boiling a potato or a fish is to reduce it to a pulp. Now and then you find a man who has a natural inclination to the culinary art, and who does very well within familiar limits.

Old Edouard, the Montaignais Indian who cooked for my friends H. E. G.

and C. S. D. last summer on the STE. MARGUERITE EN BAS, was such a man.

But Edouard could not read, and the only way he could tell the nature of the canned provisions was by the pictures on the cans. If the picture was strange to him, there was no guessing what he would do with the contents of the can. He was capable of roasting strawberries, and serving green peas cold for dessert. One day a can of mullagatawny soup and a can of apricots were handed out to him simultaneously and without explanations. Edouard solved the problem by opening both cans and cooking them together. We had a new soup that day, MULLAGATAWNY AUX APRICOTS. It was not as bad as it sounds. It tasted somewhat like chutney.

The real reason why food that is cooked over an open fire tastes so good to us is because we are really hungry when we get it. The man who puts up provisions for camp has a great advantage over the dealers who must satisfy the pampered appetite of people in houses. I never can get any bacon in New York like that which I buy at a little shop in Quebec to take into the woods. If I ever set up in the grocery business, I shall try to get a good trade among anglers. It will be easy to please my customers.

The reputation that trout enjoy as a food-fish is partly due to the fact that they are usually cooked over an open fire. In the city they never taste as good. It is not merely a difference in freshness. It is a change in the sauce. If the truth must be told, even by an angler, there are at least five salt-water fish which are better than trout,--to eat.

There is none better to catch.

IV. THE SMUDGE-FIRE

But enough of the cooking-fire. Let us turn now to the subject of the smudge, known in Lower Canada as LA BOUCANE. The smudge owes its existence to the pungent mosquito, the sanguinary black-fly, and the peppery midge,--LE MARINGOUIN, LA MOUSTIQUE, ET LE BRULOT. To what it owes its English name I do not know; but its French name means simply a thick, nauseating, intolerable smoke.

The smudge is called into being for the express purpose of creating a smoke of this kind, which is as disagreeable to the mosquito, the black-fly, and the midge as it is to the man whom they are devouring.

But the man survives the smoke, while the insects succumb to it, being destroyed or driven away. Therefore the smudge, dark and bitter in itself, frequently becomes, like adversity, sweet in its uses. It must be regarded as a form of fire with which man has made friends under the pressure of a cruel necessity.

It would seem as if it ought to be the simplest affair in the world to light up a smudge. And so it is--if you are not trying.

An attempt to produce almost any other kind of a fire will bring forth smoke abundantly. But when you deliberately undertake to create a smudge, flames break from the wettest timber, and green moss blazes with a furious heat. You hastily gather handfuls of seemingly incombustible material and throw it on the fire, but the conflagration increases.

Grass and green leaves hesitate for an instant and then flash up like tinder. The more you put on, the more your smudge rebels against its proper task of smudging. It makes a pleasant warmth, to encourage the black-flies; and bright light to attract and cheer the mosquitoes. Your effort is a brilliant failure.

The proper way to make a smudge is this. Begin with a very little, lowly fire. Let it be bright, but not ambitious. Don't try to make a smoke yet.

Then gather a good supply of stuff which seems likely to suppress fire without smothering it. Moss of a certain kind will do, but not the soft, feathery moss that grows so deep among the spruce-trees. Half-decayed wood is good; spongy, moist, unpleasant stuff, a vegetable wet blanket.

The bark of dead evergreen trees, hemlock, spruce, or balsam, is better still. Gather a plentiful store of it. But don't try to make a smoke yet.

Let your fire burn a while longer; cheer it up a little. Get some clear, resolute, unquenchable coals aglow in the heart of it. Don't try to make a smoke yet.

Now pile on your smouldering fuel. Fan it with your hat. Kneel down and blow it, and in ten minutes you will have a smoke that will make you wish you had never been born.

That is the proper way to make a smudge. But the easiest way is to ask your guide to make it for you.

If he makes it in an old iron pot, so much the better, for then you can move it around to the windward when the breeze veers, and carry it into your tent without risk of setting everything on fire, and even take it with you in the canoe while you are fishing.

Some of the pleasantest pictures in the angler's gallery of remembrance are framed in the smoke that rises from a smudge.

With my eyes shut, I can call up a vision of eight birch-bark canoes floating side by side on Moosehead Lake, on a fair June morning, fifteen years ago. They are anchored off Green Island, riding easily on the long, gentle waves. In the stern of each canoe there is a guide with a long-handled net; in the bow, an angler with a light fly-rod; in the middle, a smudge-kettle, smoking steadily. In the air to the windward of the little fleet hovers a swarm of flies drifting down on the shore breeze, with bloody purpose in their breasts, but baffled by the protecting smoke. In the water to the leeward plays a school of speckled trout, feeding on the minnows that hang around the sunken ledges of rock. As a larger wave than usual passes over the ledges, it lifts the fish up, and you can see the big fellows, three, and four, and even five pounds apiece, poising themselves in the clear brown water. A long cast will send the fly over one of them. Let it sink a foot. Draw it up with a fluttering motion. Now the fish sees it, and turns to catch it. There is a yellow gleam in the depth, a sudden swirl on the surface; you strike sharply, and the trout is matching his strength against the spring of your four ounces of split bamboo.

You can guess at his size, as he breaks water, by the breadth of his tail: a pound of weight to an inch of tail,--that is the traditional measure, and it usually comes pretty close to the mark, at least in the case of large fish. But it is never safe to record the weight until the trout is in the canoe. As the Canadian hunters say, "Sell not the skin of the bear while he carries it."

Now the breeze that blows over Green Island drops away, and the smoke of the eight smudge-kettles falls like a thick curtain. The canoes, the dark shores of Norcross Point, the twin peaks of Spencer Mountain, the dim blue summit of Katahdin, the dazzling sapphire sky, the flocks of fleece-white clouds shepherded on high by the western wind, all have vanished. With closed eyes I see another vision, still framed in smoke,--a vision of yesterday.

It is a wild river flowing into the Gulf of St. Lawrence, on the COTE NORD, far down towards Labrador. There is a long, narrow, swift pool between two parallel ridges of rock. Over the ridge on the right pours a cataract of pale yellow foam. At the bottom of the pool, the water slides down into a furious rapid, and dashes straight through an impassable gorge half a mile to the sea. The pool is full of salmon, leaping merrily in their delight at coming into their native stream. The air is full of black-flies, rejoicing in the warmth of the July sun. On a slippery point of rock, below the fall, are two anglers, tempting the fish and enduring the flies. Behind them is an old HABITANT raising a mighty column of smoke.

Through the cloudy pillar which keeps back the Egyptian host, you see the waving of a long rod. A silver-gray fly with a barbed tail darts out across the pool, swings around with the current, well under water, and slowly works past the big rock in the centre, just at the head of the rapid. Almost past it, but not quite: for suddenly the fly disappears; the line begins to run out; the reel sings sharp and shrill; a salmon is hooked.

But how well is he hooked? That is the question. This is no easy pool to play a fish in. There is no chance to jump into a canoe and drop below him, and get the current to help you in drowning him. You cannot follow him along the shore. You cannot even lead him into quiet water, where the gaffer can creep near to him unseen and drag him in with a quick stroke. You must fight your fish to a finish, and all the advantages are on his side. The current is terribly strong. If he makes up his mind to go downstream to the sea, the only thing you can do is to hold him by main force; and then it is ten to one that the hook tears out or the leader breaks.

It is not in human nature for one man to watch another handling a fish in such a place without giving advice. "Keep the tip of your rod up.

Don't let your reel overrun. Stir him up a little, he 's sulking. Don't let him 'jig,' or you'll lose him. You 're playing him too hard. There, he 's going to jump again. Drop your tip. Stop him, quick! he 's going down the rapid!"

Of course the man who is playing the salmon does not like this. If he is quick-tempered, sooner or later he tells his counsellor to shut up. But if he is a gentle, early-Christian kind of a man, wise as a serpent and harmless as a dove, he follows the advice that is given to him, promptly and exactly. Then, when it is all ended, and he has seen the big fish, with the line over his shoulder, poised for an instant on the crest of the first billow of the rapid, and has felt the leader stretch and give and SNAP!--then he can have the satisfaction, while he reels in his slack line, of saying to his friend, "Well, old man, I did everything just as you told me. But I think if I had pushed that fish a little harder at the beginning, AS I WANTED TO, I might have saved him."

But really, of course, the chances were all against it. In such a pool, most of the larger fish get away. Their weight gives them a tremendous pull. The fish that are stopped from going into the rapid, and dragged back from the curling wave, are usually the smaller ones. Here they are,--twelve pounds, eight pounds, six pounds, five pounds and a half, FOUR POUNDS! Is not this the smallest salmon that you ever saw? Not a grilse, you understand, but a real salmon, of brightest silver, hall-marked with St. Andrew's cross.

Now let us sit down for a moment and watch the fish trying to leap up the falls. There is a clear jump of about ten feet, and above that an apparently impossible climb of ten feet more up a ladder of twisting foam. A salmon darts from the boiling water at the bottom of the fall like an arrow from a bow. He rises in a beautiful curve, fins laid close to his body and tail quivering; but he has miscalculated his distance.

He is on the downward curve when the water strikes him and tumbles him back. A bold little fish, not more than eighteen inches long, makes a jump at the side of the fall, where the water is thin, and is rolled over and over in the spray. A larger salmon rises close beside us with a tremendous rush, bumps his nose against a jutting rock, and flops back into the pool. Now comes a fish who has made his calculations exactly.

He leaves the pool about eight feet from the foot of the fall, rises swiftly, spreads his fins, and curves his tail as if he were flying, strikes the water where it is thickest just below the brink, holds on desperately, and drives himself, with one last wriggle, through the bending stream, over the edge, and up the first step of the foaming stairway. He has obeyed the strongest instinct of his nature, and gone up to make love in the highest fresh water that he can reach.

The smoke of the smudge-fire is sharp and tearful, but a man can learn to endure a good deal of it when he can look through its rings at such scenes as these.

V. THE LITTLE FRIENDSHIP-FIRE

There are times and seasons when the angler has no need of any of the three fires of which we have been talking. He sleeps in a house. His breakfast and dinner are cooked for him in a kitchen. He is in no great danger from black-flies or mosquitoes. All he needs now, as he sets out to spend a day on the Neversink, or the Willowemoc, or the Shepaug, or the Swiftwater, is a good lunch in his pocket, and a little friendship-fire to burn pleasantly beside him while he eats his frugal fare and prolongs his noonday rest.

This form of fire does less work than any other in the world. Yet it is far from being useless; and I, for one, should be sorry to live without it. Its only use is to make a visible centre of interest where there are two or three anglers eating their lunch together, or to supply a kind of companionship to a lone fisherman. It is kindled and burns for no other purpose than to give you the sense of being at home and at ease. Why the fire should do this, I cannot tell, but it does.

You may build your friendship-fire in almost any way that pleases you; but this is the way in which you shall build it best. You have no axe, of course, so you must look about for the driest sticks that you can find. Do not seek them close beside the stream, for there they are likely to be water-soaked; but go back into the woods a bit and gather a good armful of fuel. Then break it, if you can, into lengths of about two feet, and construct your fire in the following fashion.

Lay two sticks parallel, and put between them a pile of dried grass, dead leaves, small twigs, and the paper in which your lunch was wrapped.

Then lay two other sticks crosswise on top of your first pair. Strike your match and touch your kindlings. As the fire catches, lay on other pairs of sticks, each pair crosswise to the pair that is below it, until you have a pyramid of flame. This is "a Micmac fire" such as the Indians make in the woods.

Now you can pull off your wading-boots and warm your feet at the blaze.

You can toast your bread if you like. You can even make shift to broil one of your trout, fastened on the end of a birch twig if you have a fancy that way. When your hunger is satisfied, you shake out the crumbs for the birds and the squirrels, pick up a stick with a coal at the end to light your pipe, put some more wood on your fire, and settle down for an hour's reading if you have a book in your pocket, or for a good talk if you have a comrade with you.

The stream of time flows swift and smooth, by such a fire as this. The moments slip past unheeded; the sun sinks down his western arch; the shadows begin to fall across the brook; it is time to move on for the afternoon fishing. The fire has almost burned out. But do not trust it too much. Throw some sand over it, or bring a hatful of water from the brook to pour on it, until you are sure that the last glowing ember is extinguished, and nothing but the black coals and the charred ends of the sticks are left.

Even the little friendship-fire must keep the law of the bush. All lights out when their purpose is fulfilled!

VI. ALTARS OF REMEMBRANCE

It is a question that we have often debated, in the informal meetings of our Petrine Club: Which is pleasanter,--to fish an old stream, or a new one?

The younger members are all for the "fresh woods and pastures new."

They speak of the delight of turning off from the high-road into some faintly-marked trail; following it blindly through the forest, not knowing how far you have to go; hearing the voice of waters sounding through the woodland; leaving the path impatiently and striking straight across the underbrush; scrambling down a steep bank, pushing through a thicket of alders, and coming out suddenly, face to face with a beautiful, strange brook. It reminds you, of course, of some old friend.

It is a little like the Beaverkill, or the Ausable, or the Gale River. And yet it is different. Every stream has its own character and disposition. Your new acquaintance invites you to a day of discoveries.

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