The boy and I agreed that if this did not teach a good moral lesson it was not our fault.
I obtained the boy's consent to admit the partner of my life's joys and two of our children to the secret of the brook, and thereafter, when we visited it, we took the fly-rod with us. If by chance another boat passed us in the estuary, we were never fishing, but only gathering flowers, or going for a picnic, or taking photographs. But when the uninitiated ones had passed by, we would get out the rod again, and try a few more casts.
One day in particular I remember, when Graygown and little Teddy were my companions. We really had no hopes of angling, for the hour was mid-noon, and the day was warm and still. But suddenly the trout, by one of those unaccountable freaks which make their disposition so interesting and attractive, began to rise all about us in a bend of the stream.
"Look!" said Teddy; "wherever you see one of those big smiles on the water, I believe there's a fish!"
Fortunately the rod was at hand. Graygown and Teddy managed the boat and the landing-net with consummate skill. We landed no less than a dozen beautiful fish at that most unlikely hour and then solemnly shook hands all around.
There is a peculiar pleasure in doing a thing like this, catching trout in a place where nobody thinks of looking for them, and at an hour when everybody believes they cannot be caught. It is more fun to take one good fish out of an old, fished-out stream, near at hand to the village, than to fill a basket from some far-famed and well-stocked water. It is the unexpected touch that tickles our sense of pleasure. While life lasts, we are always hoping for it and expecting it. There is no country so civilized, no existence so humdrum, that there is not room enough in it somewhere for a lazy, idle brook, an encourager of indolence, with hope of happy surprises.
THE OPEN FIRE
"It is a vulgar notion that a fire is only for heat. A chief value of it is, however, to look at. And it is never twice the same."
--CHARLES DUDLEY WARNER: Backlog Studies.
I. LIGHTING UP
Man is the animal that has made friends with the fire.
All the other creatures, in their natural state, are afraid of it. They look upon it with wonder and dismay. It fascinates them, sometimes, with its glittering eyes in the night. The squirrels and the hares come pattering softly towards it through the underbrush around the new camp.
The fascinated deer stares into the blaze of the jack-light while the hunter's canoe creeps through the lily-pads. But the charm that masters them is one of dread, not of love. It is the witchcraft of the serpent's lambent look. When they know what it means, when the heat of the fire touches them, or even when its smell comes clearly to their most delicate sense, they recognize it as their enemy, the Wild Huntsman whose red hounds can follow, follow for days without wearying, growing stronger and more furious with every turn of the chase. Let but a trail of smoke drift down the wind across the forest, and all the game for miles and miles will catch the signal for fear and flight.
Many of the animals have learned how to make houses for themselves.
The CABANE of the beaver is a wonder of neatness and comfort, much preferable to the wigwam of his Indian hunter. The muskrat knows how thick and high to build the dome of his waterside cottage, in order to protect himself against the frost of the coming winter and the floods of the following spring. The woodchuck's house has two or three doors; and the squirrel's dwelling is provided with a good bed and a convenient storehouse for nuts and acorns. The sportive otters have a toboggan slide in front of their residence; and the moose in winter make a "yard," where they can take exercise comfortably and find shelter for sleep. But there is one thing lacking in all these various dwellings,--a fireplace.
Man is the only creature that dares to light a fire and to live with it.
The reason? Because he alone has learned how to put it out.
It is true that two of his humbler friends have been converted to fire-worship. The dog and the cat, being half-humanized, have begun to love the fire. I suppose that a cat seldom comes so near to feeling a true sense of affection as when she has finished her saucer of bread and milk, and stretched herself luxuriously underneath the kitchen stove, while her faithful mistress washes up the dishes. As for a dog, I am sure that his admiring love for his master is never greater than when they come in together from the hunt, wet and tired, and the man gathers a pile of wood in front of the tent, touches it with a tiny magic wand, and suddenly the clear, consoling flame springs up, saying cheerfully, "Here we are, at home in the forest; come into the warmth; rest, and eat, and sleep." When the weary, shivering dog sees this miracle, he knows that his master is a great man and a lord of things.
After all, that is the only real open fire. Wood is the fuel for it.
Out-of-doors is the place for it. A furnace is an underground prison for a toiling slave. A stove is a cage for a tame bird. Even a broad hearthstone and a pair of glittering andirons--the best ornament of a room--must be accepted as an imitation of the real thing. The veritable open fire is built in the open, with the whole earth for a fireplace and the sky for a chimney.
To start a fire in the open is by no means as easy as it looks. It is one of those simple tricks that every one thinks he can perform until he tries it.
To do it without trying,--accidentally and unwillingly,--that, of course, is a thing for which any fool is fit. You knock out the ashes from your pipe on a fallen log; you toss the end of a match into a patch of grass, green on top, but dry as punk underneath; you scatter the dead brands of an old fire among the moss,--a conflagration is under way before you know it.
A fire in the woods is one thing; a comfort and a joy. Fire in the woods is another thing; a terror, an uncontrollable fury, a burning shame.
But the lighting up of a proper fire, kindly, approachable, serviceable, docile, is a work of intelligence. If, perhaps, you have to do it in the rain, with a single match, it requires no little art and skill.
There is plenty of wood everywhere, but not a bit to burn. The fallen trees are waterlogged. The dead leaves are as damp as grief. The charred sticks that you find in an old fireplace are absolutely incombustible.
Do not trust the handful of withered twigs and branches that you gather from the spruce-trees. They seem dry, but they are little better for your purpose than so much asbestos. You make a pile of them in some apparently suitable hollow, and lay a few larger sticks on top. Then you hastily scratch your solitary match on the seat of your trousers and thrust it into the pile of twigs. What happens? The wind whirls around in your stupid little hollow, and the blue flame of the sulphur spirts and sputters for an instant, and then goes out. Or perhaps there is a moment of stillness; the match flares up bravely; the nearest twigs catch fire, crackling and sparkling; you hurriedly lay on more sticks; but the fire deliberately dodges them, creeps to the corner of the pile where the twigs are fewest and dampest, snaps feebly a few times, and expires in smoke. Now where are you? How far is it to the nearest match?
If you are wise, you will always make your fire before you light it.
Time is never saved by doing a thing badly.
II. THE CAMP-FIRE
In the making of fires there is as much difference as in the building of houses. Everything depends upon the purpose that you have in view. There is the camp-fire, and the cooking-fire, and the smudge-fire, and the little friendship-fire,--not to speak of other minor varieties. Each of these has its own proper style of architecture, and to mix them is false art and poor economy.
The object of the camp-fire is to give heat, and incidentally light, to your tent or shanty. You can hardly build this kind of a fire unless you have a good axe and know how to chop. For the first thing that you need is a solid backlog, the thicker the better, to hold the heat and reflect it into the tent. This log must not be too dry, or it will burn out quickly. Neither must it be too damp, else it will smoulder and discourage the fire. The best wood for it is the body of a yellow birch, and, next to that, a green balsam. It should be five or six feet long, and at least two and a half feet in diameter. If you cannot find a tree thick enough, cut two or three lengths of a smaller one; lay the thickest log on the ground first, about ten or twelve feet in front of the tent; drive two strong stakes behind it, slanting a little backward; and lay the other logs on top of the first, resting against the stakes.
Now you are ready for the hand-chunks, or andirons. These are shorter sticks of wood, eight or ten inches thick, laid at right angles to the backlog, four or five feet apart. Across these you are to build up the firewood proper.
Use a dry spruce-tree, not one that has fallen, but one that is dead and still standing, if you want a lively, snapping fire. Use a hard maple or a hickory if you want a fire that will burn steadily and make few sparks. But if you like a fire to blaze up at first with a splendid flame, and then burn on with an enduring heat far into the night, a young white birch with the bark on is the tree to choose. Six or eight round sticks of this laid across the hand-chunks, with perhaps a few quarterings of a larger tree, will make a glorious fire.
But before you put these on, you must be ready to light up. A few splinters of dry spruce or pine or balsam, stood endwise against the backlog, or, better still, piled up in a pyramid between the hand-chunks; a few strips of birch-bark; and one good match,--these are all that you want. But be sure that your match is a good one. It is better to see to this before you go into the brush. Your comfort, even your life, may depend on it.
"AVEC CES ALLUMETTES-LA," said my guide at LAC ST. JEAN one day, as he vainly tried to light his pipe with a box of parlour matches from the hotel,--AVEC CES GNOGNOTTES D'ALLUMETTES ON POURRA MOURIR AU BOIS!"
In the woods, the old-fashioned brimstone match of our grandfathers--the match with a brown head and a stout stick and a dreadful smell--is the best. But if you have only one, do not trust even that to light your fire directly. Use it first to touch off a roll of birch-bark which you hold in your hand. Then, when the bark is well alight, crinkling and curling, push it under the heap of kindlings, give the flame time to take a good hold, and lay your wood over it, a stick at a time, until the whole pile is blazing. Now your fire is started. Your friendly little red-haired gnome is ready to serve you through the night.
He will dry your clothes if you are wet. He will cheer you up if you are despondent. He will diffuse an air of sociability through the camp, and draw the men together in a half circle for storytelling and jokes and singing. He will hold a flambeau for you while you spread your blankets on the boughs and dress for bed. He will keep you warm while you sleep,--at least till about three o'clock in the morning, when you dream that you are out sleighing in your pajamas, and wake up with a shiver.
"HOLA, FERDINAND, FRANCOIS!" you call out from your bed, pulling the blankets over your ears; "RAMANCHEZ LE FEU, S'IL VOUS PLAIT. C'EST UN FREITE DE CHIEN."
III. THE COOKING-FIRE
Of course such a fire as I have been describing can be used for cooking, when it has burned down a little, and there is a bed of hot embers in front of the backlog. But a correct kitchen fire should be constructed after another fashion. What you want now is not blaze, but heat, and that not diffused, but concentrated. You must be able to get close to your fire without burning your boots or scorching your face.
If you have time and the material, make a fireplace of big stones. But not of granite, for that will split with the heat, and perhaps fly in your face.
If you are in a hurry and there are no suitable stones at hand, lay two good logs nearly parallel with each other, a foot or so apart, and build your fire between them. For a cooking-fire, use split wood in short sticks. Let the first supply burn to glowing coals before you begin.
A frying-pan that is lukewarm one minute and red-hot the next is the abomination of desolation. If you want black toast, have it made before a fresh, sputtering, blazing heap of wood.
In fires, as in men, an excess of energy is a lack of usefulness. The best work is done without many sparks. Just enough is the right kind of a fire and a feast.
To know how to cook is not a very elegant accomplishment. Yet there are times and seasons when it seems to come in better than familiarity with the dead languages, or much skill upon the lute.