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[Illustration: Rodin's "Thinker"]

Baedeker is quite right about that. He might also have added that the "Windy City" is not so windy as New York, and that the old legend, now almost forgotten, to the effect that Chicago girls have big feet is equally untrue. There is still some wind in Chicago; thanks to it and to the present mode in dress, I was able to assure myself quite definitely upon the size of Chicago feet. I not only saw them upon the streets; I saw them also at dances: twinkling, slippered feet as small as any in the land; and, again owing to the present mode, I saw not only pretty feet, but also--However, I am digressing. That is enough about feet. I fear I have already let them run away with me.

A friend of mine who visited Chicago for the first time, a year ago, came back appreciative of her wonders, but declaring her provincial.

"Why do you say provincial?" I asked.

"Because you can't pick up a taxi in the street," he said.

And it is true. I was chagrined at his discovery--not so much because of its truth, however, as because it was the discovery of a New Yorker. I always defend Chicago against New Yorkers, for I love the place, partly for itself and partly because I was born and spent my boyhood there.

I know a great many other ex-Chicagoans who now live in New York, as I do, and I have noticed with amusement that the side we take depends upon the society in which we are. If we are with Chicagoans, we defend New York; if with New Yorkers, we defend Chicago. We are like those people in the circus who stand upon the backs of two horses at once. Only among ourselves do we go in for candor.

The other day I met a man and his wife, transplanted Chicagoans, on the street in New York.

"How long have you been here?" I asked.

"Three years," said the husband.

"Why did you come?"

"For business reasons."

"How do you like the change?"

The husband hesitated. "Well, I've done a great deal better here than I ever did in Chicago," he said.

"How do you like it?" I asked the wife.

"New York gives us more advantages," she said, "but I prefer Chicago people."

"Would you like to go back?"

The wife hesitated, but the husband shook his head.

"No," he replied, "there's something about New York that gets into your blood. To go back to Chicago would seem like retrograding."

Among my notes I find the record of a conversation with a New York girl who married a Chicago man and went out there to live.

"I was very lonely at first," she said. "One day a man came around selling pencils. I happened to see him at the door. He said: 'I'm an actor, and I'm trying to raise money to get back to New York.' As I was feeling then I'd have given him anything in the house just because that was where he wanted to go. I gave him some money. 'Here,' I said, 'you take this and go on back to New York.' 'Why,' he inquired, 'are you from New York, too?' I said I was. Then he asked me: 'What are you doing away out here?' 'Oh,' I told him, 'this is my home now. I live here.' He thanked me, and as he put the money in his pocket he shook his head and said: 'Too bad! Too bad!'

"That will show you how I felt at first. But when I came to know Chicago people I liked them. And now I wouldn't go back for anything."

There is testimony from both sides.

With the literary man the situation is, perhaps, a little different. New York is practically his one big market place. I was speaking about that the other day with an author who used to live in Chicago.

"The atmosphere out there is not nearly so stimulating for a writer," he assured me. "Here, in New York, even a pretty big writer is lost in the shuffle. There, he is a shining mark. The Chicago writers are likely to be a little bit self-conscious and naive. They have their own local literary gods, and they're rather inclined to sit around and talk solemnly about 'Art with a capital A.'"

Necessarily, when the adherents of two cities start an argument, they are confined to concrete points. They talk about opera and theaters and buildings and hotels and stores, and seldom touch upon such subtle things as city spirit. For spirit is a hard thing to deal with and a harder thing to prove. Yet "greatness knows itself." Chicago unquestionably knows that it is great, and that its greatness is of the spirit. But the Chicagoan, debating in favor of his city, is unable to "get that over," and is therefore obliged to fall back upon two last, invariable defenses: the department store of Marshall Field & Co. and the Blackstone Hotel.

The Blackstone he will tell you, with an eye lit by fanatical belief, is positively the finest hotel in the whole United States. Mention the Ritz, the Plaza, the St. Regis, the Biltmore, or any other hotel to him, and it makes no difference; the Blackstone is the best. As to Marshall Field's, he is no less positive: It is not merely the largest but also the very finest store in the whole world.

I have never stopped at any of those hotels with which the New Yorker would attempt to defeat the Blackstone. But I have stopped at the Blackstone, and it is undeniably a very good hotel. One of the most agreeable things about it is the air of willing service which one senses in its staff. It is an excellent manager who can instil into his servants that spirit which causes them to seem to be eternally on tiptoe--not for a tip but for a chance to serve. Further, the Blackstone occupies a position, with regard to the fashionable life of Chicago, which is not paralleled by any single hotel in New York. Socially it is preeminently the place.

General dancing in such public restaurants as Rector's--the original Rector's is in Chicago, you know--and in the dining rooms of some hotels, was started in Chicago, but was soon stopped by municipal regulation. Since that time other schemes have been devised. Dances are held regularly in the ballrooms of most of the hotels, but are managed as clubs or semi-private gatherings. This arrangement has its advantages. It would have its advantages, indeed, if it did nothing more than put the brakes on the dancing craze--as any one can testify who has seen his friends offering up their business and their brains as a sacrifice to Terpsichore. But that is not what I started to say. The advantage of the system which was in vogue at the Blackstone, when I was there, is that, to get into the ballroom people must be known; wherefore ladies who still have doubts as to the propriety of dancing in a public restaurant need not, and do not, hesitate to go there and dance to their toes' content.

CHAPTER XII

FIELD'S AND THE "TRIBUNE"

Of course we visited Marshall Field's.

The very obliging gentleman who showed us about the inconceivably enormous buildings, rushing from floor to floor, poking in and out through mysterious, baffling doors and passage-ways, now in the public part of the store where goods are sold, now behind the scenes where they are made--this gentleman seemed to have the whole place in his head--almost as great a feat as knowing the whole world by heart.

"How much time can you spare?" he asked as we set out from the top floor, where he had shown us a huge recreation room, gymnasium, and dining room, all for the use of the employees.

"How long should it take?"

"It can be done in two hours," he said, "if we keep moving all the time."

"All right," I said--and we did keep moving. Through great rooms full of trunks, of brass beds, through vast galleries of furniture, through restaurants, grilles, afternoon tea rooms, rooms full of curtains and coverings and cushions and corsets and waists and hats and carpets and rugs and linoleum and lamps and toys and stationery and silver, and Heaven only knows what else, over miles and miles of pleasant, soft, green carpet, I trotted along beside the amazing man who not only knew the way, but seemed even to know the clerks. Part of the time I tried to look about me at the phantasmagoria of things with which civilization has encumbered the human race; part of the time I listened to our cicerone; part of the time I walked blindly, scribbling notes, while my companion guided my steps.

Here are some of the notes:

Ten thousand employees in retail store----Choral society, two hundred members, made up of sales-people----Twelve baseball teams in retail store; twelve in wholesale; play during season, and, finally, for championship cup, on "Marshall Field Day"----Lectures on various topics, fabrics, etc., for employees, also for outsiders: women's clubs, etc.----Employees' lunch: soup, meat, vegetables, etc., sixteen cents----Largest retail custom dressmaking business in the country----Largest business in ready-made apparel----Largest retail millinery business----Largest retail shoe business----Largest branch of Chicago public library (for employees)----Largest postal sub-station in Chicago----Largest--largest--largest!

Now and then when something interested me particularly we would pause and catch our breath. Once we stopped for two or three minutes in a fine schoolroom, where some stock-boys and stock-girls were having a lesson in fractions--"to fit them for better positions." Again we paused in a children's playroom, where mothers left their youngsters while they went to do their shopping, and where certain youngsters, thus deposited, were having a gorgeous time, sliding down things, and running around other things, and crawling over and under still other things. Still again we paused at the telephone switchboard--a switchboard large enough to take care of the entire business of a city of the size of Springfield, the capital of Illinois. And still again we paused at the postal sub-station, where fifty to sixty thousand dollars' worth of stamps are sold in a year, and which does as great a postal business, in the holiday season, as the whole city of Milwaukee does at the same period.

At one time we would be walking through a great shirt factory, set off in one corner of that endless building, all unknown to the shoppers who never get behind the scenes; then we would pop out again into the dressed-up part of the store, just as one goes from the kitchen and the pantry of a house into the formality of dining room and drawing room.

And as we appeared thus, and our guide was recognized as the assistant manager of all that kingdom, with its population of ten thousand, saleswomen would rise suddenly from seats, little gossiping groups would disperse quickly, and floor men, who had been talking with saleswomen, would begin to occupy themselves with other matters. I remember coming upon a "silence room" for saleswomen--a large, dark, quiet chamber, in which was an attendant; also a saleswoman who was restlessly resting by rocking herself in a chair. And as we moved through the store we kept taking off our hats as we went behind the scenes, and putting them on as we emerged into the public parts. Never before had I realized how much of a department store is a world unseen by shoppers. At one point, in that hidden world, a vast number of women were sewing upon dresses. I had hardly time to look upon this picture when, rushing through a little door, in pursuit of my active guide, I found myself in a maze of glass, and long-piled carpets, and mahogany, and electric light, and pretty frocks, disposed about on forms. Also disposed about were many "perfect thirty-sixes," with piles of taffy-colored hair, doing the "debutante slouch" in their trim black costumes, so slinky and alluring. Here I had a strong impulse to halt, to pause and examine the carpets and woodwork, and one thing and another. But no! Our guardian had a professional pride in getting us through the store within two hours, according to his promise. I would gladly have allowed him an extra ten minutes if I could have spent it in that place, but on we went--my companion and I dragging behind a little and looking backward at the Lorelei--I remember that, because I ran into a man and knocked my hat off.

At last we came to the information bureau, and as there was a particularly attractive young person behind the desk, it occurred to me that this would be a fine time to get a little information.

"I wonder if I can stump that sinuous sibyl," I said.

"Try it," said our conductor.

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